SKU: 72202866887

Harrow Cap Toe Oxford Brown

Sale price$160.65 Regular price$178.50
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Description

Harrow Cap Toe Oxford Brown"Excellent fit, great quality, stylish and dapper" Harrow updates the classic cap toe oxford with elegant lines, and stitched and punched toe detailing. In a lovely deep brown this is a versatile option co ordinating with both dark and light suits. Classic cap toe oxford with subtle and refined punched toe detailing Oxford closed lacing for a formal look Full grain calf leather for softness and longevity Hand dyed brown patina, polished and burnished

"Excellent fit, great quality, stylish and dapper"

Harrow updates the classic cap-toe oxford with elegant lines, and stitched and punched toe detailing. In a lovely deep brown this is a versatile option co-ordinating with both dark and light suits.

  • Classic cap-toe oxford with subtle and refined punched toe detailing
  • Oxford closed lacing for a formal look
  • Full grain calf leather for softness and longevity
  • Hand-dyed brown patina, polished and burnished
  • Hard-wearing Blake-stitched leather/rubber sole for added grip
  • Full calf leather lining for comfort and to absorb moisture
  • Made in Italy by artisan shoemakers

Why choose the brown Harrow?

A versatile staple for any wardrobe, Harrow in brown is an understated, refined Oxford with an edgy punch-toe detailing on the capped toe.

This classic shoe brings a sartorial elegance to any business smart or smart casual ensemble and its timeless style makes it well worthy of investment.

Looks good with...

Our cap-toe Harrow Oxford is possibly the most versatile shoe to pair with smart tailoring. Its simplicity and subtle shaping complement any smart outfit, and the punch-toe adds detail and interest for a contemporary feel.

Pair this lovely rich brown Harrow with a black or grey suit for a sleek, sophisticated look.

Stitched leather sole and stacked leather heel

The sole is stitched onto the upper using a traditional and refined Italian method called Blake stitching. This allows the sole to be easily replaced when it eventually wears but we've used a rubber insert as well, to aid longevity and grip.

There is a 25mm genuine-leather stacked heel, with 6 brass pins and a rubber piece, again for longer wear and better grip. There is also a ‘gentleman’s corner’, a small bevel that reduces snagging of the heel on your trousers. We've even added an embossed Thomas Bird logo in the waist of the sole too, a distinctive feature of our brand.

Materials and craftsmanship

We work with the finest Italian artisan shoemakers who showcase their expertise in cutting, shaping, stitching and dying leathers, skilled crafts that have been handed down through the generations.

With attention to detail being paramount, leathers are carefully selected by weight and pliability and cut to form the pattern to fit the last. Then several stages of dying, polishing and burnishing create the depth and richness of the unique brown colour.

Italian made

Italy is renowned for the quality and style innovation of its beautiful leathers and components used in the shoemaking process.

It has a strong and well-deserved reputation as the home of fine craftsmanship and attention to detail and we want nothing less for our Thomas Bird collection.

Shipping Notes
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Exchange/Return Notes
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SKU: 72202866887

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Tim M.
Draper, US
★★★★★ 5
Great gift idea!
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Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
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Madison
Massapequa, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
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Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Paul Frandano
Belleville, US
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding. Serious. Hilarious. Wise. Faux-wise. Scholarly. Mock-scholarly. Observant. Absurdly, obsessively observant. Sharp characterizations. Ridiculous characters. Devout. Bawdy. Endearing. Frustrating. Genius. Barking mad. Narratively incoherent. Stream-of-consciousness associative. Consistently provincial. Profoundly universal. Mired in the 18th century. Harbinger of 20th century literary Modernism. Baffling. Brilliant Not for every taste. For my taste. And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more. And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
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Ritesh Laud
Omaha, US
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters. I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story. Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict. It's not trying to teach anything, really. So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count. I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up: "No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations." It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
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Diogenes
Port Orchard, US
★★★★★ 3
Interesting read, but takes some getting used to
I heard about this book on a blog, and figured I'd check it out. It's the rambling tale of a man determined to give you every last detail of everything that might be important to the narrative of his life. Unfortunately, he goes on tangets so often that he doesn't even get to his birth for several chapters, let alone the story of the rest of his life. Along the way, you're introduced to lots of random characters who are (at best) loosely related to the protagonist, but as often as not these tangents are fairly amusing. The writing is pretty dense, and this along with the tangents had me putting the book down fairly often. It's probably ideal for a commuting book, but I never wanted to just sit down and blitz through big chunks of it. Overall it's a very different kind of experience than a novel reader typically gets. It's worth a read for a change of pace, but I can't say it's a life-altering read.
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Reviewed in the United States on March 21, 2013

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