SKU: 20990246605

Korg KROSS288MB 88-Key Synthesizer Workstation (Matte Black)

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Description

Korg KROSS288MB 88-Key Synthesizer Workstation (Matte Black)The super matte black Korg KROSS 2 88 is a full sized synthesizer workstation with an 88 key natural weighted hammer action keybed. Combining a synth, sequencer, sampler, recorder, and audio interface in one unit, it provides musicians and composers alike with the tools for writing and recording original music or for performing as a one man band or in a group. The KROSS 2 88 offers 1000+ preset sounds, 120 voices of polyphony, 134 effects, and 128MB

The super matte black Korg KROSS 2-88 is a full-sized synthesizer workstation with an 88-key natural weighted hammer action keybed.

Combining a synth, sequencer, sampler, recorder, and audio interface in one unit, it provides musicians and composers alike with the tools for writing and recording original music or for performing as a one-man band or in a group.

The KROSS 2-88 offers 1000+ preset sounds, 120 voices of polyphony, 134 effects, and 128MB of built-in expansion PCM memory for optional sound libraries as they become available (available separately). The workstation is equipped with a sampling function that provides 16 playable pads for triggering samples or full audio tracks.

For production applications, the KROSS 2-88 comes with a 16-track MIDI sequencer, a step sequencer, an arpeggiator, and a drum track. A stereo audio recorder allows you to record your performance or overdub an external input source such as vocals directly to an optional SD card.

The workstation features a user-friendly layout with real-time controls that let you easily access desired sounds and functions on the fly. You can quickly store and recall your favorite programs and combinations, and layers/splits are simple to set up thanks to a dedicated button.

In addition to USB MIDI interface functionality, the USB audio interface enables you to connect the KROSS 2-88 to your Mac or Windows computer and enjoy DAW recording. You can also use the instrument for playing in conjunction with your iPad or iPhone. The keyboard is powered by either six AA batteries or with the included AC adapter.

Portable Design for the Gigging Musician

  • 88 natural weighted hammer action keys
  • Up to seven hours of battery-powered operation from six AA batteries
  • Super matte black color with a durable rubberized finish
  • Rear-panel Korg logo is fully illuminated

Rich Selection of Presets

  • 1000+ Preset Sounds
  • Wide selection of sound programs covers your needs from live performance to studio production
  • 1280 internal sound programs
  • Multilayered pianos, electric pianos, thick strings, and more
  • Drum kits, including EDM grooves
  • 120-voice polyphony

Built-In Expansion PCM Memory

  • 128MB of built-in expansion PCM memory
  • Expandable with optional libraries as they become available (available separately)

EDS-i Sound Engine with Effects

  • High-quality EDS-i (Enhanced Definition Synthesis-integrated) sound engine
  • 134 effects including delay, reverb, amp modeling, vintage effect units, vocoder, and more
  • Use a total of seven effect units simultaneously, with five inserts and two masters

Sampling Function and Pad Sampler

  • Sampling function provides 16 playable pads
  • Record the input from the Line In jack and assign it to any pad as a stereo sample of up to 14 seconds
  • Up to four pads can be triggered simultaneously
  • Edit sample waveforms using functions such as Start/End loop point settings or Normalize
  • Resample within KROSS 2 to perform extensive sampling without requiring any additional equipment
  • Long audio files from an SD card can also be assigned to the pads

User-Friendly Layout

  • Real-Time Control Section
  • Directly control the main parameters without having to navigate through a menu hierarchy
  • Provides real-time control of the sounds, effects, and simple editing functions
  • Use the knobs to quickly control the vocoder settings, or adjust the tempo of the arpeggiator and sequencer

Favorites Function

  • Register frequently used programs and combinations and recall them at a single touch
  • 128 favorite locations
  • Ideal for live players who need quick access to a specific set of sounds onstage

Quick Layer/Split

  • Layer two sounds or assign separate sounds to the left and right regions of the keyboard
  • Dedicated Layer/Split button

Category Dial

  • Helps you quickly find the sounds you're looking for among the large selection of presets
  • Choose the general type of sound such as piano or organ, and then make your selection quickly and efficiently

Audio Player/Recorder

  • Built-in stereo audio recorder lets you record your KROSS 2 performance, or overdub an external input source such as vocals
  • Pad Audio Play function enables you to assign recorded sounds or audio files imported from an external source, to each of the 16 pads for playback
  • Strike a pad to play back the backing of an entire song while you perform on the keyboard
  • Use the pads to trigger sound effects or background music
  • Allows extended recording and playback that is limited only by the capacity of the SD card

Sequencer

  • 16-Track MIDI Sequencer
  • Sequencer records your keyboard performance and controller movements as MIDI data
  • Allows you to record your pad sampler performance
  • Ideal for recording musical ideas or sketching songs

