"Beaton: The Art Of The Scrapbook" 2010 DANZIGER, James [introduction by]

"Beaton: The Art Of The Scrapbook" 2010 DANZIGER, James [introduction by]DANZIGER, James [introduction by] [391] pp. Cecil Beaton Assouline 2010 14 1 2" x 11 3 4" As New Scroll Down for (20) Additional Scans: A compendium of pages from Cecil Beaton's scrapbooks. Beaton created scrapbooks throughout his life, juxtaposing his own photographs and drawings with cuttings from newspapers, magazines and theatre programmes. The books were a repository for his visual inspiration and imagination and for readers today they offer a

DANZIGER, James [introduction by]

[391] pp.

Cecil Beaton

Assouline

2010

14 1/2" x 11 3/4"

As New

Scroll Down for (20) Additional Scans:

A compendium of pages from Cecil Beaton's scrapbooks. Beaton created scrapbooks throughout his life, juxtaposing his own photographs and drawings with cuttings from newspapers, magazines and theatre programmes. The books were a repository for his visual inspiration and imagination and for readers today they offer a unique insight into his creative process. The Art of the Scrapbook reproduces hundreds of double-page spreads from the scrapbooks, many for the first-time. The size of the book duplicates the scale of the original albums.

As one of the twentieth century’s most important photographers, Cecil Beaton helped invent the cult of the celebrity image while pushing the boundaries of his art form with innovative techniques and staging. In the course of his decades-long career as a photographer for Vogue and Vanity Fair, as well as a British war correspondent, Cecil Beaton documented lives both famous and quotidian—including his own, in dozens of scrapbooks now held by Sotheby’s London.

In these pages, reproduced here for the very first time, the inner vision of the man behind the camera takes center stage. Composed of his own prints and of clippings from magazines, newspapers, and playbills, the pages are an instructive record of his creative process. His famous eye alighted on society figures, royals, dancers, actors, statesmen, and natives in ceremonial garb, picking out visual rhymes and witty juxtapositions. To flip through the pages is to enter a fabulous and surreal party where Tallulah Bankhead rubs shoulders with a bust of Voltaire and a portrait of Stravinsky; where Beaton’s first trip on the Queen Mary coincides with Queen Elizabeth’s coronation. The precursor to the “mood board,” Beaton’s scrapbooks allowed the artist to play with pictures he had taken (and perhaps those he wished he had) in the dreamspace of artifice that was always his favorite setting.