SKU: 52340334498

Razorback Offroad - Polaris RZR PRO XP Front Folding Windshield

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Description

Razorback Offroad - Polaris RZR PRO XP Front Folding WindshieldOur Polaris RZR PRO XP Front Folding Windshield was designed to enhance your riding experience while on and off trail. Loaded with features that are simply not available on any other windshield on the market. Check all the features we built into our folding windshield and you will see why the RBO folding windshield is the ultimate choice. Lightweight and Durable We built our Polaris PRO XP Folding Windshield frame from 1 8 thick 6061 Aluminum. This

Our Polaris RZR PRO XP Front Folding Windshield was designed to enhance your riding experience while on and off trail. Loaded with features that are simply not available on any other windshield on the market. Check all the features we built into our folding windshield and you will see why the RBO folding windshield is the ultimate choice. 

Lightweight and Durable

We built our Polaris PRO XP Folding Windshield frame from 1/8” thick 6061 Aluminum. This design is super lightweight and gives the strength to last for years of off-road abuse. 

Largest Windshield

We designed this windshield for the Polaris PRO XP, Polaris PRO XP Sport, Polaris PRO XP Premium, and Polaris PRO XP Ultimate, to have one of the largest viewing areas available in a fold-down or fold-up PRO XP Glass windshield. Also, with your safety in mind, this UTV windshield is made with laminated DOT approved glass.

 Wiper

We chose the manually operated wiper so you don’t have to run any electrical wires. Like our other windshields, those who use our Polaris PRO XP Folding Windshield say it’s one of the best add-ons they have installed on their Side x Side. 

Rust Free Hinges That Work

Seems simple, doesn’t it? Hinges that don’t rust and that will work time after time? We spent weeks testing hinges and could not find any that performed the way we wanted them to, so we developed our own hinges. We make these from stainless steel and give them a 10-year warranty. 

Easy to Open

We wanted an easy open windshield for your PRO XP that did not have pins or clips that you could lose out on the trail. That’s why we spent the extra effort to design in twist lock latches. 

Sliding Vents

For those rides that are too cold to lay the PRO XP Windshield down but a little hot in the cab, we have you covered. Our Sliding Window Vents are sized to let a little air in when you need it. 

Windshield Support

Very few things are more annoying on the trail than rattles and things bouncing around. That’s why we designed a stable and reliable system for holding the windshield down. We found inspiration when we looked at the older CJ Jeeps. We used tried and true rubber hood latches as our windshield tie downs. 

Functionality

With the Polaris RZR PRO XP Front Folding Windshield, you get lots of choices. Imagine heading out on the trail in the morning on a fall day and its cold. You can keep the windshield up. As the morning warms up you can just slide a windshield vent open, or when it gets into late afternoon and the sun is high, just lay the windshield down. When you lay the windshield down, you also get a great shooting rest for your gun, or a great table to make lunch on. 

Looks Great

The old saying says “looks aren’t everything.” Well at RBO we disagree. When it comes to the machines we drive, we try hard to design the best looking, best performing products on the market and our Polaris RZR PRO XP Front Folding Windshield is no exception. 

Models

Our Glass Front Windshield is designed to work with the Polaris PRO XP, Polaris PRO XP Sport, Polaris PRO XP Premium, and Polaris PRO XP Ultimate Side x Sides.

 Installation

Installation of our Polaris RZR PRO XP Front Folding Windshield is very easy and only takes about 20 minutes to install. Weather you call it a PRO XP Fold Down Windshield, a PRO XP Glass Front Windshield, a PRO XP Windshield with Wiper, a Polaris PRO XP Front Flip up Windshield you are correct because this Polaris glass windshield does it all.

  • Lightweight, Strong, Dependable
  • Powder Coated in our Tuff Coat Black Finish
  • Fold Down with easy close latches
  • CNC Machined Sliding Vents
  • Manual operated Windshield wiper is standard.
  • ¼” Laminated D.O.T. Glass
  • RBO Tuff-Latch™ hold downs
  • Easy to Install (Watch Video)
  • 30-day money back guarantee
  • Fits 2-seater and 4-seater

 

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SKU: 52340334498

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4.7 ★★★★★
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D
Verified Purchase
David R. Papke
Louisville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Birmingham, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Dallas, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Carnegie, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Phoenix, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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