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Description
The Master and MargaritaI first read Mikhail Bulgakov's The Master and Margarita on a balcony of the Hotel Metropole in Saigon on three summer evenings in 1971. The tropical air was heavy and full of the smells of cordite and motorcycle exhaust and rotting fish and wood fire stoves, and the horizon flared ambiguously, perhaps from heat lightning, perhaps from bombs. Later each night, as was my custom, I would wander out into the steamy back alleys of the city, where no one
I first read Mikhail Bulgakov's The Master and Margarita on a balcony of the Hotel Metropole in Saigon on three summer evenings in 1971. The tropical air was heavy and full of the smells of cordite and motorcycle exhaust and rotting fish and wood-fire stoves, and the horizon flared ambiguously, perhaps from heat lightning, perhaps from bombs. Later each night, as was my custom, I would wander out into the steamy back alleys of the city, where no one ever seemed to sleep, and crouch in doorways with the people and listen to the stories of their culture and their ancestors and their ongoing lives. Bulgakov taught me to hear something in those stories that I had not yet clearly heard. One could call it, in terms that would soon thereafter gain wide currency, "magical realism." The deadpan mix of the fantastic and the realistic was at the heart of the Vietnamese mythos. It is at the heart of the present zeitgeist. And it was not invented by Gabriel Garcia Marquez, as wonderful as his One Hundred Years of Solitude is. Garcia Marquez's landmark work of magical realism was predated by nearly three decades by Bulgakov's brilliant masterpiece of a novel. That summer in Saigon a vodka-swilling, talking black cat, a coven of beautiful naked witches, Pontius Pilate, and a whole cast of benighted writers of Stalinist Moscow and Satan himself all took up permanent residence in my creative unconscious. Their presence, perhaps more than anything else from the realm of literature, has helped shape the work I am most proud of. I'm often asked for a list of favorite authors. Here is my advice. Read Bulgakov. Look around you at the new century. He will show you things you need to see.Binding Type: Paperback
Publisher: Grove Press
Published: 01/13/1994
ISBN: 9780802130112
Pages: 402
Weight: 0.80lbs
Size: 8.25h x 5.30w x 1.00d
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4.1 ★★★★★
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★★★★★ 5
Very nice
Color: Sage Green, Size: Large
This shirt is very cute. Looks great on my fiancé and is very high-quality. It fits him well. It’s not too thick. I love the color. We got the green one.
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Reviewed in the United States on May 21, 2026
★★★★★ 4
Nice shirt for the price
Color: White, Size: Large
Good quality shirt, especially for the price. Drapes nicely, almost a painterly feel with the fabric. Works across the wardrobe spectrum, pairing well with slacks in a business setting or with chinos for a more casual look.
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Reviewed in the United States on April 29, 2026
★★★★★ 5
Comfortable
Color: Granite Gray, Size: X-Large
Great fit, quality.
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Reviewed in the United States on May 18, 2026
★★★★★ 3
Very unreliable size chart second and final time I go there.
Color: Angel Falls, Size: Medium
Size chart unreliable, medium very baggy, decent quality
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Reviewed in the United States on April 24, 2026
★★★★★ 5
Great Fit and Price While Updating My Wardrobe
Color: Shortbread, Size: Large
As I’ve been getting fitter, my old clothes started looking too baggy, so I needed something that fit better without breaking the bank. This COOFANDY chambray shirt turned out to be exactly what I was looking for—lightweight, wrinkle-resistant, and stylish enough for casual or dressy wear. The fabric feels soft and breathable, and it pairs easily with jeans or slacks. Since I’m still losing weight, I didn’t want to overspend on clothes I may size out of soon, and these hit the sweet spot for both quality and affordability.
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Reviewed in the United States on September 28, 2025
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