Step Sequencer

  • Use the 16 pads to intuitively and quickly create original rhythm patterns with up to 64 steps

Drum Track

  • Choose from 772preset drum patterns in a wide variety of styles
  • Add rhythm to your performance simply by pressing a button

Arpeggiator

  • Helps spark your imagination and generate song ideas
  • Simply hold down keys to create rhythmic chords, bass phrases, or guitar strumming

Microphone Input/Line Input/Vocoder

  • Mic input with 1/4" TS phone jack lets you plug a dynamic mic directly in the keyboard
  • Eliminates the need for a separate mixer when performing live
  • Built-in vocoder function-easily perform vocoder sounds with quick access via the real-time control section
  • Line input with 1/8" stereo mini jack, for connecting your audio player or for sampling

USB Audio/MIDI Interface

  • Connect the KROSS 2 to your Mac or Windows computer and enjoy DAW recording
  • The Korg Module (available separately) sound module app can be used as an external sound module played from the KROSS 2
  • Perform along with the backing of tracks you created using the Korg Gadget DAW app (available separately)
  • Dedicated KROSS 2 Editor and Plug-In Editor (free downloads, available separately) let you edit while viewing numerous parameters at a glance on your computer, or allow you to use the KROSS 2 as a software synthesizer from within your DAW

In the Box:

  • Korg KROSS 2-88 88-Key Synthesizer Workstation (Super Matte Black)
  • AC Adapter

Specs:

  • Keyboard: Kross 2-88: 88-Keys NH (Natural Weighted Hammer Action) Keyboard (No Aftertouch) Normally A0-C8 (Adjustable in the Range [A-1...C7]-[A1...C9])
  • System: Technology:EDS (Enhanced Definition Synthesis-integrated)
  • Maximum Polyphony: 120 Voices (120 Oscillators), Single Mode, 60 Voices (60 Oscillators), Single Mode-Actual Maximum Polyphony Varies Depending on Oscillator Settings such as Stereo Multisamples and Velocity Crossfading
  • Preset PCM Memory: Approximately 128 MB (at 48 kHz / 16-Bit Linear PCM Data Equivalent)
  • 496 Multisamples (Including Seven Stereo), 1014 Drum Samples (Including 49 Stereo)
  • Expansion PCM Memory: Approximately 128 MB (When Converted to 48 kHz / 16-Bit Linear PCM)
  • Used When Loading Option PCM
  • Program: Oscillator, OSC1 (Single), OSC1+2 (Double), Stereo Multisamples Support 4 Velocity Zones per Oscillator with Switching, Crossfades, and Layers

Filters

  • 4 x Types of Filter Routing (Single, Serial, Parallel, 24 dB)
  • 2 x Multimode Filters per Voice (Low-Pass, High-Pass, Band-Pass, Band Reject)

Modulation

  • For Each Voice: 2 x Envelope Generators (Filter & Amp), 2 x LFOs, 2 x Key-Tracking Generators (Filter and Amp), 2 x AMS Mixers
  • Pitch EG, Common LFO, Two Common-Key Tracking Generators

User Programs

  • 1280 (768 Preloaded)

Preset Programs

  • 265 (256 GM2 Programs + 9 GM2 Drum Programs)
  • Combination Timbres
  • Up to 16 Timbres, Switchable via Key Zone or Velocity Zone
  • Layer and Crossfade Supported
  • Tone Adjust Function Allows Program Settings to be Offset

Master Keyboard Functionality

  • Allows You to Control External MIDI Devices

User Combinations

  • 896 (384 Preloaded)
  • Drum Kits: Stereo and Mono Drum Samples
  • 4-Way Velocity Switches with Crossfades and Adjustable Crossfade Shapes (Linear, Power, Layer)

User Drum Kits

  • 58 (42 Preloaded)

Favorites: Patch Memories: 128 (16 Favorites × 8 Banks)

Effects

  • Insert effects: 5 x Insert Effects
  • In-Line Processing
  • Stereo In, Stereo Out
  • Master Effects 2 x Master Effects
  • 2 x Effects Sends
  • Stereo In, Stereo Out
  • Effects Types 134 x Types (Select from 74 Types for Insert Effects, 101 Types for Master Effect 1, and 120 Types for Master Effect 2)
  • Modulation Dynamic Modulation
  • Effects Control Bus Stereo Sidechaining for Limiter, Gates, Vocoders, and More

Polyphonic Arpeggiators

  • Program Mode: One Arpeggiator
  • Combination Mode: Two Arpeggiators
  • Sequencer Modes: Two Arpeggiators
  • Preset Arpeggio Patterns: Up, Down, Alt1, Alt2, Random
  • User Arpeggio Patterns: Number of Arpeggio Patterns: 1280 (1024 Preloaded)
  • Number of Tones: 12 Tones
  • Number of Steps: Up to 64 steps

