SKU: 69309743983

Milwaukee M12 PCSS-601C Akku Edelstahl Rohrabschneider 12 V 12 - 28 mm + 1x Akku 6,0 Ah + Koffer - ohne Ladegerät

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Description

Milwaukee M12 PCSS-601C Akku Edelstahl Rohrabschneider 12 V 12 - 28 mm + 1x Akku 6,0 Ah + Koffer - ohne LadegerätLieferumfang: 1x Milwaukee M12 PCSS Akku Edelstahl Rohrabschneider 12 V 12 28 mm 1x Ersatzmesser 2x Halteclip 1x lschlauch 1x Milwaukee M12 B6 12 V 6,0 Ah 6000 mAh Li Ion Einschub Akku 1x Milwaukee Werkzeug Koffer ohne Ladegert Produktbeschreibung: Der MILWAUKEE Akku Edelstahl Rohrabschneider ist ein innovatives Werkzeug, das speziell fr die Installation von Rohren entwickelt wurde. Mit seiner einzigartigen Funktionalitt ist er der weltweit erste 12 V

Lieferumfang:

- 1x Milwaukee M12 PCSS Akku Edelstahl Rohrabschneider 12 V 12 - 28 mm
- 1x Ersatzmesser
- 2x Halteclip
- 1x Ölschlauch

- 1x Milwaukee M12 B6 12 V 6,0 Ah / 6000 mAh Li-Ion Einschub Akku
- 1x Milwaukee Werkzeug Koffer
- ohne Ladegerät

Produktbeschreibung:

Der MILWAUKEE® Akku Edelstahl-Rohrabschneider ist ein innovatives Werkzeug, das speziell für die Installation von Rohren entwickelt wurde. Mit seiner einzigartigen Funktionalität ist er der weltweit erste 12-V-Rohrschneider, der installierte Rohre, Edelstahl, C-Stahl und Kupfer in den Größen 12 - 15 - 18 - 22 - 28 mm schneidet. Mit seinem leistungsstarken Motor, der mit 500 Umdrehungen pro Minute arbeitet, schneidet der Rohrabschneider mühelos 28 mm Edelstahlrohre in weniger als 20 Sekunden. Zudem bietet er einen beeindruckenden Wandabstand von 40 mm. Das Besondere an diesem Rohrabschneider ist, dass die Schneidräder sich automatisch der Rohrgröße anpassen. Dadurch wird ein einfaches und präzises Schneiden gewährleistet. Der Rohrabschneider ist für Edelstahl, C-Stahl und Kupfer in den Größen 12 - 15 - 18 - 22 - 28 mm geeignet. Der robuste rostfreie Schneidkopf und das interne Abwassersystem machen das Werkzeug wasserabweisend und garantieren eine lange Haltbarkeit. Zusätzlich verfügt der Rohrabschneider über ein Sichtfenster am Schneidmechanismus und ein eingebautes Licht, um dem Anwender ein präzises Schneiden des Rohres zu ermöglichen. Für eine einfache Nutzung und eine optimale Sichtbarkeit verfügt der Rohrabschneider über eine Akku-Ladestandsanzeige und eine LED-Beleuchtung des Arbeitsbereichs. So haben Sie jederzeit den Überblick über den Ladezustand des Akkus und arbeiten selbst bei schlechten Lichtverhältnissen präzise. Der Rohrabschneider ist mit einem 4-poligen Premium-Bürstenmotor, einem REDLITHIUM™-Akku und REDLINK™-Elektronik ausgestattet, um die erforderliche Leistung, Laufzeit und Langlebigkeit zu gewährleisten. Das Werkzeug ist zu 100 % systemkompatibel mit dem MILWAUKEE®-M12™-Produktprogramm, sodass Sie es problemlos in Ihre bestehende Werkzeugausstattung integrieren können. Mit dem MILWAUKEE® Akku Edelstahl-Rohrabschneider erhalten Sie ein hochwertiges und zuverlässiges Werkzeug, das Ihnen bei der Rohrinstallation eine große Hilfe sein wird. Überzeugen Sie sich selbst von seiner Leistungsfähigkeit und profitieren Sie von seinem robusten Design und der einfachen Bedienung.

Technische Daten:

Hersteller: Milwaukee
Herstellerbezeichnung: M12 PCSS Akku
Spannung: 12 V
Leerlaufdrehzahl (min⁻¹): 380
Benötigte Mindest-Arbeitshöhe zum Rohrschneiden (mm): 40
Rohrdurchmesser (mm): 12, 15, 18, 22, 28
Schalldruckpegel (Lpa)(dB(A)): 70
Schalldruckpegel Unsicherheit (dB(A)): 3
Schallleistungspegel (Lwa)(dB(A)): 81
Schallleistungspegel Unsicherheit (dB(A)): 3
Vibration Unsicherheit (m/s²): 1,5
Vibrationspegel (m/s²): 1,5
Gesamtlänge (mm): 362
Gewicht: 1,3 kg


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SKU: 69309743983

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4.2 ★★★★★
Based on 23 reviews
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David R. Papke
Birmingham, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Houston, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Los Angeles, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lexington, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Battle Creek, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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