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Dora, Delphine & Mocke: Le Corps Defendant - VINYL LPTitle: Le Corps Defendant Artist: Dora, Delphine & Mocke Label: Okraina Product Type: VINYL LP UPC: 769791967113 Genre: Rock Release Date: 2017 09 22 Number of Discs: 2 Additional Details: 10 INCH VINYL Delphine Dora and Mocke present Le Corps Dfendant on Okrana. Ned Netherwood of Was Ist Das? on the release: "There is something special about when artists like these collaborate. Two independent talents, both completely self sufficient choosing to come
Title: Le Corps DefendantArtist: Dora, Delphine & Mocke
Label: Okraina
Product Type: VINYL LP
UPC: 769791967113
Genre: Rock
Release Date: 2017-09-22
Number of Discs: 2
Additional Details: 10-INCH VINYL
Delphine Dora and Mocke present Le Corps Défendant on Okraïna. Ned Netherwood of Was Ist Das? on the release: "There is something special about when artists like these collaborate. Two independent talents, both completely self-sufficient choosing to come together and see what happens, to let the muses mingle and share the results with the rest of us. What we have here, however, is not some quick jam caught on tape but a long distance collaboration carefully put together over three years. The result is something that gives us a broad overview of the two talents spotlighted here, showcasing many different moods, sounds and styles. Created like an exquisite corpse story they sent each other music to work on with no instructions or suggestions, just some inspiring mix tapes of everyone from Duke Ellington to Harry Patch. They clearly found their way. As well as her own music (which ended up on Pitchfork's best of 2015 list), Delphine runs the excellent Wild Silence record label. As well as being a solo artist, Mocke has played with the likes of Arlt, Holden and Midget! On this record, Mocke plays the guitar and Delphine sings and plays everything else. He's one hell of a guitar player, bringing to mind Loren Connors, John Fahey and anyone who ever took a six string and mastered it their own damn way. Delphine sings sweetly, sometimes from classic texts or as a glossolalia (divinely expressing without words), though to a non-French speaker you would swear was some lost classic pop song reinterpreted in her own style. Both Delphine and Mocke are originally from Paris but both have long since left, Mocke for Brussels and Delphine for the deepest French countryside. That difference can be found in their music. Mocke's music is urbane with a touch of inner-city paranoia. Delphine's music always sounds isolated in a big landscape. They complement each other as opposites. Like all Okraïna releases, the stunning artwork is by Gwénola Carrère and I can't think of anyone better suited to try and encapsulate this stunningly varied and vivid album. The title does not translate to English as it is a poetic corruption of a common phrase. I think something similar happened to common music on this album." Personnel: Delphine Dora: voice, piano, prepared piano, keyboards, celesta, glockenspiel, piano, guitar strings, violin, shruti box, field recordings, objects; Mocke - guitar.
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4.8 ★★★★★
Based on 14 reviews
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Product Reviews
★★★★★ 3
Great book but the pages started falling out
Format: Paperback
This book is very informative and helpful while I navigate nursing school, but after only 6 weeks of use the pages started falling out. I'm careful with the book and I don't even open it everyday but it was poorly made and the pages are not very sturdy.
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Reviewed in the United States on November 28, 2021
★★★★★ 5
A Deep and Rich Resource on Christian Life
Format: Paperback
I've been waiting for this book for quite some time when I heard it would be coming out as part of the Dogmatics series. I really appreciate how he structures the book as God's Trinitarian actions towards us, the law-gospel distinction, and our response to Gods' love. Rich. A real treat to read, ponder, and reflect on.
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Reviewed in the United States on January 20, 2026
★★★★★ 5
One of the Best!
Format: Paperback
Kelly Kapic is one of the best theological writers of our day. He gears his writings a bit toward scholars, but don’t let that stop you. Accept the challenge of this book and you won’t be sorry. The title of the series (“New Studies in Dogmatics”) might scare off some readers, but don’t allow that to camouflage a great read. Yes, scholars will likely eat it up as a book that shows an artisan at work in their trade, but I say pastors and thoughtful Bible students ought to claim this one as their own.
The only part that might appeal more to scholars than the rest of us is how he loves to delve into some historical personage or creed to illustrate his point. That is only an issue because sometimes that takes more explanation than the point at large he is making. I doubt he can help it. He seems like a walking encyclopedia; a passionate one to be sure, but it is amazing the scope at which he views his subject.
His clearly stated thesis is that “Christian life is a response to the love of God”. Not only does that make sense, especially as he develops it, but it also gave him free reign to write across most of the systematic theology corpus as he desired. That could easily degenerate in a muddled mess that said little, but in his skilled hands it became something really special. In fact, the first chapter on why we need a theology of Christian life shows his clear vision of the argument of this book. For the record, I was bought in part way through that first chapter.
Part Two with its three chapters fills in “the love of God” part of his thesis. He approaches it as love, grace and fellowship. Those three are often thrown about with a perverse shallowness. Not here. It seems that the depths of the heinousness of sin that he so astutely explains is the key to bringing those three out in all their resplendent glory. Here they sparkle.
Next, he has a section that he called an “interlude” on the Law-Gospel distinction. His Reformed orientation comes out strongest here and this section is likely to be the most controversial. In fact, even some Reformed thinkers might quibble with him.
From there, he develops the “response to” part of his thesis. This last section covers Messiah, ego and ecclesia to great effect. That our Messiah is the key is painted with the right significance. The chapter on ego was profoundly done. I thought he brought in current thinking on ego and held it up to Scripture and came up with clear thinking in the process. The two chapters on ecclesia surprised me. I was sure that he was going to champion a certain strain of liturgy, but actually he explained that every worship style is a liturgy. It was convincing to me.
I nominate this book as the theological title of the year. It is that good.
I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255.
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Reviewed in the United States on May 26, 2026
★★★★★ 5
A labor of love
Format: Paperback
Kelly Kapic provides a biblical and theological vision of Christian life—what it means to love and be loved by God—by exploring and explaining the contours of the “life” that is given to the believer as united to Christ, and united to all believers who participate in that same union. The book covers multiple topics one might find in a systematic theology, but seamlessly weaves these through considerations of Christian ethics and corporate worship with clear and accessible prose. Kapic writes charitably as someone deeply immersed in the history of Christian theology and aware of the modern Christian church as expressed through multiple, and sometimes conflicting, traditions. Kapic remains attentive to the doubts of believers and profoundly sympathetic to the reality of those who have suffered abuse under the banner of grace. A remarkable achievement of beautiful orthodox theology. Highly recommended.
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Reviewed in the United States on May 11, 2026
★★★★★ 5
Nice Product
Color: 2 Tier-Black, Color: 2 Tier-Black
Super Handy and So Stylish — A Must-Have for Any Kitchen!
I’m really impressed with the Sinnsally Kitchen Sponge Holder! It’s simple, practical, and makes keeping my sink area neat so much easier. The 2-tier design is brilliant — the top shelf holds my sponges perfectly, while the bottom area keeps scrubbers and brushes organized and easily accessible.
The stainless steel looks sleek and modern, and it has held up beautifully with daily use. Water drains well so everything dries quickly, and cleanup is a breeze. No more soggy sponges sitting around!
Installation was quick and easy — it fits nicely right by the sink without taking up too much space. This little holder has made a big difference in keeping my kitchen tidy.
Highly recommend for anyone who wants a clean, organized sink area with a touch of style!
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Reviewed in the United States on March 3, 2026
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