SKU: 80732607245

Schlage Accent Aged Bronze Privacy Lockset, ANSI Grade 2, Fits 1-3/4 in Doors

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Description

Schlage Accent Aged Bronze Privacy Lockset, ANSI Grade 2, Fits 1-3/4 in DoorsSchlage Accent Privacy Lever Lockset A durable interior privacy lever ideal for bedrooms and bathrooms, the Schlage Accent lockset offers Grade 2 strength with premium metal construction. Designed for easy DIY installation, it fits standard doors and provides reliable push button privacy with emergency egress. Key Features: Privacy Function: Push button locking ideal for bed & bath; unlocks with handle rotation or pin key in emergencies Grade 2

Schlage Accent Privacy Lever Lockset

A durable interior privacy lever ideal for bedrooms and bathrooms, the Schlage Accent lockset offers Grade 2 strength with premium metal construction. Designed for easy DIY installation, it fits standard doors and provides reliable push-button privacy with emergency egress.


Key Features:

  • Privacy Function: Push-button locking ideal for bed & bath; unlocks with handle rotation or pin key in emergencies
  • Grade 2 Durability: Premium metal construction with ANSI/BHMA Grade 2/AAA ratings for security, durability, and finish
  • Hassle-Free Installation: Self-aligning screw holes and universal latch fit 2-3/8" or 2-3/4" backsets
  • Standard Door Fit: Works with 1-3/8" to 1-3/4" thick, right or left handed doors; includes radius and drive-in faceplates
  • Trusted Warranty: Backed by Schlage’s limited lifetime mechanical and finish warranty

Specifications Table:

Specification Details
Function Privacy (Bed & Bath)
ANSI/BHMA Rating A156.39-2015 Grade AAA; A156.2 2011 Grade 2
Backset Universal; fits 2-3/8 in. (60mm) or 2-3/4 in. (70mm)
Door Thickness 1-3/8 in. to 1-3/4 in. (35mm-44mm)
ADA Compliant Yes
Installation Self-aligning screw holes; installs with screwdriver
Fire Door Compatibility Locks for up to three-hour fire doors available
Applications Residential single- and multi-family interior doors
Warranty Limited Lifetime Mechanical and Finish Warranty
Included Faceplates Radius and drive-in faceplates
Handing Universal handed (right or left)

Frequently Asked Questions (FAQ):

Q: Does this lever fit my door thickness?
A: Yes, it fits standard interior doors 1-3/8" to 1-3/4" thick.


Q: What backset sizes are supported?
A: The universal latch adjusts to 2-3/8" or 2-3/4" backsets.


Q: Is installation difficult?
A: No. It installs with a screwdriver; self-aligning screw holes simplify the process and all hardware is included.


Q: Can it be opened in an emergency?
A: Yes. The privacy lock can be unlocked from the outside with the included pin key.


Q: Is it ADA compliant?
A: Yes, the Accent lever is ADA compliant.


Sculpted Simplicity for Serene Suites

The Accent lever’s graceful curve brings a subtle, modern flourish to bedroom and bath doors, elevating everyday passages with quiet luxury. Its sleek, metal silhouette and refined finish feel both timeless and tailored. Pair it with minimalist trim and soft, layered neutrals to let the form sing. A polished essential, it’s a small touch that makes living feel exquisitely composed.


Upgrade your bedroom and bath doors with Schlage’s Accent privacy lever for effortless installation and dependable, Grade 2 strength.

Installation

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SKU: 80732607245

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4.8 ★★★★★
Based on 11 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Lowell, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Belleville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
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Matt M.
Battle Creek, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Carnegie, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Waukegan, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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