SKU: 97867815605

Netline Home Gray Silver Lilac Purple Modern Machine Washable Chenille Rug Design 2229-02

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Description

Netline Home Gray Silver Lilac Purple Modern Machine Washable Chenille Rug Design 2229-02Netline Home Gray Silver Lilac Purple Modern Machine Washable Chenille Rug Design 2229 02 Netline Home Gray Silver Lilac Purple Modern Machine Washable Chenille Rug Design 2229 02 is a made to order rug listing from Netline Home, created for customers who want a refined machine washable chenille rug with a warm kilim character, practical everyday comfort, and a polished interior design look. This design belongs to the Netline Lacasa collection and is

Netline Home Gray Silver Lilac Purple Modern Machine Washable Chenille Rug Design 2229-02

Netline Home Gray Silver Lilac Purple Modern Machine Washable Chenille Rug Design 2229-02 is a made-to-order rug listing from Netline Home, created for customers who want a refined machine washable chenille rug with a warm kilim character, practical everyday comfort, and a polished interior-design look. This design belongs to the Netline Lacasa collection and is prepared as a flexible Shopify product listing with size variants, searchable product data, image-based content, and clear room-use language. The product is named from the organized media folder as a Modern style in Gray Silver Lilac Purple colors. The product is written for shoppers who compare rugs by texture, room fit, backing, color mood, and pattern detail before they choose the right piece for a living room, bedroom, hallway, kitchen, entryway, or studio.

The visual direction of this rug is led by the product image URLs supplied with the original catalog. The primary image is used as the main design reference, while the gallery images support close review of pattern scale, border rhythm, weave character, and styling potential. Instead of relying on a short generic description, this listing gives shoppers enough context to understand how the rug may work in real homes. It highlights the softness of chenille, machine washable care, the low-profile kilim-inspired structure, and the easy layering effect that makes the piece suitable for modern, transitional, vintage, bohemian, farmhouse, and relaxed contemporary interiors. Customers can use the imported Shopify images to compare color balance, motif spacing, edge detail, and overall mood before selecting a size.

Why customers choose this Netline Home rug

  • Machine washable construction for easier care in active homes.
  • Soft chenille texture with a low-profile kilim look.
  • Curated for the Netline Lacasa collection by Netline Home.
  • Available sizes: 100x200 cm, 120x180 cm, 155x230 cm, 200x300 cm, 60x90 cm, 80x150 cm, 80x300 cm.
  • Design code: 2229-02.

Size, packing volume and weight

Size Packing volume Weight
60x90 cm 31x31x4 cm 0.86 kg
80x150 cm 41x41x6 cm 1.86 kg
80x300 cm 41x41x8 cm 3.8 kg
100x200 cm 50x34x7 cm 3 kg
120x180 cm 41x46x6 cm 3.36 kg
155x230 cm 55x52x6 cm 5.6 kg
200x300 cm 53x58x10 cm 9 kg

This made-to-order rug listing is optimized for shoppers searching for a chenille rug, kilim rug, runner rug, machine washable decorative rug, soft textured area rug, non-slip cotton back rug, and custom size home decor rug under the Netline Home brand. The language is intentionally clear and descriptive so the product can be found through collection pages, internal search, Google Shopping data, and long-tail organic searches. The rug is presented as a versatile foundation piece: it can soften a seating area, add visual depth under a coffee table, define a bedside zone, warm up a corridor, or bring pattern to a kitchen without making the room feel heavy. The chenille surface gives the design a comfortable hand-feel, while the kilim-inspired profile keeps the overall look tidy and easy to place with furniture.

For styling, pair Netline Home Gray Silver Lilac Purple Modern Machine Washable Chenille Rug Design 2229-02 with natural wood, matte black metal, cream upholstery, linen textures, stoneware, woven baskets, glass tables, or low-profile sofas. In compact apartments, it can make a small room feel more intentional by anchoring the furniture layout. In larger spaces, the available size options help create a more generous rug footprint that connects chairs, tables, and storage pieces into one calm composition. If the design is used as a hallway runner, the pattern can guide the eye through the space and add interest to otherwise simple flooring. If it is used in a bedroom, the soft texture can create a warmer landing area around the bed. For dining or kitchen-adjacent areas, the low-profile character helps the rug sit neatly without overwhelming cabinetry or chair legs.

Every Netline Home listing is prepared with practical ecommerce details in mind. The product name is written in English, the vendor is set to Netline Home, the product type is assigned as Rugs, the tags are organized around room use and material keywords, and the image gallery is imported from the existing image URLs. The description also includes image references so customers and search engines can connect the written content with the visual product story. Available sizes for this listing are 100x200 cm, 120x180 cm, 155x230 cm, 200x300 cm, 60x90 cm, 80x150 cm, 80x300 cm. The design reference is 2229-02, which helps store admins, customers, and support teams identify the correct pattern quickly when discussing made-to-order rug options.

The design metadata for this product is intentionally visible in the content: style is Modern, color family is Gray Silver Lilac Purple, and the design code is 2229-02. This creates a unique product name and a clearer shopping path for customers who browse by color, pattern family, or decor style. Because all products in this made-to-order rug range are machine washable, the listing also supports shoppers looking for easier care rugs for family homes, rentals, pet-friendly rooms, and high-use spaces.

Design reference: The product imagery starts with the primary Netline Home gallery image, with the full gallery imported into Shopify from the image URLs.

Image URLs used for this listing are stored in the Shopify image columns and also referenced in this HTML description for richer product context. Gallery image data:

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SKU: 97867815605

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4.2 ★★★★★
Based on 17 reviews
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Product Reviews
J
Verified Purchase
JR
Grantham, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Draper, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Grantham, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Lexington, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Chelsea, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021

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