SKU: 83154214092

台中一福堂經典糕點系列 IFFOOD Pastries Set

Name: 台中一福堂 經典糕點系列 IFFOOD Pastries Set
Brand: tworldvietnam.com
SKU: 83154214092
Price: 23.00 USD
Availability: InStock
Rating: 4.4968 (9 reviews)

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台中一福堂經典糕點系列 IFFOOD Pastries Set~ ()(8) 535060 : 25() ()(10) : 45() ()(10) : 45() ()(12) ; : 45() ()(12) ; : 45() ()(12) : 45() ()(8) : 30() ()(12) : 30() ()(8) : 30() (12) : 30() !(8) Q : 30() (8) : 30() (8) : 25() : Q8 QQQ : 25() Q()(8) QQ : 30() ()(8) : 25() 8()(8) : 20() ()(8) ! : 25() ()(8) , : 30() ()(8) Q** : 10() (12) : 45() (12) : 45() (12) : 45() ~

⚠️商品期限較短，加上物流時間的不確定性，無法保證收到後的賞味期限，有可能會過期，請謹慎考慮清楚，請自行評估再下單訂購，下單購買視同同意。
⚠️商品外包裝~ 快遞郵寄因外來因素導致紙盒與罐頭運輸中擠壓變形屬正常，請自行評估再下單訂購，下單購買視同同意。

一福堂的歷史，要源溯到日治昭和三年，一福堂創辦人陳周財老師傅，選定緊臨人潮聚集的大墩梅枝町（今竹廣市場中正路上），開創以糕餅專賣的「一福堂菓子舖」，小小店面內不時飄散著四溢的作餅香味，特別是「手工鳳梨酥」的出爐，總是吸引無數過路的生意客與日本仕紳上門捧場。

一福堂「手工鳳梨酥」，乃日據時期最出名的中部糕點，創辦人陳老師傅採用了當時台灣霧峰盛產「旺來」為材料，經反覆的摸索改良，才將土產水果”甘甜呀甘甜”的滋味，巧妙融入其內，橙黃色澤與質樸的在地口味，深深打動眾人的心，很快即成為日據時期一福堂的知名代表作。

靠著相傳的好手藝和不偷工減料的古早味作餅原則，一福堂代代秉持著專職製作道地的「老台中風味名產」為旨。像是民國四十、五十年代，藉由火車兜售傳開的名產「太陽餅」，一福堂即以細緻口感令饕客難忘，更扮演起月台零售攤與飛快火車小姐們的大宗供貨商；民國五十三年，結合日本引進之新技術，首創研製出的「檸檬餅」，創造出一股追求異國風味的銷售高潮，更是引發中部糕餅市場一陣仿效的經典之作，在在顯示出老店結合傳統、創出新意的堅持與熱情。

「一福堂」已伴隨著台中這文化城好長些日子了，不管大路上相繼而起的其他競價餅店，百年老店仍獨樹其格地，堅持選用最上等材料，拒絕摻入不健康之添加物，每日親自烘焙監製，將最新鮮、天然、好吃的道地糕點提供給您，用心用情的陪大家繼續下一個壹百年，更為每位道訪台中的旅客，多加一份甜蜜的回憶。

→檸檬餅(蛋奶素)(8入)

《民國53年推出》一福堂招牌餅：民國50至60年代期間，台灣經濟快速起飛，帶動國人一股追求異國物品的風潮，一福堂老師傅也趕上這波熱潮，精心研製出全台新西式口味「檸檬餅」一推出即造成轟動搶購呢。

保存期限: 25天(包裝上日期為準)

→大土鳳梨酥(蛋奶素)(10入)

一福堂土鳳梨酥：內餡選用本島盛產的鳳梨，口感鬆軟、味道香濃，纖維較多，拌入紐、澳進口奶油，餅皮歷經數十小時的醒面細緻香酥，入口即化。微酸的口感，吃起來更不會膩，更吃的到果肉！

保存期限: 45天(包裝上日期為準)

→鳳梨酥(蛋奶素)(10入)

《寶島好滋味》榮獲「天下第一酥優等獎」
堪稱老店百年上選之作的「鳳梨酥」，選用本島盛產「旺來」為材料，甘甜的道地滋味與“旺來旺來”的招財招福諧，成為老店中最受市場喜愛的古早風味之一。
內餡選用本島的鳳梨，味道香濃，纖維較多，含鳳梨果肉拌入紐、澳進口奶油，餅皮歷經數十小時的醒麵，細緻香酥，入口易化。

保存期限: 45天(包裝上日期為準)

→蔓越莓酥(蛋奶素)(12入)

