SKU: 91829157458

Vielitz Ballenwickler FW-160-DP-Automatik-Funk

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Description

Vielitz Ballenwickler FW-160-DP-Automatik-FunkDer Vielitz FW 160 DP Automatik Funk wurde fr landwirtschaftliche Betriebe entwickelt, die Rundballen schnell, effizient und mit mglichst geringem Arbeitsaufwand wickeln mchten. Durch die vollautomatische Steuerung per Funkfernbedienung kann der gesamte Wickelvorgang direkt vom Beladefahrzeug aus gestartet werden. Dadurch werden Arbeitswege reduziert und die Schlagkraft deutlich erhht. Der Ballenwickler eignet sich fr Rundballen mit einem Durchmesser

Der Vielitz FW 160 DP Automatik Funk wurde für landwirtschaftliche Betriebe entwickelt, die Rundballen schnell, effizient und mit möglichst geringem Arbeitsaufwand wickeln möchten. Durch die vollautomatische Steuerung per Funkfernbedienung kann der gesamte Wickelvorgang direkt vom Beladefahrzeug aus gestartet werden. Dadurch werden Arbeitswege reduziert und die Schlagkraft deutlich erhöht.

Der Ballenwickler eignet sich für Rundballen mit einem Durchmesser von 1,20 bis 1,60 m und verarbeitet Ballengewichte bis 1.200 kg. Die Kombination aus automatischer Folienführung, hydraulischer Ballenentladung und elektronischem Wickelcomputer sorgt für einen komfortablen und professionellen Arbeitsablauf.


Produkthighlights:
  • Vollautomatischer Wickelvorgang
  • Funkfernbedienung vom Beladefahrzeug aus
  • Automatisches Folienanlegen und Folienschneiden
  • Automatische hydraulische Ballenentladung
  • Wickelcomputer mit elektronischem Wickelzähler
  • Vier angetriebene Walzen mit Rippenprofil
  • Für Rundballen bis 1.200 kg
  • Stretcher für 500 mm und 750 mm Folie
  • Rundumleuchte serienmäßig
  • Optional mit Benzinmotor oder Elektromotor betreibbar

Hinweis: Das gezeigte Video dient lediglich der Veranschaulichung. Produkt kann abweichen.

Produktbeschreibung

Der FW 160 DP Automatik Funk ermöglicht einen besonders effizienten Arbeitsablauf. Nach dem Auflegen des Ballens wird der Wickelvorgang bequem per Funk gestartet. Der integrierte Wickelcomputer übernimmt anschließend sämtliche Arbeitsschritte automatisch und sorgt für eine gleichmäßige Folienwicklung.

Nach Abschluss des Wickelvorgangs erfolgt die hydraulische Entladung automatisch. Anschließend fährt der Wickeltisch selbstständig zurück in die Ausgangsposition, sodass direkt der nächste Ballen aufgenommen werden kann. Dies spart Zeit und reduziert unnötige Standzeiten während der Ernte.

Durch die vier angetriebenen Walzen mit Rippenprofil wird der Ballen während des Wickelns gleichmäßig gedreht. Zusammen mit dem Stretcher für 500 mm und 750 mm Folie entsteht ein sauberes Wickelbild mit optimaler Folienüberlappung.

Zusätzlich kann die Maschine auch manuell über das elektrische Bedienpult gesteuert werden. Dadurch bleibt der Ballenwickler flexibel einsetzbar und bietet maximale Kontrolle bei unterschiedlichsten Einsatzbedingungen.


Produktinformationen

Ballenwickler für die Fremdbeladung

Der FW 160 DP Automatik Funk wurde für die Fremdbeladung mit Frontlader, Hoflader oder Teleskoplader entwickelt. Dadurch kann der Ballen direkt auf den Wickeltisch aufgelegt werden, während der Bediener den gesamten Wickelvorgang komfortabel per Funkfernbedienung steuert.

Ballenwickler für Ballen bis 1.200 kg

Die robuste Konstruktion ermöglicht das Wickeln von Rundballen mit einem Gewicht von bis zu 1.200 kg. Dadurch eignet sich die Maschine sowohl für Heu als auch für Silageballen unterschiedlichster Größen.

Wickeltisch des Ballenwicklers

Der stabile Wickeltisch sorgt für eine sichere Aufnahme des Ballens und gewährleistet während des gesamten Wickelvorgangs einen ruhigen und gleichmäßigen Lauf.

Wickelcomputer und Fernbedienung

Der serienmäßige Wickelcomputer übernimmt die automatische Steuerung des Wickelvorgangs. Über die Funkfernbedienung kann der Bediener sämtliche Funktionen bequem direkt vom Beladefahrzeug aus steuern.

