SKU: 13862351155

1984-2024 Toyota 4Runner Steel Wheel RC51-7655B

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Description

1984-2024 Toyota 4Runner Steel Wheel RC51-7655BSteel Wheel Bronze 17X9 6X5. 5 4. 25 Bore 12 Features: Bronze finish Durable steel construction. Specs: Category RC Wheels Prop 65 Short Label WARNING: Cancer and Reproductive Harm www. p65warnings. ca. gov Prop 65 (C, R or CR) CR Prop 65 Warning Label Warning Both Cancer and Reproduction. jpg Prop 65 Yes No Yes Shipping Options No Restrictions Ships in Multiple Boxes N Title Steel Wheel Bronze 17x9 6x5. 5 4. 25 Bore 12 Application: Year Make Model

Steel Wheel - Bronze - 17X9 - 6X5.5 - 4.25 Bore - -12


Features:

  • Bronze finish
  • Durable steel construction.

Specs:

Category RC Wheels
Prop 65 - Short Label WARNING: Cancer and Reproductive Harm - www.p65warnings.ca.gov
Prop 65 (C, R or CR) CR
Prop 65 Warning Label Warning - Both Cancer and Reproduction.jpg
Prop 65 Yes/No Yes
Shipping Options No Restrictions
Ships in Multiple Boxes N
Title Steel Wheel - Bronze - 17x9 - 6x5.5 - 4.25 Bore - -12

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Year Make Model Submodel
1984-2024 Toyota 4Runner SR5
1992-2024 GMC Yukon SLE
1995-2024 Chevrolet Tahoe LS
1995-2024 Chevrolet Tahoe LT
1995-2024 GMC Yukon SLT
1995-2024 Toyota Tacoma SR5
1996-2024 Toyota 4Runner Limited
1999-2025 Chevrolet Silverado 1500 LT
1999-2025 GMC Sierra 1500 SLE
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1998-2024 Toyota Tacoma Limited
1999-2024 GMC Yukon Denali
2000-2024 Chevrolet Tahoe Z71
1960-1984 Toyota Land Cruiser Base
2002-2025 Chevrolet Silverado 1500 WT
2002-2025 GMC Sierra 1500 Denali
2004-2025 Chevrolet Colorado Z71
1995-2015 Toyota Tacoma Base
1999-2018 Chevrolet Silverado 1500 LS
2006-2025 Chevrolet Colorado LT
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2002-2021 GMC Sierra 1500 Base
2007-2025 Chevrolet Silverado 1500 LTZ
2007-2024 Chevrolet Tahoe PPV
1987-2004 Nissan Pathfinder SE
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1979-1995 Toyota Pickup DLX
1972-1987 Jeep Wagoneer Base
2000-2014 Chevrolet Suburban 1500 LS
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1999-2013 GMC Sierra 1500 SL
2000-2014 GMC Yukon XL 1500 SLE
2000-2014 GMC Yukon XL 1500 SLT
1974-1988 Jeep J10 Base
1974-1988 Jeep J20 Base
1987-2001 Nissan Pathfinder XE
1981-1995 Toyota Pickup SR5
2000-2013 GMC Yukon XL 2500 SLE
2000-2013 GMC Yukon XL 2500 SLT
2001-2014 GMC Yukon XL 1500 Denali
2011-2024 Nissan TITAN SV
2012-2024 Chevrolet Tahoe SSV
2011-2023 Nissan TITAN S
2010-2022 Toyota 4Runner Trail
1975-1986 Chevrolet K10 Suburban Scottsdale
1975-1986 Chevrolet K10 Suburban Silverado
1975-1986 Chevrolet K10 Scottsdale
1975-1986 Chevrolet K10 Silverado
1995-2006 Chevrolet Tahoe Base
2014-2025 Chevrolet Silverado 1500 High Country
1988-1999 GMC K1500 Sierra SLE
2002-2013 GMC Sierra 1500 WT
1979-1990 Jeep Wagoneer Limited
1988-1998 Chevrolet K1500 Cheyenne
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1996-2006 GMC Yukon SL
1994-2004 Nissan Pathfinder LE
2011-2021 Nissan TITAN SL
1960-1969 Chevrolet K10 Pickup Base
