SKU: 59903517187

Marokkanischer Boujaad Pouf ´rougi´ - handgefertigt aus Bio-Wolle

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Description

Marokkanischer Boujaad Pouf ´rougi´ - handgefertigt aus Bio-WolleUnser Pouf Rougi verleiht deiner Wohnung mehr Farbe und handgemachten Charme! Ein echter marokkanischer Pouf, der mit natrlichen Materialien und einem einzigartigen Design Dein Zuhause zum Strahlen bringt. Unser handgefertigter Pouf besteht vollstndig aus einem originalen, flauschigen Boujaad Teppich aus Marokko. Material: 100 % Bio Wolle, natrlich gefrbt. Handgefertigt aus einem authentischen, recycelten Boujaad Teppich aus Marokko. Rckseite: Wolle

Unser Pouf ´Rougi´ verleiht deiner Wohnung mehr Farbe und handgemachten Charme!

Ein echter marokkanischer Pouf, der mit natürlichen Materialien und einem einzigartigen Design Dein Zuhause zum Strahlen bringt. 

Unser handgefertigter Pouf besteht vollständig aus einem originalen, flauschigen Boujaad-Teppich aus Marokko.

Material: 100 % Bio-Wolle, natürlich gefärbt. Handgefertigt aus einem authentischen, recycelten Boujaad-Teppich aus Marokko.

Rückseite: Wolle und ein Reißverschluss zum einfachen Befüllen.

Webart: Handgeknüpft / handgewebt.

Herkunft: Marokko

Maße: 60cm x 60cm x 24cm

💡 WICHTIG: der marokkanische Pouf wird ohne Füllmaterial geliefert! 💡

Du kannst deinen Pouf ganz nach deinen Wünschen füllen – sei es mit alter Kleidung, extra Füllmaterial oder Kissen. Deiner Kreativität sind keine Grenzen gesetzt!

Vielseitige Anwendungsmöglichkeiten:

  • Sitzgelegenheit: Der Pouf bietet eine bequeme und flexible Sitzmöglichkeit, ideal für Gäste oder entspannte Abende.
  • Fußstütze: Nutze den Pouf als komfortable Fußstütze, um nach einem langen Tag die Beine hochzulegen.
  • Beistelltisch: Mit einem Tablett darauf dient der Pouf als stilvoller Beistelltisch für Getränke und Snacks.
  • Dekoratives Element: Setze Akzente in deinem Wohnraum und gestalte die Einrichtung immer wieder neu.
  • Kinderzimmer: Der Pouf ist eine sichere und gemütliche Sitz- und Spielfläche für Kinder.

Nachhaltigkeit:

Unsere Boujaad Poufs werden aus recycelten Boujaad-Teppichen hergestellt, was sie zu einer umweltfreundlichen Wahl macht. Die verwendete Bio-Wolle ist natürlich gefärbt und frei von schädlichen Chemikalien. Durch die handgefertigte Produktion wird der Energieverbrauch im Vergleich zu maschineller Massenproduktion erheblich reduziert, und die lokale Handwerkskunst in Marokko wird unterstützt.

Was sind Boujaad-Teppiche?

Boujaad-Teppiche sind handgefertigte marokkanische Teppiche aus der Region Boujaad im Mittleren Atlasgebirge. Sie zeichnen sich durch lebhafte Farben, komplexe Muster und hochwertige Schafwolle aus, die oft mit natürlichen Farbstoffen gefärbt wird. Diese Teppiche werden von Hand geknüpft oder gewebt und sind einzigartige Kunstwerke, die kulturelle Bedeutung haben und traditionelle Handwerkskunst widerspiegeln. Sie sind beliebt als dekorative Elemente in modernen Wohnräumen und geschätzte Sammlerstücke.

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SKU: 59903517187

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4.6 ★★★★★
Based on 16 reviews
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A
Verified Purchase
AlanWarner
Alexandria, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
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Carole T Emberton
Lexington, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
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pat delzell
Grantham, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
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B. Kirzner
Charlottesville, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021
V
Verified Purchase
V. Young
Massapequa, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
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Reviewed in the United States on June 3, 2014

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