SKU: 50544129935

ANDREA OREJARENA & CALEB STEIN

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ANDREA OREJARENA & CALEB STEINANDREA OREJARENA & CALEB STEIN cherry blossom glitch. tif 2024 Fine Art Print auf Canson Rag Photographique Papier Limitierte Auflage 50 + 1 AP, ohne Rahmen 50 x 40 cm 50 % des Umsatzes dieser Edition gehen direkt an das Knstlerduo, die anderen 50 % werden verwendet, um Mittel fr den Druck des Glitch Memory Games zu sammeln, das im Rahmen der Ausstellung Tactics and Mythologies im Temporren Haus der Fotografie, PHOXXI, zu sehen ist. Fine Art Print on

ANDREA OREJARENA & CALEB STEIN
cherry blossom glitch.tif
2024

Fine Art Print auf Canson Rag Photographique Papier
Limitierte Auflage 50 + 1 AP, ohne Rahmen
50 x 40 cm

50 % des Umsatzes dieser Edition gehen direkt an das Künstlerduo, die anderen 50 % werden verwendet, um Mittel für den Druck des Glitch Memory Games zu sammeln, das im Rahmen der Ausstellung Tactics and Mythologies im Temporären Haus der Fotografie, PHOXXI, zu sehen ist.

Fine Art Print on Canson Rag Photographique Paper
Limited Edition of 50 + 1 AP, unframed
50 x 40 cm / 19,7 x 15,7 in

50% of the sales of this edition go directly to the artist duo, the other 50% are used to raise the funds to print the Glitch Memory Game as part of the exhibition Tactics and Mythologies at the Temporary House of Photography, PHOXXI, at Deichtorhallen Hamburg.

TACTICS AND MYTHOLOGIES ist die erste europäische Einzelausstellung des New Yorker Duos Andrea Orejarena und Caleb Stein und präsentiert vom 7. September 2024 bis 26. Januar 2025 einen fotografischen Roadtrip durch die Bildwelten viraler Verschwörungstheorien. Die fotografischen und filmischen Arbeiten von Orejarena & Stein setzen sich mit Simulationstechniken und Narrativen der Desinformation auseinander.

Das Künstlerduo Andrea Orejarena (*1994, Kolumbien), Kognitionswissenschaftlerin und Fotografin, und Caleb Stein (*1994, UK), Dokumentarfotograf, ist bekannt für konzeptuell-dokumentarische Projekte, die sich mit individueller Wahrnehmung und kollektiver Wirklichkeitskonstruktion beschäftigen. Ihr künstlerisches Archiv lässt ein Repertoire von Bildtypen, Codes, Mustern und Motiven erkennen, die eine dynamische Typologie und stetig wachsende Bildwelt visueller Desinformation und Simulationsfantasien manifestieren.

Da ein wachsendes Misstrauen in die Unterscheidung von Realität und Fiktion unsere Gegenwart prägt, begab sich das Duo seit 2020 auf Social Media und fotografisch auf Erkundungstour. Entstanden ist ein erstes Archiv mit über 2.000 Fotografien und aktuellen Bildformen, das den Einfluss von Verschwörungsnarrativen auf die amerikanische Gesellschaft und die individuelle Wahrnehmung manifestiert.

Diese Auseinandersetzung mit Bildern, die teils mit Augenzwinkern, teils mit paranoidem Blick, unser Verhältnis zur Wirklichkeit hinterfragen, haben Orejarena und Stein in ein eigenes fotografisches Konzept weiterentwickelt, das lose einem Atlas verschwörungstheoretischer Schauplätze in den USA folgt. Ihre Serie American Glitch dokumentiert die Landschaften der USA ausgehend von viralen Bildwelten als Simulation.