2004-2013 Chevrolet Silverado 1500 Hybrid
2015-2024 Chevrolet Suburban LS
2015-2024 Chevrolet Suburban LT
2016-2025 Chevrolet Silverado 1500 Custom
2015-2024 GMC Yukon XL Denali
2015-2024 GMC Yukon XL SLE
2015-2024 GMC Yukon XL SLT
1974-1983 Jeep Cherokee Base
2015-2024 Toyota 4Runner TRD Pro
2015-2024 Toyota Tacoma TRD Pro
1960-1968 Chevrolet C10 Pickup Base
1978-1986 Chevrolet K5 Blazer Silverado
1990-1998 Chevrolet K1500 WT
2006-2014 Chevrolet Suburban 1500 LTZ
2004-2012 GMC Canyon SLE
2005-2013 GMC Sierra 1500 Hybrid
1975-1983 Jeep Cherokee Wide Track Chief
1986-1994 Nissan D21 Base
1986-1994 Nissan D21 SE
1986-1994 Nissan D21 XE
2016-2024 Nissan TITAN XD Platinum Reserve
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2016-2024 Nissan TITAN XD SV
2016-2024 Toyota Tacoma SR
2016-2024 Toyota Tacoma TRD Off-Road
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1987-1994 Chevrolet Blazer Silverado
1992-1999 Chevrolet K1500 Suburban Base
2007-2014 Chevrolet Tahoe LTZ
2017-2024 Chevrolet Suburban Premier
1992-1999 GMC K1500 Suburban Base
1992-1999 GMC K1500 Suburban SLE
2016-2023 Nissan TITAN XD S
2017-2024 Nissan TITAN Platinum Reserve
2007-2014 Toyota FJ Cruiser Base
2017-2024 Toyota 4Runner TRD Off-Road
1975-1981 Chevrolet K10 Cheyenne
1999-2005 Chevrolet Silverado 1500 Base
2000-2006 Chevrolet Suburban 1500 Base
2015-2021 Chevrolet Silverado 1500 SSV
2019-2025 Chevrolet Silverado 1500 Custom Trail Boss
2019-2025 Chevrolet Silverado 1500 LT Trail Boss
2019-2025 Chevrolet Silverado 1500 RST
2019-2025 Ford Ranger Lariat
2019-2025 Ford Ranger XL
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2006-2012 GMC Canyon SLT
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2019-2025 GMC Sierra 1500 AT4
2019-2025 GMC Sierra 1500 Elevation
1974-1980 Jeep Cherokee S
1984-1990 Jeep Grand Wagoneer Base
1998-2004 Nissan Frontier XE
2004-2010 Nissan TITAN LE
2004-2010 Nissan TITAN SE
2004-2010 Nissan TITAN XE
2019-2025 Ram 1500 Big Horn
2019-2025 Ram 1500 Laramie
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2000-2006 Toyota Tundra Base
2000-2006 Toyota Tundra Limited
2000-2006 Toyota Tundra SR5
2001-2007 Toyota Sequoia Limited
2001-2007 Toyota Sequoia SR5
2003-2009 Toyota 4Runner Sport
2018-2024 Toyota 4Runner SR5 Premium
2018-2024 Toyota 4Runner TRD Off-Road Premium
1975-1980 Chevrolet K10 Suburban Custom Deluxe
1975-1980 Chevrolet K10 Custom Deluxe
1975-1980 Chevrolet K5 Blazer Cheyenne
1975-1980 Chevrolet K5 Blazer Custom Deluxe
1981-1986 Chevrolet K10 Suburban Custom
1981-1986 Chevrolet K10 Custom
1981-1986 Chevrolet K5 Blazer Custom
2001-2006 Chevrolet Silverado 1500 HD LT
2007-2012 Chevrolet Avalanche LS
2007-2012 Chevrolet Avalanche LT
2007-2012 Chevrolet Avalanche LTZ
2008-2013 Chevrolet Tahoe Hybrid
1988-1993 GMC K1500 Sierra SLX
1988-1993 GMC K1500 Sierra
1994-1999 GMC K1500 Sierra SL
1994-1999 GMC K1500 Sierra SLT
2001-2006 GMC Sierra 1500 HD SLE
2001-2006 GMC Sierra 1500 HD SLT
2008-2013 GMC Yukon Hybrid
1998-2003 Nissan Frontier Base
1998-2003 Nissan Frontier SE
2016-2021 Nissan TITAN XD SL
2019-2024 Ram 1500 HFE
1984-1989 Toyota 4Runner DLX