一福堂鳳梨酥榮獲「天下第一酥優等獎」，堪稱老店百年上選之作。內餡選用台灣盛產的鳳梨，味道香濃，纖維較多，含鳳梨果肉;加入健康取向的蔓越莓拌入紐、澳進口奶油，餅皮歷經數十小時的醒麵，製成細緻香酥，入口易化的蔓越莓鳳梨酥！值得您一再回味。

保存期限: 45天(包裝上日期為準)

→芒果酥(蛋奶素)(12入)

一福堂鳳梨酥榮獲「天下第一酥優等獎」，堪稱老店百年上選之作。內餡選用台灣盛產的鳳梨，味道香濃，纖維較多，含鳳梨果肉;加入美味香甜的芒果，餅皮歷經數十小時的醒麵拌入紐、澳進口奶油，製成細緻香酥，入口易化的芒果酥！值得您一再回味。

保存期限: 45天(包裝上日期為準)

→草莓酥(蛋奶素)(12入)

一福堂鳳梨酥榮獲「天下第一酥優等獎」，堪稱老店百年上選之作。內餡選用台灣盛產的鳳梨，味道香濃，纖維較多，含鳳梨果肉；之後加入草莓，餅皮歷經數十小時的醒麵拌入紐、澳進口奶油，製成細緻香酥，入口易化的草莓酥！值得您一再回味。

保存期限: 45天(包裝上日期為準)

→土鳳梨太陽餅(奶素)(8入)

♥土鳳梨太陽♥再一次創新推出～
以百年作餅技術打底，桿製多層次酥薄餅皮，層疊出奶黃色的端正日形，內餡麥芽佐以土鳳梨的甘甜微酸口感，進口奶油香味圍繞，風味更加細緻，老饕無法抗拒《土鳳梨太陽餅》！

保存期限: 30天(包裝上日期為準)

→原味太陽餅(奶素)(12入)

一福堂經典名產店：原味太陽餅，沿襲百年製餅技術，奶黃色酥薄外皮包覆甘甜軟嫩內餡，完美融合紐澳進口奶油的香味，是最主流的選擇！

保存期限: 30天(包裝上日期為準)

→傳統經典太陽餅(葷)(8入)

以百年作餅技術打底，桿製多層次酥薄餅皮，層疊出奶黃色的端正日形，內餡麥芽甘甜，傳統豬油香味圍繞，是當年火車月台上細緻道地的搶手名特產！
內餡採用純糯米發酵的麥芽製作而成，吃得到傳統麥芽香，在老師傅的手藝下，餅皮比一般市售薄，千層的油酥皮，口感更加細緻。

保存期限: 30天(包裝上日期為準)

→蜂蜜太陽餅(12入)

源自清朝的「麥芽膏餅」是今日太陽餅的前身，除了直接食用外，也可加入開水，牛奶或杏仁茶沖泡，體驗不同以往的古早吃法呢！突破傳統，採用霧峰純正蜂蜜拌入紐、澳進口奶油，帶來味覺豐富細緻的饗宴。是很受客人喜歡的太陽餅喔！

保存期限: 30天(包裝上日期為準)

→珍珠奶茶太陽餅💟熟悉的好滋味!(8入)

一福堂珍珠奶茶太陽餅，皮薄酥香、多層次的香醇口感，入口即化！用純正麥芽佐以魚池鄉紅茶粉加入奶粉調配成香濃奶茶的內餡，再放進Q軟有勁的寒天，吃起來的真的有”珍奶”的感覺耶。珍奶控可不要放過這項新品呀！

保存期限: 30天(包裝上日期為準)

→菠蘿蛋黃酥-內行人的選擇✨ ✨(8入)

一福堂超級夯的菠蘿蛋黃酥您吃過了嗎！
✨獨家香酥菠蘿外皮
✨口感滿分的綿密紅豆粒餡
✨香氣嚼勁爆棚新鮮鹹蛋黃
給您欲罷不能的獨特口感體驗，親友送禮、企業禮盒首選
不可錯過的美味！！！

保存期限: 30天(包裝上日期為準)

→芋泥福菓子(8入)

一福堂芋泥福菓子：💛年度新品💛慢火熬煮芋泥柔軟細緻並且保留部分顆粒使口感更有層次，拌入紅豆粒餡，香濃飽滿，遇見幸福一樣的美味。

保存期限: 25天(包裝上日期為準)⚠️商品期限較短，加上物流時間的不確定性，無法保證收到後的賞味期限，有可能會過期，請謹慎考慮清楚，請自行評估再下單訂購，下單購買視同同意。

成份: 芋泥、紅豆粒餡、麥芽、奶油、奶粉、蛋、麵粉、糖、鹽。

→黃金Q餅8入

一福堂黃金Q餅：外皮起士的香濃美味，內餡佐以切達乳酪微微鹹甜酥鬆，再加入QQ麻糬；完美的組合讓人難以抗拒，讓您一嚐誠主顧！
※本產品含麩質穀類、乳製品、蛋，可能引起過敏

