SKU: 37649570583

Maximus MX2-45, Lithium, 45 km/h

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Description

Maximus MX2-45, Lithium, 45 km/hMaximus MX2 45 Der stylische und leistungsstarke MAXIMUS MX2 E Roller steht fr eine bequeme und umweltfreundliche Mobilitt eine perfekte Kombination aus Leistung, Stil und Funktionalitt. Der Elektroroller verfgt ber eine Straenzulassung und ist somit auf ffentlichen Straen zugelassen. Ein Must have fr alle, die ein praktisches, zuverlssiges, kosteneffizientes und umweltfreundliches Elektrofahrzeug suchen. Der agile und manvrierfhige MAXIMUS MX2 45 ist


Maximus MX2-45

 

Der stylische und leistungsstarke MAXIMUS MX2 E-Roller steht für eine bequeme und umweltfreundliche Mobilität - eine perfekte Kombination aus Leistung, Stil und Funktionalität. Der Elektroroller verfügt über eine Straßenzulassung und ist somit auf öffentlichen Straßen zugelassen.

Ein Must-have für alle, die ein praktisches, zuverlässiges, kosteneffizientes und umweltfreundliches Elektrofahrzeug suchen.

Der agile und manövrierfähige MAXIMUS MX2-45 ist einfach zu fahren und eine gute Wahl für enge Straßen und Verkehr in den Innenstädten. Der wendige Zweisitzer ermöglicht es dem Fahrer sich bequem durch Staus zu bewegen und an Orte zu gelangen an die ein Auto nur langsam oder gar nicht herankommt.
Mit einer 15% Steigfähigkeit erklimmt er auch eine bergige Umgebung.

Dank dem leistungsstarken 3000 Watt Elektromotor und einer Betriebsspannung von 60 Volt, erreicht der MAXIMUS schnell die maximale Geschwindigkeit von 45 km/h. Das automatische Getriebe sorgt für eine bequeme Fahrt ohne manuelle Gangwechsel. Mit Hilfe der dreistufigen Geschwindigkeitsschaltung lässt sich das Tempo leicht auf 25 km/h, 35 km/h oder 45 km/h anpassen. Mit einer Akkuladung schafft der Elektroscooter eine sehr hohe Reichweite von ca. 85 km!

Der 60V-32,5Ah Lithium-Akku kann einfach entnommen und an einer 230V Steckdose aufgeladen werden. Da der Akku transportabel ist , kann er an jedem beliebigen Ort (Zuhause oder am Arbeitsplatz) aufgeladen werden, was die Ladeflexibilität zusätzlich erhöht.
Doppelte Reichweite – Doppelte Freiheit: Mit unserem MAXIMUS MX2-45, der zwei Akkus gleichzeitig mitführen kann, ist man noch länger und unbesorgt unterwegs. Mit zwei Lithium-Akkus erhöht sich die Reichweite auf ca. 170 km.

Mit seiner großen Sitzbank und 165 kg Maximalzuladung kann/darf der E-Scooter zu zweit gefahren werden und ist somit perfekt für gemeinsame Ausflüge. Damit der Beifahrer mehr Beinkomfort hat, sind klappbare Fußrasten verbaut.

Die Federung vorne und hinten garantiert eine angenehme Fahrt, egal wohin die Reise geht und wie uneben die Straße ist. Die Teleskopgabel vorne absorbiert Unebenheiten der Straße, während die Stoßdämpfer hinten Stöße und Vibrationen reduzieren.

Der Maximus ist mit Scheibenbremsen vorne und einer Trommelbremse hinten ausgestattet, um eine sichere und zuverlässige Bremsleistung zu gewährleisten. Diese Kombination sorgt für eine gleichmäßige Verteilung der Bremskraft auf beide Räder. Zusammen bieten diese Bremsen eine hohe Sicherheit und Kontrolle bei der Fahrt, auch bei etwas schwierigen Straßenbedienungen.

Das große, multifunktionale Display zeigt alle wichtigen Informationen wie Geschwindigkeit, Geschwindigkeitsstufe, Streckenkilometeranzeige und Akkuladezustand an.
Die LED-Scheinwerfer bieten eine hervorragende Leuchtkraft, sind langlebig und energieeffizient. Sie sorgen für gute Sichtbarkeit und Sicherheit bei Dunkelheit oder schlechtem Wetter.
Die Windschutzscheibe ist ein weiteres wichtiges Feature des Elektrorollers. Diese ermöglicht es geschützt vor Wind, fliegendem Laub und Insekten zu fahren. Dies sorgt für eine angenehme Fahrt und man kann sicher durch die Landschaft cruisen.
Die Handyhalterung ermöglicht es das Handy am Lenkrad zu befestigen, um z.B. eine Navigationsapp während der Fahrt nutzen zu können.
Der USB-Anschluss sorgt dafür, dass Ihr Smartphone jederzeit aufgeladen bleibt und Ladeprobleme vermieden werden.
Der abschließbare Koffer (Topcase) bietet zusätzlichen Stauraum für Gegenstände, die man unterwegs benötigt, wie z.B. Helm, Regenkleidung oder Einkäufe.