1993-1998 Toyota T100 Base
1993-1998 Toyota T100 SR5
1996-2001 Toyota 4Runner Base
2002-2006 Cadillac Escalade EXT Base
2002-2006 Cadillac Escalade Base
1988-1992 Chevrolet K1500 Scottsdale
1995-1999 Chevrolet K1500 Suburban LS
1995-1999 Chevrolet K1500 Suburban LT
2001-2005 Chevrolet Silverado 1500 HD LS
2002-2006 Chevrolet Avalanche 1500 Z71
2004-2008 Chevrolet Colorado LS
1970-1974 GMC K15/K1500 Pickup Base
1970-1974 GMC K15/K1500 Suburban Base
1994-1998 GMC K1500 Sierra Special
1995-1999 GMC K1500 Suburban SLT
2004-2008 GMC Canyon SL
1976-1980 International Scout II Base
1976-1980 International Scout II Terra
1976-1980 International Scout II Traveler
2000-2004 Nissan Xterra SE
2000-2004 Nissan Xterra XE
2021-2025 Ram 1500 Limited Longhorn
1984-1988 Toyota Pickup Base
2003-2006 Cadillac Escalade ESV Base
1988-1991 Chevrolet Blazer Scottsdale
1994-1997 Chevrolet K1500 Base
2002-2005 Chevrolet Avalanche 1500 Base
2003-2006 Chevrolet Silverado 1500 SS
2010-2013 Chevrolet Silverado 1500 XFE
2021-2024 Chevrolet Suburban Commercial
2021-2024 Chevrolet Suburban High Country
2021-2024 Chevrolet Suburban RST
2021-2024 Chevrolet Suburban Z71
2021-2024 Chevrolet Tahoe High Country
2021-2024 Chevrolet Tahoe Premier
2021-2024 Chevrolet Tahoe RST
2022-2025 Chevrolet Silverado 1500 ZR2
2021-2024 Ford Bronco Badlands
2021-2024 Ford Bronco Big Bend
2021-2024 Ford Bronco Black Diamond
2021-2024 Ford Bronco Outer Banks
2021-2024 Ford Bronco Wildtrak
1975-1978 GMC C15 Suburban Base
1975-1978 GMC C15 Suburban High Sierra
1975-1978 GMC C15 Suburban Sierra Classic
1975-1978 GMC C15 Suburban Sierra Grande
1975-1978 GMC K15 Suburban Base
1975-1978 GMC K15 Suburban High Sierra
1975-1978 GMC K15 Suburban Sierra Classic
1975-1978 GMC K15 Suburban Sierra Grande
1992-1995 GMC Yukon Base
2010-2013 GMC Sierra 1500 XFE
2010-2013 GMC Yukon Denali Hybrid
2021-2024 GMC Yukon XL AT4
2021-2024 GMC Yukon AT4
2022-2025 GMC Sierra 1500 AT4X
2022-2025 GMC Sierra 1500 Denali Ultimate
2022-2025 GMC Sierra 1500 Pro
1973-1976 Jeep Wagoneer Custom
1980-1983 Jeep Cherokee Wide Track Laredo
1986-1989 Nissan D21 E
2001-2004 Nissan Frontier SC
2021-2024 Ram 1500 TRX
1989-1991 Chevrolet V1500 Suburban Scottsdale
1989-1991 Chevrolet V1500 Suburban Silverado
1992-1994 Chevrolet K1500 Suburban Silverado
2004-2006 Chevrolet Avalanche 1500 Z66
2004-2006 Chevrolet Suburban 1500 Z71
2022-2024 Chevrolet Tahoe Commercial
2023-2025 Chevrolet Colorado Trail Boss
2023-2025 Chevrolet Colorado ZR2
2023-2025 Chevrolet Silverado 1500 PPV
1987-1989 Dodge Raider Base
2021-2023 Ford Bronco Base
2022-2024 Ford Bronco Everglades
2022-2024 Ford Bronco Raptor
1992-1994 GMC Yukon Sport
2023-2025 GMC Canyon AT4
2023-2025 GMC Canyon AT4X
2023-2025 GMC Canyon Denali
2023-2025 GMC Canyon Elevation
1978-1980 Jeep Cherokee Wide Track
2002-2004 Nissan Frontier SVE
2019-2021 Ram 1500 Laramie Longhorn
2018-2020 Toyota Hilux Doble Cab
2022-2024 Toyota 4Runner TRD Sport
1987-1988 Chevrolet V10 Suburban Scottsdale
1987-1988 Chevrolet V10 Suburban Silverado
1992-1993 Chevrolet Blazer Cheyenne
1999-2000 Chevrolet C1500 Base
2002-2003 Chevrolet Avalanche 1500 North Face