→肉鬆Q餅(葷)(8入)

內餡特選台灣本地豬肉鬆，加上QQ好吃的麻糬，綿密扎實；外皮滑嫩，鹹中帶點甘甜的好滋味！

保存期限: 30天(包裝上日期為準)

→乳酪芋泥堡(蛋奶素)(8入)

一福堂選用綿密且有部分顆粒的芋頭餡拌入濃郁的乳酪，外皮鬆軟，香氣誘人、甜而不膩、口感豐厚、層次升級，完美組合讓人驚艷。

→芋頭酥8入(奶素)(8入)

一福堂台中芋頭酥特選用新鮮芋頭，整顆預拌成為綿密餡料，飽滿內餡與薄酥皮的細緻搭配，展現出自然微香的酥鬆口感。

保存期限: 20天(包裝上日期為準)⚠️商品期限較短，加上物流時間的不確定性，無法保證收到後的賞味期限，有可能會過期，請謹慎考慮清楚，請自行評估再下單訂購，下單購買視同同意。

→龍香餅(蛋奶素)(8入)

一福堂龍香餅鬆軟溼潤的綠豆沙，配上紐、澳進口奶油的香醇，鹹甜交錯味道，形成令人讚賞的組合，是適合全家的口味。味道鬆軟，雖不是一福堂主流產品，卻是老顧客都會指名訂購的糕餅!

→麻辣肉脯餅(葷)(8入)

獨特麻辣風味, 美味與您共享！由一福堂老師傅，特選台灣優質豬肉，揉合多種辛香料佐製而成，香辣帶勁，層次豐富的鹹甜滋味，是三五好友聊天相聚，小酌解饞的必備點心。

保存期限: 30天(包裝上日期為準)⚠️商品期限較短，加上物流時間的不確定性，無法保證收到後的賞味期限，有可能會過期，請謹慎考慮清楚，請自行評估再下單訂購，下單購買視同同意。

→老婆餅(奶素)(8入)

一福堂老婆餅 細緻麵粉拌入上選紐、澳進口奶油，內餡是柔軟麻糬帶有相當適口的Q度黏性，沏上一壺好茶，同時讓餅兒的香甜與茶水的溫潤溶散結合。*本產品的包裝盒榮獲台灣商品包裝大賞金獎*

保存期限: 10天(包裝上日期為準)⚠️商品期限較短，加上物流時間的不確定性，無法保證收到後的賞味期限，有可能會過期，請謹慎考慮清楚，請自行評估再下單訂購，下單購買視同同意。

→綠豆糕(12入)

一福堂綠豆糕嚴選南台灣綠豆研磨後壓模成型，口感綿密細緻、入口即化，濃郁綠豆香，百吃不厭，是品茗時的最佳搭配。

保存期限: 45天(包裝上日期為準)

→抹茶糕(12入)

一福堂抹茶糕 口感非常香軟滑嫩，無論小孩或是長者食用都很好入口；抹茶粉是採用日本宇治抹茶，濃濃抹茶味香醇又健康！

保存期限: 45天(包裝上日期為準)

→杏福糕(12入)

一福堂杏福糕以精選糯米粉加上杏仁角壓模成形，不加防腐劑，口感綿密細緻、入口融化生津，濃郁古早味香氣四溢，是品茗時的最佳搭配。回客率超高！

保存期限: 45天(包裝上日期為準)

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Product Reviews

Verified Purchase

KEITH

Boise, US

★★★★★ 5

Displeasure And Distance

The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.

WAS THIS REVIEW HELPFUL?YesReportShare

Reviewed in the United States on July 17, 2025

Verified Purchase

Parker

Omaha, US

★★★★★ 3

Dated, but....

Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.

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Reviewed in the United States on July 1, 2011

Verified Purchase

Clare Quilty

Louisville, US

★★★★★ 5

A stark, brutish "Petulia" with a pistol in its pocket

It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.

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Reviewed in the United States on August 1, 2005

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Joe Movie

Boise, US

★★★★★ 4

One of Marvins better offerings

Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.

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Reviewed in the United States on May 20, 2010

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Patrick Selitrenny

Massapequa, US

★★★★★ 5

A forerunner to Dirty Harry and Lee Marvin shining...

If you liked "The Getaway" or "Dirty Harry", then meet their forerunner. "Point Blank" is explosive, fast-paced, and still the acting is there. Good acting that is. Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable. Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be. Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties. John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end. The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above. Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem. Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean. A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home. This is not just a Highly Recommended title. It is simply a Must!

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Reviewed in the United States on April 20, 2007