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Description
Collection of Mixed Plastics in Jembrana, Indonesia (PWRS)In Indonesia, only around 40 percent of waste is formally collected, while an estimated 40 million tons are mismanaged every year. Uncollected waste has become the leading source of plastic leakage into the environment, making Indonesia the third largest contributor to marine plastic pollution globally. Addressing this challenge requires scalable, community based solutions in areas with limited waste infrastructure and high vulnerability to ocean
In Indonesia, only around 40 percent of waste is formally collected, while an estimated 40 million tons are mismanaged every year. Uncollected waste has become the leading source of plastic leakage into the environment, making Indonesia the third-largest contributor to marine plastic pollution globally. Addressing this challenge requires scalable, community-based solutions in areas with limited waste infrastructure and high vulnerability to ocean-bound plastic.
This initiative operates in three coastal communities across Indonesia, where all household waste is collected by locally owned and managed waste systems. These systems were initially supported during setup and have since been fully handed over to local operators. Households pay a small monthly fee for regular, twice-weekly collection and are provided with separate bins for organic and non-organic waste. The collected materials are brought to a local sorting facility, where they are separated for recycling or proper disposal based on market demand.
All household waste is collected and sorted to recover valuable materials, including both rigid and flexible plastics, along with other common recyclables. Because the communities are located within 45 kilometers of the coastline, the system plays a crucial role in preventing plastic from leaking into the ocean. At the sorting facilities, waste is processed along a conveyor system, where trained staff manually separate recyclable materials. In some cases, a second sorting process is used to ensure higher material purity. Once sorted, plastics are baled and delivered to domestic aggregators and mechanical recyclers. While the initiative does not flake or pelletize material on site, it supports the upstream supply of clean, sorted plastic into Indonesia’s recycling value chain.
All surplus revenue generated through plastic credit sales is reinvested into the community-owned waste systems. These funds are used for capital expenditures such as replacing worn-out collection vehicles, upgrading infrastructure, or maintaining facilities. The additional financing is not used for day-to-day operating costs, ensuring long-term sustainability and impact.
This model supports the Indonesian government’s national waste targets, which aim for 90 percent waste handling and a 30 percent reduction at source through reduce, reuse, and recycle efforts. By working closely with local authorities and communities, the initiative contributes to building effective, circular waste management systems that increase recycling rates, create jobs, and significantly reduce the negative impacts of unmanaged waste on public health, biodiversity, and the climate. Through this locally led and scalable approach, the system demonstrates that it is possible to intercept plastic at the source while delivering meaningful social and environmental benefits.
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4.1 ★★★★★
Based on 7 reviews
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Product Reviews
★★★★★ 5
Truly "essential" for any letterer, whether casual or serious about the profession!
Format: Paperback
When I first got this book, I was a bit disappointed. I thought it was going to be detailing lettering by hand.
It didn't.
But guess what? It's better for it.
As the author, Nate Peikos, demonstrates, the bulk of lettering now is done digitally and with good reason. So not only is this book incredibly inspiring for any graphic artist / letterer -- with its many examples of great lettering; its demonstration of useful techniques -- the author is so open and honest in his writing. While reading it, you don't feel that he's putting the job of lettering out of the reader's reach. In fact, he's putting it right within reach through a humility that is coupled with his exceptional skills. If you're an up-and-coming letterer, someone on the outskirts of lettering wanting to delve into it more professional (like myself), or even if you've had some work doing lettering, there is something for each type in this book. It's a book that I'll cherish and reference frequently, especially with all the examples that just ooze inspiration.
My only regret is that I didn't know about some of these techniques a few years ago! But, nevertheless, I started implementing some of the techniques the first day after reading just a few pages. It reinvigorated my own desire to become a better and even semi-professional letterer, a very under-appreciated profession.
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Reviewed in the United States on November 5, 2021
★★★★★ 4
A great overall book, with one critical omission.
Format: Paperback
This is a great book to illuminate the mysterious art of comicbook lettering. It goes deep into the practical details and theory required to make a graphic novel, manga, or superhero comic with the look and feel of a professional product. But comicbook lettering is actually more than a purely aesthetic art form, it plays a critical role in conveying meaning, emotional mood, and tone of voice. Along with the artwork and panel composition, the layout of the lettering and dialogue balloons is also critical to help guide the reader's eyes naturally from panel to panel.
If you're curious about how graphic design for visual narrative works, this is an interesting and inspiring book.
My only criticism is the conspicuous omission of perhaps the one topic this author is uniquely qualified to illuminate, and that is: the actual creation of the fonts themselves. I've admired Nate's Blambot comic fonts for a long time (and have purchased licenses for some of them), so I was looking forward to at least getting an overview of how he approaches this seemingly critical aspect of comicbook lettering. But no. He doesn't go into it even slightly, which is a shame, because this would have been the perfect book on the topic if he had. I understand that font design is a huge topic unto itself, but was disappointed that in a book of this size, there weren't even a few pages dedicated to discussing the process of making fonts for comicbooks. Literally anyone reading this book would want to know that information.
Having said that, it's a great book, and I still enjoyed it very much. You'll probably be surprised by how much more there is to learn about this topic than you may have thought. Reading it will deepen your appreciation for an art form that, like a great movie score, is basically invisible when done very well, yet amplifies the emotional impact of each contributing discipline, and profoundly contributes to the enjoyment of the final experience.
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Reviewed in the United States on September 22, 2022
★★★★★ 5
A Lettering Masterclass
Format: Paperback
Nate Piekos is a rockstar. If you want it learn how to letter comics, this is the first thing I would buy. It’s not a fancy book, just practical step-by-step how to do a craft right.
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Reviewed in the United States on May 30, 2026
★★★★★ 5
Title says it all: ESSENTIAL!
Format: Paperback
This is a FANTASTIC book! The information may seem overwhelming at first, but it is easy to understand.
As some reviewers said, it does not spend much time on hand lettering (I assume this is due to the industry going more digital as time goes on). Those who want more information on hand lettering may have to seek help elsewhere. It is mentioned VERY briefly in the beginning, I believe.
It includes: step by step instructions on creating speech bubbles, tips on font creations, sentence formatting, page borders, splash/double splash page construction, creating templates that save you time in the long run, making logos, sound effects and much more.
This book is a great launching point for anyone looking to start their lettering career or even for anyone that wants to gain an appreciation for an intergral and often overlooked part of Comic books!
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Reviewed in the United States on February 28, 2022
★★★★★ 5
One of the Best "Making Comics" Books Out There
Format: Kindle
Honestly, one of the best books on making comics that I've read. So well done, insightful, well-organized, and easily referential. If you're looking for the basic principles of lettering, look no further than this.
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Reviewed in the United States on June 22, 2025