Der Elektroroller überzeugt nicht nur durch seine herausragende Leistung, sondern auch durch sein modernes Design. Die Farbkombinationen aus schwarz und rot sowie die großen LED-Scheinwerfer verleihen dem Fahrzeug eine sportliche Optik und setzen es optimal in Szene.

 

Technische Daten
Höchstgeschwindigkeit bis 45 km/h
Motor 3000 Watt/ 60V, Nabenmotor Hinterrad
Schaltung Automatisch
Akku 60V/ 32,5 Ah, Lihtium Akku, entnehmbar
Akku-Box Gewicht 14 kg
Ladezyklen 700-800
Ladezeit 6-8 Stunden
Reichweite ca. 85km, anhängig von Topografie, Zuladung
Reifendruck etc.
Steigfähigkeit 8.5 Grad (15%)
Bremsanlage Scheibenbremse vorne, Trommelbremse hinten
Rahmen Stahlrohrrahmen
Bereifung 3.5-13'' (F&R), schlauchlos, Luftdruck 2,25 bar (32 PSI)
Federung vorne gedämpfte Teleskopgabel, hinten 2 Stoßdämpfer
Rad-Durchmesser 41 cm
Beleuchtung E-Mark zertifiziert, LED-Abblend und Fernlicht
LED- Brems- und Rücklicht, LED-Blinker
Cockpit/ Tacho Geschwindigkeitsanzeige, Akkuladeanzeige, Symbole
für Licht und Blinker, Gesamtkilometeranzeige
weitere Ausstattung USB-Ladebuchse 5V/ 1A, digitaler Tachometer,
Topcase, 2x Zündschlüssel, Alarmanlage mit 2x
Fernbedienung, Winschutzscheibe
Farbe Rot/ Schwarz
Sitz Sitzbank
Eigengewicht inkl. Akku 116 kg
Zulässiges Gesamtgewicht 281 kg
Zuladung 165 kg
Sitzhöhe 820 mm
Abmessung aufgebaut (LxBxH) 2140 x 725 x 1340 mm
Zulassung für 2 Personen, EU-Betriebserlaubnis (EEC)
Zubehör Ladegerät, 2x Spiegel, Topcase, Handyhalterung
Handbuch, EEC-Dokument
 

Rechtliche Bestimmungen und allgemeine Hinweise

Helmpflicht
Es besteht Helmpflicht.

Haftpflichtversicherung
Elektrofahrzeuge sind versicherungs- und kennzeichenpflichtig!
Bei Abschluss dieser Versicherung erhalten Sie ein Versicherungskennzeichen,
das am Fahrzeug angebracht werden muss.
Eine Betriebserlaubnis liegt dem Roller bei.

Führerschein
Zum Betrieb wird ein Führerschein der Klasse A, A1 oder M benötigt.
Das Mindestalter ist 16 Jahre.

Wo darf man das Fahrzeug fahren?
Das Fahrzeug muss auf der Straße gefahren werden.
Ausstattung
  • 3000 Watt Motor
  • LED-Scheinwerfer vorne
  • LED-Rücklicht
  • Digitales, gut lesbares Display
  • entnehmbarer Lithium-Akku
  • Stoßdämpfer hinten
  • Winschutzscheibe
  • Alarmanlage
  • USB-Ladebuchse
  • Trommelbremse hinten
  • Scheibenbremse vorne

Lieferumfang
  • 1x Maximus MX2-45
  • 1x EEC (Straßenzulassung)
  • 1x Ladegerät
  • 1x Lithium Akku
  • 2x Spiegel
  • 1x Bedienungsanleitung (Deutsch)
  • 1x Topcase
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 37649570583

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4.1 ★★★★★
Based on 136 reviews
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M
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mojo_navigator
Houston, US
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt) Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others. The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it. The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange). The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble. For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
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Reviewed in the United States on September 26, 2014
K
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KEITH
Carnegie, US
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
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Parker
Grantham, US
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
C
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Clare Quilty
Omaha, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
J
Verified Purchase
Joe Movie
New York, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010

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