2002-2003 Chevrolet Avalanche 1500 On Road Edition
2004-2005 Chevrolet Colorado Sport LS
2004-2005 Chevrolet Colorado Sport
2004-2005 Chevrolet Colorado Z71 LS
2004-2005 Chevrolet Colorado Z85 LS
2004-2005 Chevrolet Colorado Z85
2004-2005 Chevrolet Silverado 1500 Z71 Off-Road
2005-2006 Chevrolet Avalanche 1500 LS
2005-2006 Chevrolet Avalanche 1500 LT
2015-2016 Chevrolet Suburban LTZ
2023-2024 Ford Bronco Heritage Edition
2023-2024 Ford Bronco Heritage Limited Edition
2024-2025 Ford Ranger Raptor
2004-2005 GMC Canyon Z71 Fleet
2004-2005 GMC Canyon Z71 SL
2004-2005 GMC Canyon Z71 SLE
2004-2005 GMC Canyon Z85 SL
2004-2005 GMC Canyon Z85 SLE
2023-2024 GMC Yukon XL Denali Ultimate
2023-2024 GMC Yukon Denali Ultimate
1978-1979 International Scout II SS2
1979-1980 Jeep Cherokee Wide Track Golden Eagle
1981-1982 Jeep Cherokee Chief
1982-1983 Jeep Wagoneer Brougham
1984-1985 Jeep Grand Wagoneer Limited
2020-2021 Ram 1500 Special Service
1986-1987 Toyota Pickup Base Turbo
1986-1987 Toyota Pickup SR5 Turbo
1994-1995 Toyota T100 DX
1996-1997 Toyota T100 DLX
2020-2021 Toyota 4Runner Nightshade
2020-2021 Toyota 4Runner Venture
1976 Chevrolet K5 Blazer Base
1981 Chevrolet K10 Suburban Deluxe
1981 Chevrolet K10 Deluxe
1981 Chevrolet K5 Blazer Deluxe
1984 Chevrolet K5 Blazer Scottsdale
1987 Chevrolet Blazer Custom Deluxe
1987 Chevrolet V10 Suburban Custom Deluxe
1987 Chevrolet V10 Custom Deluxe
1987 Chevrolet V10 Scottsdale
1987 Chevrolet V10 Silverado
1991 Chevrolet K1500 Sport
1994 Chevrolet Blazer Base
1994 Chevrolet Blazer Silverado Sport
1999 Chevrolet C1500 LS
1999 Chevrolet K1500 LS
2000 Chevrolet Tahoe Limited
2003 Chevrolet Avalanche 1500 WBH
2004 Chevrolet Colorado Base
2005 Chevrolet Silverado 1500 HD Base
2007 Chevrolet Silverado 1500 Classic Hybrid
2007 Chevrolet Silverado 1500 Classic LS
2007 Chevrolet Silverado 1500 Classic LT
2007 Chevrolet Silverado 1500 Classic WT
2007 Chevrolet Silverado 1500 HD Classic LT
2013 Chevrolet Avalanche Black Diamond LS
2013 Chevrolet Avalanche Black Diamond LT
2013 Chevrolet Avalanche Black Diamond LTZ
2019 Chevrolet Silverado 1500 LD Custom
2019 Chevrolet Silverado 1500 LD LT
2019 Chevrolet Silverado 1500 LD WT
2022 Chevrolet Silverado 1500 LTD Custom
2022 Chevrolet Silverado 1500 LTD High Country
2022 Chevrolet Silverado 1500 LTD LT
2022 Chevrolet Silverado 1500 LTD LTZ
2022 Chevrolet Silverado 1500 LTD WT
2021 Ford Bronco First Edition
1993 GMC K1500 Sierra Sport
1993 GMC Yukon GT
1995 GMC K1500 Sierra SLS
2001 GMC Sierra 1500 C3
2002 GMC Sierra 1500 HT
2006 GMC Yukon XL 1500 SL
1975 International Scout II XLC
1980 Jeep Cherokee Wide Track Limited
1981 Jeep Cherokee Laredo
1983 Jeep Cherokee Pioneer
1987 Nissan Pathfinder E
1997 Nissan Pickup Base
1997 Nissan Pickup SE
1997 Nissan Pickup XE
2021 Ram 1500 Longhorn
2021 Ram 1500 TRX Launch Edition
2025 Ram 1500 RHO
2025 Ram 1500 Tradesman HFE
2025 Ram 1500 Tungsten
2025 Ram 1500 Warlock
1985 Toyota Pickup DLX Turbo
1998 Toyota Tacoma DLX
2007 Toyota FJ Cruiser TRD Special Edition
2008 Toyota FJ Cruiser Trail Teams Special Edition
2021 Toyota Tacoma Trail
2023 Toyota 4Runner 40th Anniversary Edition
