SKU: 35287317780

Pro PCTG, Iron Red, 1.75mm

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Description

Pro PCTG, Iron Red, 1.75mm3D Fuel Pro PCTG is like PETG but better in many ways. It is tougher (up to 30x tougher than PETG), more chemically resistant, and has even greater clarity than PETG. Pro PCTG is an easy to use material with a lower moisture absorption rate than PETG and doesn't require an enclosure use it just like PETG. The broad color selection and ease of printing make it an ideal choice for printing in a multi color 3D printing system like the Bambu Lab AMS.

3D-Fuel Pro PCTG is like PETG but better in many ways. It is tougher (up to 30x tougher than PETG), more chemically resistant, and has even greater clarity than PETG. Pro PCTG is an easy-to-use material with a lower moisture absorption rate than PETG and doesn't require an enclosure - use it just like PETG.

The broad color selection and ease of printing make it an ideal choice for printing in a multi-color 3D printing system like the Bambu Lab AMS.

Print Profiles

Print profiles for Pro PCTG on the Bambu Lab printers are available here.

Bambu AMS Compatibility

Since October 2023, the 3D-Fuel Standard PLA+ has been manufactured using an AMS-compliant spool (more info on our spool sizes and weights). Since it takes time for some colors to move through our warehouse inventory, you may receive an older spool type. This is still compatible with the AMS, but you must leave the lid open a few mm.

Pro PCTG is 20-50% More Impact Resistant Than PETG

Key Reasons for Better Impact Toughness:

  1. Molecular Structure:
    • PCTG contains cyclohexane dimethanol (CHDM), which gives it increased flexibility and toughness compared to PETG’s ethylene glycol structure.
  2. Flexibility vs. Brittleness:
    • PCTG is more ductile, allowing it to absorb and dissipate energy during impact without cracking or shattering.
  3. Layer Adhesion:
    • PCTG has better inter-layer bonding when 3D printed, reducing weak points in the structure where impact forces might cause failure.

Real-World Implications:

  1. Drop Resistance:
    • PCTG parts are less likely to crack, chip, or break when dropped, making it ideal for high-impact applications like enclosures or wearable devices.
  2. Repeated Stress:
    • PCTG can endure repeated bending or sudden forces better than PETG, making it more suitable for hinges, clips, and flexible parts.
  3. Durability in Extreme Conditions:
    • PCTG resists embrittlement under low temperatures, maintaining its toughness in environments where PETG may fail.

Example Use Cases Benefiting from PCTG's Toughness:

  • Protective housings for electronics or tools.
  • Drone parts and propeller guards.
  • Flexible clips, snap-fits, and living hinges.
  • Impact-resistant containers or enclosures.

Chemical Resistance

Chemical Type Examples PCTG Advantage PETG Limitation Comparison (CRR)
Alcohols Isopropyl alcohol (IPA), ethanol, methanol Resists prolonged exposure without degrading or cracking. Degrades or stress cracks with high alcohol concentrations over time. 1.8
Hydrocarbons Hexane, heptane, gasoline, mineral spirits Better resistance to hydrocarbon-based solvents. Softens or weakens when exposed to hydrocarbons. 2.0
Acids Acetic acid, citric acid, phosphoric acid Maintains structural integrity in mild to moderately concentrated acids. Degrades faster in acidic environments at higher concentrations. 1.4
Bases (Alkalis) Sodium hydroxide, potassium hydroxide, ammonium hydroxide Better resistance to strong alkalis. May crack or degrade when exposed to strong bases. 1.33
Cleaning Agents Bleach (sodium hypochlorite), industrial degreasers, detergent solutions Withstands harsh cleaning agents without discoloration or damage. Discolors, cracks, or loses properties with harsh cleaning agents over time. 1.5
Oils and Lubricants Engine oils, hydraulic fluids, cutting oils Resists degradation from prolonged exposure to oils. Absorbs oils over time, potentially leading to swelling or weakening. 1.6
Ketones Acetone, methyl ethyl ketone (MEK) Performs slightly better in low-concentration ketones. Softens or dissolves more readily in ketone-rich environments. 1.2


Pro PCTG Has Lower Moisture Absorption Than PETG

  1. PETG:

    • Hygroscopic: PETG absorbs moisture from the air, but at a relatively low rate compared to more hygroscopic materials like nylon or TPU.
    • Moisture Absorption Rate: Approximately 0.2–0.3% by weight after prolonged exposure to humid environments.
    • Effects of Moisture:
      • During printing, moisture in PETG can lead to stringing, bubbling, and surface defects due to water vaporizing in the hotend.
      • Mechanical properties (like impact strength) can slightly degrade over time with prolonged exposure to high humidity.
  2. PCTG:

    • Slightly Lower Moisture Absorption: PCTG absorbs less moisture than PETG, typically around 0.1–0.2% by weight.
    • Improved Resistance: Due to its cyclohexane dimethanol (CHDM) component, PCTG’s molecular structure makes it less hygroscopic and more resistant to moisture-induced degradation.
    • Effects of Moisture:
      • PCTG generally performs better than PETG in humid conditions, retaining clarity, toughness, and dimensional stability for longer periods.

