SKU: 65582834819

Polsterbett Paris

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Description

Polsterbett ParisPolsterbett Paris 140x200 cm in Wei Das Polsterbett Paris ist ein echter Glcksgriff. Auf der Kombi aus Bettrahmen und Lattenrost schlafen Sie traumhaft gemtlich und erholsam. Der Lattenrost bietet die ideale Liegeflche fr Ihre 140x200 cm groe Matratze, welche sich wunderbar fr Jugendliche wie auch Erwachsene eignet. Durch die platzsparende Gre passt es perfekt in kleine Schlaf oder Gstezimmer. An das bequem gepolsterte Kopfteil gelehnt, entspannen Sie

Polsterbett Paris 140x200 cm in Weiß

Das Polsterbett Paris ist ein echter Glücksgriff. Auf der Kombi aus Bettrahmen und Lattenrost schlafen Sie traumhaft gemütlich und erholsam. Der Lattenrost bietet die ideale Liegefläche für Ihre 140x200 cm große Matratze, welche sich wunderbar für Jugendliche wie auch Erwachsene eignet. Durch die platzsparende Größe passt es perfekt in kleine Schlaf- oder Gästezimmer. An das bequem gepolsterte Kopfteil gelehnt, entspannen Sie auch beim Lesen oder Fernsehen. Es besitzt eine integrierte LED-Leiste, dessen Licht auf dem schwarzen Kunstleder eine wunderschöne Wirkung hat und dem Raum ein großartiges Flair verleiht.

Robustes Bettgestell

Der Bettrahmen ist aus langlebigem MDF-Holz gefertigt und weich gepolstert. Er überzeugt durch eine solide Verarbeitung und eine leichte Montage. Der pflegeleichte Bezug aus Kunstleder ist sehr gemütlich und lädt zum Verweilen ein. Er lässt sich kinderleicht mit einem feuchten Tuch reinigen.

Widerstandsfähiger Lattenrost

Neben einer guten Matratze ist auch der Lattenrost essenziell für einen erholsamen und gesunden Schlaf. Unser zwei-geteilter Lattenrost mit Holzsprossen und stabilisierender Mittelleiste weist eine besonders gute Stützkraft auf. Er stellt die optimale Basis für Ihre 140x200 cm große Matratze dar.

Das Kopfteil im Rampenlicht

Den Eyecatcher des Kunstlederbettes bildet das 78 cm hohe Kopfteil mit eingebauter LED-Beleuchtung. Mit einer Fernbedienung wählen Sie zwischen 16 verschiedenen Lichtfarben und Helligkeiten aus. Entspannen Sie bei stimmungsvollem Ambiente und indirekter Beleuchtung, während Sie sich an das bequeme Kopfteil lehnen.

Schlicht und schön

Das Polsterbett Paris verfügt über ein zeitlos modernes Design. Durch seine Schlichtheit ist es mit nahezu jeder Inneneinrichtung kombinierbar. Die 8 cm hohen Standfüße ermöglichen, dass die Luft unter dem Bett gut zirkulieren kann und Feuchtigkeit besser aus der Matratze abtransportiert wird.

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SKU: 65582834819

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4.5 ★★★★★
Based on 24 reviews
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Product Reviews
M
Max
Lexington, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Chelsea, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Chelsea, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Omaha, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Houston, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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