Bereits seit ihrem Projekt Long Time No See (2015–2020) arbeitet das Duo an der drängenden Frage, welche Rolle die Fotografie für das Wechselverhältnis von Wahrnehmung und Imagination heute spielen kann. Long Time No See entstand zusammen mit jungen vietnamesischen Künstler*innen sowie Veteranen nahe Hanoi und zeichnet die künstlerische Auseinandersetzung mit den heutigen Erinnerungen und Folgen des Vietnam-Amerika-Krieges nach. In poetischen Porträts und Landschaftsansichten zeigt Long Time No See eine visuelle Spurensuche nach den Zwischentönen dissonanter Geschichtsschreibungen und Bildformen zwischen Dokumentation und subjektiver Wahrnehmung. Das Projekt reflektiert kritisch die amerikanischen Darstellungskonventionen des Krieges und erprobt kollaborative fotografische Formen. Die Soundinstallation War Words bringt konkurrierende historische (Des)Informationskampagnen in einen Dialog und öffnet einen Wahrnehmungsraum, zwischen lokalen Mythologien, militärischen Taktiken und emotionaler Medienwirksamkeit.

Die Arbeiten von Orejarena & Stein wurden international ausgestellt, unter anderem in der Vin Gallery in HCMC, im Projektraum von Jiazazhi Press in Shanghai, im Vincom Center for Contemporary Art in Hanoi, im FOAM in Amsterdam, im Ogden Museum of Southern Art in New Orleans, in der Palo Gallery in New York, im The Curator's Room in Amsterdam, beim Belfast Photo Festival, beim Arles Photo Festival und bei Encontros da Imagem. Ihr erstes Buch, Long Time No See, wurde 2022 bei Jiazazhi Press veröffentlicht. Ihr zweites Buch, American Glitch, ist bei Gnomic Book erschienen. TACTICS & MYTHOLOGIES ist ihre erste institutionelle Ausstellung weltweit.

TACTICS AND MYTHOLOGIES ist die erste Ausstellung der neuen Ausstellungs- und Veranstaltungsreihe »Viral Hallucinations«, die von 2024 bis 2026 die Rolle fotografischer und KI-generierter Bilder für den wachsenden gesellschaftlichen Einfluss von Verschwörungstheorien adressiert. Die Reihe wird von der Deutschen Börse Photography Foundation gefördert.

Kuratiert von Nadine Isabelle Henrich, Kuratorin Haus der Photographie.

This first European solo exhibition by the New York based duo Andrea Orejarena (*1994, Colombia) and Caleb Stein (*1994, United Kingdom) presents photographs and films that deal with practices of simulation and narratives of disinformation. As an artist duo, Orejarena, a cognitive scientist and photographer, and Stein, a documentary photographer, are known for their conceptually documentary projects on individual perception and the collective construction of reality.

In reaction to the growing distrust in the distinction between reality and fiction that characterizes the present, the duo began an exploratory journey through social media and photography in 2020. They have created an initial archive of over 1.500 photographs and current visual forms that manifests the influence of conspiracy narratives on American society and individual perception.

This archive of photographic forms of “alternative facts” engages in dialogue with landscape photographs by Orejarena and Stein in the installation “American Glitch”, which documents and decodes the supposed locations of conspiratorial events. By embracing traditions such as road trips and street photography, American Glitch interweaves continuities from American photographic history with the new phenomena of contemporary online culture.

Since their project “Long Time No See” (2015–2020), the duo has been working on the pressing question of what role photography can play today in the interplay of perception and imagination. Long Time No See, created in collaboration with young Vietnamese artists and veterans in Hanoi, traces the artistic engagement with current memories and consequences of the Vietnam-American-War. In poetic portraits and landscape views, Long Time No See presents a visual exploration of the nuances between dissonant historical writings and visual forms, spanning documentation and subjective perception.

Orejarena & Stein’s work has been exhibited internationally, including at Vin Gallery in HCMC, Jiazazhi Press’s project space in Shanghai, Vincom Center for Contemporary Art in Hanoi, FOAM in Amsterdam, Ogden Museum of Southern Art in New Orleans, Palo Gallery in New York, The Curator’s Room in Amsterdam, Belfast Photo Festival, Arles Photo Festival, Encontros da Imagem, among others. Their first book, Long Time No See, was published by Jiazazhi Press in 2022. Their second book, American Glitch is published by Gnomic Book. Tactics & Mythologies is their first institutionally show worldwide.