2023 Toyota Tacoma Trail Special Edition
2024 Toyota Hilux TDI
2024 Toyota Tacoma Trailhunter
2024 Toyota Tacoma TRD PreRunner
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SKU: 13862351155

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4.2 ★★★★★
Based on 28 reviews
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Verified Purchase
Stephen McLeod
Chelsea, US
★★★★★ 5
One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across. The Movie: Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc. The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture. The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined. So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem. The DVD: First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman. Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*. The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay. Overall a great package that I'll not regret buying.
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Reviewed in the United States on January 5, 2002
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Old Cinephile
Belleville, US
★★★★★ 5
"Happiness consists of being able to tell the truth without hurting anyone."
From the stunning, groundbreaking opening sequence of escaping asphyxiation to the fantastical harem scene to the final realization to become PART of life instead of just trying to control or run from it, Fellini's masterpiece gives us one of cinema's great rollercoaster rides of guilt, artistic creativity and self-acceptance. Certainly, one of the most influential films of all time it breaks completely free of convention and introduces us to the inner workings of director Fellini's world. And we are much richer for the journey. Sometimes painful, sometimes supremely funny we can't wait to find out about another hidden treasure or nightmare locked away in the mind of Guido Anselmi. You'll never think about directors and film making quite the same way again. Criterion does a fine job with this Blu-ray release. The restored image here has deep blacks, solid greyscale and brilliant whites. Grain is very tight with nice detail. Details in the characters' faces are easily seen. The cleaned up restored mono soundtrack is clear and the musical elements are without distortion. As usual for Criterion, the supplements are extremely generous with several fine documentaries, interviews, and a nice booklet with writings by Fellini and critics. Truly a must own for any physical media collection.
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Reviewed in the United States on May 12, 2024
C
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Christina Reynolds
Whiting, US
★★★★★ 5
A Tangled (But Necessary) Mess