Schneid und Klemmvorrichtung des Wicklers

Die integrierte Schneid und Klemmvorrichtung schneidet die Folie nach Abschluss des Wickelvorgangs automatisch ab und hält sie für den nächsten Ballen in Position.

Optionale Bordhydraulik für den Wickler

Auf Wunsch kann der Ballenwickler mit einer eigenen Bordhydraulik ausgestattet werden. Dadurch ist ein unabhängiger Betrieb ohne permanente Nutzung der Traktorhydraulik möglich.

Abrollwalze für das sanfte Ablegen der Ballen

Die spezielle Abrollwalze ermöglicht ein besonders schonendes Ablegen der fertig gewickelten Ballen und schützt die Folie vor Beschädigungen.

Vorderer Stützfuß des Wicklers

Der stabile Stützfuß sorgt für einen sicheren Stand der Maschine beim Abstellen und erleichtert das An und Abkuppeln am Traktor.

Reservefolienhalter für zwei Rollen

Die serienmäßigen Reservefolienhalter bieten Platz für zwei zusätzliche Folienrollen. Dadurch sind Ersatzrollen jederzeit griffbereit und Stillstandzeiten werden minimiert.

Hydraulik Steuerblock des Ballenwicklers

Der übersichtlich angeordnete Hydraulik Steuerblock sorgt für eine zuverlässige Steuerung aller hydraulischen Funktionen und ermöglicht einen störungsfreien Arbeitsablauf.

Sicherheitsrundleuchte auf dem Ballenwickler

Die serienmäßige Rundumleuchte erhöht die Sichtbarkeit der Maschine und sorgt für zusätzliche Sicherheit während des Einsatzes.

Kombi Stretcher für 500 und 750 mm Folie

Der serienmäßige Kombi Stretcher ermöglicht die Verarbeitung von 500 mm und 750 mm Folienrollen und bietet dadurch maximale Flexibilität im täglichen Einsatz.

Sicherheitsseitenbügel des Ballenwicklers

Die stabilen Sicherheitsbügel schützen den Bediener während des Wickelvorgangs und erhöhen die Arbeitssicherheit rund um die Maschine.

Stretcher mit automatischem Foliensenker

Der automatische Foliensenker unterstützt das sichere Anlegen der Folie am Ballen und sorgt für einen komfortablen und effizienten Wickelprozess.

Rundballenwickler im Einsatz

Der FW 160 DP Automatik Funk überzeugt im täglichen Einsatz durch seine hohe Arbeitsleistung, die komfortable Funksteuerung und den vollautomatischen Wickelablauf. Dadurch eignet er sich ideal für professionelle Landwirtschaftsbetriebe.

 


Technische Daten

Marke Vielitz
Modell FW 160 DP Automatik Funk
Maschinentyp Rundballenwickler
Anbau Dreipunktanbau
Bedienung Wickelcomputer mit Funkfernbedienung
Beladung Fremdbeladung
Ballendurchmesser 1,20 bis 1,60 m
Maximales Ballengewicht 1.200 kg
Maschinengewicht 640 kg
Folienbreite 500 mm oder 750 mm
Folienanlegung Automatisch
Folienschnitt Automatisch
Ballenentladung Automatisch hydraulisch
Wickelzähler Elektronisch 12 V
Walzensystem 4 angetriebene Walzen
Hydraulischer Antrieb Ja
Hydraulikanschluss 1 einfachwirkendes Steuergerät + Rücklauf
Erforderliche Ölmenge 25 l/min
Rundumleuchte Serienmäßig
Optionaler Benzinmotor Verfügbar
Optionaler Elektromotor Verfügbar
Einsatzbereich Rundballen Silage und Heuballen

 

Der Vielitz FW 160 DP Automatik Funk ist die ideale Lösung für Betriebe, die einen vollautomatischen Rundballenwickler mit Funksteuerung suchen. Durch die automatische Arbeitsweise, die robuste Konstruktion und die einfache Bedienung eignet sich die Maschine hervorragend für einen effizienten Einsatz am Feldrand oder direkt auf dem Hof

Lieferumfang

  • Vielitz FW 160 DP Automatik Funk
  • Wickelcomputer mit Funkfernbedienung
  • Elektronischer Wickel und Ballenzähler
  • Kombi Stretcher für 500 mm und 750 mm Folie
  • Reservefolienhalter für zwei Folienrollen
  • Sicherheitsrundleuchte
  • Sicherheitsseitenbügel
  • Bedienungsanleitung
Shipping Notes
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SKU: 91829157458

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4.6 ★★★★★
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Sarah Pettingill
Bozeman, US
★★★★★ 5
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Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
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Jessica Martin
Fort Morgan, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
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Zachary Bednar
Draper, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Terry Seale
Waukegan, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
S
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Smrz
Pawtucket, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011

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