Why the Difference?

  • Molecular Structure:
    • PETG’s glycol modification increases flexibility but leaves the material slightly more hygroscopic.
    • PCTG’s modified structure with CHDM reduces the polar sites available for moisture interaction, resulting in less absorption.

Practical Implications:

  1. 3D Printing:

    • PETG: Requires drying more frequently, especially if exposed to humid environments, as even slight moisture absorption can lead to print defects (bubbling, stringing, poor adhesion).
    • PCTG: Requires less frequent drying, making it easier to handle in environments with higher humidity. It is also more forgiving if printed without drying.
  2. Storage:

    • Both materials benefit from being stored in airtight containers with desiccant.
    • PCTG will be less prone to degradation if exposed to moisture for extended periods compared to PETG.
  3. Long-Term Use in Humid Environments:

    • PCTG is more stable and less likely to lose mechanical properties over time in high-humidity settings.

Drying

For both materials, drying before printing and proper storage is recommended for optimal performance, but PCTG is less maintenance-intensive in this regard.

When you need to dry Pro PCTG, use a temperature of 60-70C for 4-8 hours.

Available In 25 Colors

Color Name Display Hex Code Closest Pantone®
Natural Clear Clear 
Brightest White
#EBECEA P 179-1 U
Snow White
#F2F2ED P 1-1 C
Desert Tan
#C1AC98 15-1309 TPG
Flat Dark Earth
#977B6C 4257 CP
Chocolate Brown
#58413B P 67-16 C
Bubblegum Pink
#EAAAB6 4064 UP
Grape Purple
#5E528F 7679 CP
Cobalt Blue
#0C3681 2736 CP
Ocean Blue
#0069A4 2935 CP
Olive Green
#545746 176-15 C
Grass Green
#4D9D5A P 139-8 U
LulzBot Green
#C8CB18 14-0443 TPG
Daffodil Yellow
#FFC02C 109 UP
Tangerine Orange
#EF744C 16-1349 TPG
Fire Engine Red
#C73229 P 52-16 C
Iron Red
#8A292A P 54-8 C
Metallic Copper
#894D3F 7601 CP
Metallic Gold
#C58F4C 16-0950 TPG
Metallic Silver
#7D8081 Cool Gray 11 U
Industrial Gray
#858B8D Cool Gray 10 U
Charcoal Gray
#4D545A 296 UP
Midnight Black
#353535 19-4006 TPG
Fluorescent Orange
#EA7A68 P 45-5 U


Additional Filament Information

  • Recommended Printing Temperature: 260-280C
  • Recommended Bed Temperature: 70-80C
  • Bed Surface: PEI, heated bare glass, BuildTak, WhamBam
  • Recommended Print Speed: 60 – 250 mm/s

Pro PCTG TDS
Pro PCTG SDS

Quality:
All 3D-Fuel 3D printer filament is manufactured in the United States. We have complete control over the manufacturing process and can ensure consistent quality for every spool. Learn more about 3D-Fuel filament quality.

Diameter Tolerance:
Variable 3D filament diameters can cause significant problems in your 3D printer. We use a multi-axis laser measurement system to control our filament diameter and ovality in real time during production.

Packing Information:
A full 1kg (2.2 lbs) of Pro PCTG plastic filament arrives on a durable plastic reel compatible with the Bambu Lab AMS. The reel is vacuum-sealed with a desiccant packet to keep out moisture.

Test Printing: 
The 3D-Fuel test lab features multiple brands of 3D printers, including Bambu Lab, Creality3D, Prusa, Raise3D, MakerBot, LulzBot, FlashForge, and more. We use what we manufacture in our 3D printing operations to ensure that our filament provides the best quality possible.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 35287317780

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4.1 ★★★★★
Based on 15 reviews
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Product Reviews
J
Verified Purchase
jk Smiles
Bozeman, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Lowell, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
Pawtucket, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Houston, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
Carnegie, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016

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