My rating is more of a 4.5 Thanks for reading! 𝑰'𝒎 𝒏𝒐𝒕 𝒂𝒇𝒓𝒂𝒊𝒅 𝒂𝒏𝒚𝒎𝒐𝒓𝒆 𝒐𝒇 𝒕𝒆𝒍𝒍𝒊𝒏𝒈 𝒕𝒉𝒆 𝒕𝒓𝒖𝒕𝒉, 𝒐𝒇 𝒕𝒉𝒆 𝒕𝒉𝒊𝒏𝒈𝒔 𝑰 𝒅𝒐𝒏'𝒕 𝒌𝒏𝒐𝒘, 𝒘𝒉𝒂𝒕 𝑰'𝒎 𝒍𝒐𝒐𝒌𝒊𝒏𝒈 𝒇𝒐𝒓 𝒂𝒏𝒅 𝒉𝒂𝒗𝒆𝒏'𝒕 𝒇𝒐𝒖𝒏𝒅. 𝑻𝒉𝒊𝒔 𝒊𝒔 𝒕𝒉𝒆 𝒐𝒏𝒍𝒚 𝒘𝒂𝒚 𝑰 𝒄𝒂𝒏 𝒇𝒆𝒆𝒍 𝒂𝒍𝒊𝒗𝒆 𝒂𝒏𝒅 𝑰 𝒄𝒂𝒏 𝒍𝒐𝒐𝒌 𝒊𝒏𝒕𝒐 𝒚𝒐𝒖𝒓 𝒇𝒂𝒊𝒕𝒉𝒇𝒖𝒍 𝒆𝒚𝒆𝒔 𝒘𝒊𝒕𝒉𝒐𝒖𝒕 𝒔𝒉𝒂𝒎𝒆. 𝑳𝒊𝒇𝒆 𝒊𝒔 𝒂 𝒄𝒆𝒍𝒆𝒃𝒓𝒂𝒕𝒊𝒐𝒏. 𝑳𝒆𝒕'𝒔 𝒍𝒊𝒗𝒆 𝒊𝒕 𝒕𝒐𝒈𝒆𝒕𝒉𝒆𝒓! 8 & ½ s a 1963 Italian surrealist psychological comedy-drama film directed and co-written by Federico Fellini. Troubled Italian filmmaker Guido Anselmi struggles with creative stasis as he attempts to get a new movie off the ground. Overwhelmed by his work and personal life, the director retreats into his thoughts, which often focus on his loves, both past and present, and frequently wander into fantastical territory. As he tries to sort out his many entanglements, romantic and otherwise, Anselmi finds his production becoming more and more autobiographical. In the time it takes to complete a single project a director will don countless hats and faces, 8 & ½ centered around the demands of this position and the chaos that transpires on a given film set. Born January, 20th, 1920, Fellini started working on movies in the capacity of a screenwriter, his earliest works including varying radio sketches and recipiency of his first screen credit for 𝑻𝒉𝒆 𝑷𝒊𝒓𝒂𝒕𝒆'𝒔 𝑫𝒓𝒆𝒂𝒎 in 1940. Shortly thereafter Fellini found himself continuously having more responsibility put on his plate, with some assignments requiring him to provide labor he hadn’t expected before: example of which being when he had to some acting of his own while 𝑳'𝑨𝒎𝒐𝒓𝒆 (1948) was in production. These roles run amok in 8 & ½, eventually culminating in Guido’s hesitancy to hand full reign of a given task to a given (But seemingly qualified) colleague, his worry somewhat rooted in the anticipated receptiveness of his anticipated audience to his final product; likewise, this disposition is further informed by what Fellini’s perceived as overt failures prior to the 8 & ½, as 𝑽𝒂𝒓𝒊𝒆𝒕𝒚 𝑳𝒊𝒈𝒉𝒕𝒔 (1950) left him with debts that took a decade to resolve on the account of it being poorly received. So begs the question at the root of Guido’s tangential laments and ruminations: Should movies be made primarily for an audience as a remote victory or reflective of its crew as a personal disaster? 8 & ½ opens on Guido Anselmi: Marcello Mastroianni bringing just the right amount of cool and cosmopolitan with an almost hitman disposition; as the production he is in charge of unfolds his appearance cracks under the pressure of this creation, in due time revealing someone that isn’t as confident as he appears and further upon at great risk of sinking in to an otherwise listless existence. Anselmi’s woes are interspersed with what can only be described as hazy dreams, the latter more overtly inspired by the subjects of religion and a pair of parental figures whom remain unimpressed by their sons’ abilities after having already passed away. Further investigation reveals to what extent these may be manifestations of insecurity on Fellini’s behalf; prior to working on films Fellini enrolled in a law school for the sake of pleasing his parents (though no record exists of him ever attending a class), and in spite of considering himself to be Catholic he avoided former activity in a corresponding church. No-one can speak with confidence as to what drove this refusal, except to say on the topic of faithfulness in the context of his marriage he was a known transgressor: so much so that in spite of marrying Giulietta Masina in 1943 he attended the funeral of his father with an identified mistress in 1956. Whether out of embarrassment, shame, or whatever else may be attributable, Guido’s stream of consciousness (And disloyalty to his partner Luise), as it play out in 8 & ½ is a muddle of personal experiences, and then some as evidenced by Fellini’s own comments aside: 𝑰𝒕 𝒊𝒔 𝒏𝒐𝒕 𝒎𝒆𝒎𝒐𝒓𝒚 𝒕𝒉𝒂𝒕 𝒅𝒐𝒎𝒊𝒏𝒂𝒕𝒆𝒔 𝒎𝒚 𝒇𝒊𝒍𝒎𝒔. 