The exhibition is accompanied by image and media literacy workshops for different age groups.

On September 13, the transdisciplinary symposium "Viral Hallucinations: Visual Worlds of Disinformation" will take place in the auditorium of the Deichtorhallen. Participation is free of charge, registration is required.

The new exhibition series “Viral Hallucinations” addresses the range of documentary strategies in a globally connected “post-truth era.”


Curated by Nadine Isabelle Henrich, Curator House of Photography.

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Jason
Alexandria, US
★★★★★ 5
Looks nice, easy to install
Color: Rustic Brown, Number Of Shelves: 2, Size: 22in
This shelf is lightweight, looks nice, and was easy to install. It comes with a little level to help you install it properly. There are plenty of mounting holes to choose from, so it is easy to screw it directly into a stud, or to just use holes that are convenient for you. It comes with a plethora of mounting hardware. I mounted mine a bit high up and chose to mount it upside down so that I wouldn't see the three screws that hold the shelf to the mounting bracket.
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Reviewed in the United States on April 8, 2026
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Miah
Chelsea, US
★★★★★ 5
Solid Floating Shelves 🛠️🏠
Color: Black, Number Of Shelves: 4, Size: 15.7in
I have installed four sets of the black floating shelves in my office. They are made of high quality materials, featuring a sophisticated black woodgrain finish with a natural texture. Supposedly, each unit can handle up to 22 pounds, though I would not recommend testing that limit with your vintage bowling ball collection if you value your flooring. They are awesome. The value is good for a set of two. Each shelf measures 22x7x1 (56x17x3 cm) inches, providing a decent amount of storage for books or decor. The installation was straightforward since the hardware for multiple wall types was included. They work well in the kitchen for spices or in the bedroom for personal belongings. One tip for a secure fit: use a level during installation and make sure the bracket is flush against the wall before sliding the shelf on, or your photos might look like they are sliding off a mountain 📐 These shelves offer a clean, modern look and stay stable once mounted correctly. They are a practical choice for adding functional display space to any room 🖼️
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Reviewed in the United States on May 4, 2026
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Tyler Kline
Louisville, US
★★★★★ 5
Good looking shelves and easy install - skip the included drywall anchors
Color: Black, Number Of Shelves: 2, Size: 22in
I installed these shelves in a bedroom to get things off my dresser and some decor. Once mounted they look really nice. The black finish looks clean and modern and they blend in well with the room. Installation was pretty straightforward. The metal bracket mounts to the wall first and then the shelf slides over the bracket. As long as you take your time lining things up it’s a simple project. One thing I strongly recommend is not using the white plastic self-drilling drywall anchors that come with the kit. I’ve used that style before on other projects and they tend to strip out easily and leave larger holes in drywall. I used better anchors instead and the shelves mounted much more securely. The rest of the hardware worked fine and once installed the shelves feel solid and hold items well. Pros - Clean modern look - Easy installation - Feels solid once mounted - Good size for books or decor Cons - The small level included isn’t very accurate — use your own level - One of the metal brackets was slightly bent out of the box but straightened out easily Helpful tip: Use your own level and better drywall anchors if you have them. It makes installation easier and the shelves will mount much more securely. Final thoughts: For the price these are nice looking floating shelves that install easily and work well for light storage and decor.
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Reviewed in the United States on March 13, 2026
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Coffman, H
Chelsea, US
★★★★★ 5
Cheap, and effective!
Color: Black, Number Of Shelves: 4, Size: 15.7in
Looks good, works great, low cost. I'll be purchasing more in the future.
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Reviewed in the United States on May 12, 2026
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Amazon Customer
Natrona Heights, US
★★★★★ 4
Cute for coffee bar!
Color: Black, Number Of Shelves: 4, Size: 15.7in
Great for above my coffee bar. Easy to mount and align. Seems stable!
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Reviewed in the United States on April 14, 2026

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