𝑻𝒐 𝒔𝒂𝒚 𝒕𝒉𝒂𝒕 𝒎𝒚 𝒇𝒊𝒍𝒎𝒔 𝒂𝒓𝒆 𝒂𝒖𝒕𝒐𝒃𝒊𝒐𝒈𝒓𝒂𝒑𝒉𝒊𝒄𝒂𝒍 𝒊𝒔 𝒂𝒏 𝒐𝒗𝒆𝒓𝒍𝒚 𝒇𝒂𝒄𝒊𝒍𝒆 𝒍𝒊𝒒𝒖𝒊𝒅𝒂𝒕𝒊𝒐𝒏, 𝒂 𝒉𝒂𝒔𝒕𝒚 𝒄𝒍𝒂𝒔𝒔𝒊𝒇𝒊𝒄𝒂𝒕𝒊𝒐𝒏. 𝑰𝒕 𝒔𝒆𝒆𝒎𝒔 𝒕𝒐 𝒎𝒆 𝒕𝒉𝒂𝒕 𝑰 𝒉𝒂𝒗𝒆 𝒊𝒏𝒗𝒆𝒏𝒕𝒆𝒅 𝒂𝒍𝒎𝒐𝒔𝒕 𝒆𝒗𝒆𝒓𝒚𝒕𝒉𝒊𝒏𝒈: 𝒄𝒉𝒊𝒍𝒅𝒉𝒐𝒐𝒅, 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓, 𝒏𝒐𝒔𝒕𝒂𝒍𝒈𝒊𝒂𝒔, 𝒅𝒓𝒆𝒂𝒎𝒔, 𝒎𝒆𝒎𝒐𝒓𝒊𝒆𝒔, 𝒇𝒐𝒓 𝒕𝒉𝒆 𝒑𝒍𝒆𝒂𝒔𝒖𝒓𝒆 𝒐𝒇 𝒃𝒆𝒊𝒏𝒈 𝒂𝒃𝒍𝒆 𝒕𝒐 𝒓𝒆𝒄𝒐𝒖𝒏𝒕 𝒕𝒉𝒆𝒎. 8 & ½ in its infancy came to Fellini in 1960, at that time described as being about a man with an unidentified profession suffering from creative block on the account of his life being disrupted by a “not-too-serious disease”. Given the go ahead to start production in 1962, Fellini would eventually draft a letter confessing that he had “lost his film” with the intent of abandoning the production, this action interrupted by a request to launch the celebration of it; it was only then that Fellini decided to tell a story about a director who know longer knew what kind of film he wanted to make. Both a sign of the times and personal preference, 8 & ½’s dialogue was edited and finalized in its post-production phase: a practice that allowed for the use of less experienced actors at the cost of them needing more direction on set in addition to the dubbing of related noises after the fact. In light of this, and perhaps needless to say, what 8 & ½ reflects in regards to stifled expressiveness feeds into its otherwise harebrained pacing, not to mention the drab of its monotone landscape. During the earlier part of Fellini's career his film related assignments took on an ulterior motive: they allowed for him to avoid the draft associated with a declaration of war made against France and Britain on Benito Mussolini’s behalf, and was something that would inform the nature of his work until approximately 1945. The extent to which this habit of coming on board any given film-related opportunity affected the entirety of his filmography was never addressed - much less inquired about - though it would be appropriate to underscore what this had to have demanded in light of reception that was unpredictable. The good news is that by the time 8 & ½ was released Fellini had made well-enough of a name for himself given the broad applicability of the themes he entertained, though this established competency made him no more immune to the demands made by the Production Studios he’d end up collaborating with: this is most reflected in 8 & ½’s conclusion, as it was originally intended to implicate suicide more explicitly as a ‘viable option’ for Guido. Fairly describable as a tangled mess of hope, fantasy, and some extent delusion, 8 ½ walks that fine line between pleasing the masses and rubbing its own ego, and perhaps that’s why it was robbed of its working title, ‘𝑻𝒉𝒆 𝑩𝒆𝒂𝒖𝒕𝒊𝒇𝒖𝒍 𝑪𝒐𝒏𝒇𝒖𝒔𝒊𝒐𝒏’; but, then again, maybe that’s what happens when art imitates life and vice versa.
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Reviewed in the United States on May 13, 2024
R
Verified Purchase
Randy Keehn
Phoenix, US
★★★★★ 5
How Good is Great?
I purchased this DVD because of its' sustained superior ratings in the Sight and Sound survey every decade of the best films of all time. Obviously, there must be something very great about this movie. There is but but there are some second thoughts that plagued me along the way. First of all, I am always impressed by a film's ability to hold our attention. This is often where the skill of film editing is best appreciated. I confess that I found myself looking for some scenes in "8 1/2" to move along. This is a cerebral movie, not an action movie but there seemed to be a fair amount of redundancy. Secondly, I was surprized by the sound work on this movie. I made a quick glance at a few other reviews but didn't see any similar comments. Thus I don't know if it was just my copy. However, the sound didn't match up with the film very well at all. This gives the movie an odd appearance of being an Italian movie dubbed in Italian. Was I missing something? Finally, the message in this film, for me, was "to your own self be true" which is certainly a valid philosophy; just ask Socrates. However, it was stretched to come across as "accept me for who I am, not whom you want me to be". This message is still a valid philosophy but a bit harder for some of us to accept. Having said all of that, let me praise the movie; (I DID give it a "5" after all). The acting is terrific; especially Marcello Mastroianni whose air of detachment fit the movie so well. The photography (B&W) was excellent, as well. The story is one of a director who has lost his own direction. As he stumbles aimlessly along supposedly putting together a film, his inteactions with others and his reminiscences give us an insight to his confusion. His world is overwhelming him and he can't figure out where to turn. He is much the victim of himself (which makes the message that much harder to swallow). As his crisis reaches its' own crisis, the movie rights itself with his discovery of his own self-awareness. Everything comes together at the end with a message of hope (primarily for the director). The beauty of the movie is how we are able to follow the character's collapse and rebirth. It is also in the way we can see the rest of the world through his own eyes. This is the sort of movie that will expand with each re-viewing. The DVD contains a second disc with information and reviews about the movie and the Director. This is a good movie that caught me off-guard because I was victimized by too much advance hype. I understand the hype but it would have been better to discover it for myself. Discover it for yourself and it will be a movie you'll remember.
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Reviewed in the United States on April 4, 2004
Y
Verified Purchase
yummymayo
New York, US
★★★★★ 5
BD Version.
One of my top five films of all time. I won't speak much about the film itself, under the assumption most readers have already seen it. You can be guaranteed a fantastic film if you haven't seen this yet. As far as the BD itself, the transfer is absolutely fantastic! The DVD version itself already had a pretty pristine transfer, but of course with the BD upgrade the resolution and detail is so much better, and of course comes loaded with extras and an accompanying booklet that is actually quite thorough and should be considered an item in itself, and not just a supplement to the disc. I haven't watched them all, but the extras that are bundled with the film are plentiful and quite informative. Often times with extras you feel as though it is just filler and fodder (let's be honest, it usually is) but at least Criterion makes a conscious effort to make it interesting. I'd say the extras are worthwhile, and also an upgrade from the DVD version. The biggest difference I noticed from my first viewing is that the subtitles are slightly changed from the DVD version, and also theatrically. There are probably lots of different translations, but it IS different from the DVD but not drastically. The same point is made, but just using a different delivery. Not sure how I feel about some of the changes, but I probably just got used to the previous translation. I'm not sure where some of these discrepancies or complaints are coming from that have surfaced recently, but my copy was packaged in the special made Criterion jewel cases, NOT the cardboard ones, and of course not the actual blue ones. For a while, with some of the earlier releases, Criterion was releasing its BDs in cardboard slip case and digi-pack format which angered a lot of customers who spoke their voice and got them to upgrade to the now standard jewel cases. A good move in my opinion, but now I'm stuck with Third Man and 400 Blows in cardboard. Reportedly, you can send in the old cases to get upgraded to new ones, but it'll cost you 5 bucks each, so... I think I can live with it.
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Reviewed in the United States on January 24, 2010

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