Step Sequencer

  • Program Mode: One Unit Can Be Created for Each Program, Combination, and Song
  • Combination Mode: Number of Tones: 12 x Tones + 1 x Accent Tone
  • Sequencer Modes: Number of Steps: Up to 64 Steps

Drum Track

  • Preset Patterns: 772 Patterns (Held in Common with Sequencer Patterns)
  • Other: Trigger Mode/Sync/Zone Settings can be Specified

Sequencer

  • Tracks 16 x MIDI Tracks
  • Number of Songs: Up to 128 Songs
  • Resolution: 1/480
  • Tempo: 40.00 to 300.00 BPM (1/100 BPM Resolution)
  • Maximum Memory: Up to 210,000 MIDI Events
  • Counter: Measure/Beat/Tick
  • Template Song: 16 x Presets / 16 x User Template Songs
  • Preset Patterns: 772 x Patterns (Shared with Drum Track Patterns)
  • Format: KORG (KROSS) Format, SMF Format 0 and 1

Pad Sampler

  • Specifications: 16 Pads x 8 Banks
  • Automatically Saved on the SD Card, and Automatically Loaded
  • Up to Four Pads Can Play Simultaneously
  • Recording Format: PCM Audio Format 48 kHz / 16-Bit
  • Recording Time: Up to Approximately 14 Seconds of Stereo Sample for Each Pad
  • Import WAV Format: 44.1 kHz / 16-Bit (stereo), 48 kHz / 16-Bit (stereo), 44.1 kHz is Automatically Converted to 48 kHz
  • Edit: Waveform-Display Editing Functionality: Start Address, Looping Settings, Normalize, and Other Editing Operations

Internal Audio Recorder

  • Recording Format PCM Audio Format, 48 kHz / 16-Bit
  • Import: WAV Format, 44.1 kHz / 16-Bit (stereo), 48 kHz / 16-bit (stereo), 44.1 kHz is Automatically Converted to 48 kHz
  • Export WAV Format: 48 kHz / 16- Bit, Stereo
  • Recording Time: Maximum Continuous Recording Time: 3 Hours
  • Varies with Type of SD Card Used (Approximately 90 Minutes / 1 GB)
  • Number of Songs: Up to 200 Songs
  • Number of Overdub Recordings: Varies with Remaining Capacity of the SD Card
  • Counter: Hour/Min/Sec
  • Pad Audio Play: 16 Pads x 8 Banks
  • Directly Playback Data from SD Card
  • Media: Types: File, Utility, Information, Additional PCM Data Management Functionality

Controllers

  • General Control: Pitch Bend Wheel
  • Modulation Wheel: SW1, SW2
  • Real-Time Control: Select Button, Switch Button, Knob1 Knob, Knob2 Knob
  • Step Sequencer/Favorite/Pad Sampler/Pad Audio Play: Pads 1 to 16, Step Seq Active Button, Run Button, Favorites Active Button, Sampler Active Button, Hold Button, Audio Play Active Button
  • Bank LED A/B/C/D/E/F/G/H (Also Used by Step Sequencer, Favorite, Pad Sampler, and Pad Audio Play)
  • Drum Track: Drum Track Button
  • Arpeggiator: Arp Button
  • Audio Recorder: Audio Rec Button

User Interface

  • Display: 240 x 64 pixel, LCD Backlight, Adjustable Contrast
  • Category: Category Dial, Value Dial
  • Mode: Combi button, Prog button, Seq (global/media) Button
  • Value Controllers: Cursor buttons, Exit, Enter, Function, Page-, Page+, Menu buttons
  • Sequencer: Rec button, Start/Stop Button
  • Quick Layer Split: Layer/Split Button
  • Other: Volume Knob

Control Inputs

  • Foot Controllers: Damper (Supports Piano-Style Half-Damper Pedals as Well as Standard Footswitches), Assignable Switch, Assignable Pedal

Analog Audio Outputs

  • L/Mono, R: Connectors: 2 x 1/4" / 6.3 mm Phone Jacks (TS, Unbalanced)
  • Output Impedance: 1.1 kOhms Stereo, 550 Ohms Mono (L/Mono only)
  • Maximum Level: +10.0 dBu
  • Load Impedance: 10 Kilohms or More
  • Controllable by Volume Knob
  • Headphone Output: Connectors: 1/8"/ 3.5 mm Stereo Mini Phone Jack
  • Output Impedance: 33 Ohms
  • Maximum Level: 40 + 40 mW
  • Controllable via Volume Knob

Analog Audio Inputs

  • Line In Connector: 1/8" / 3.5 mm Stereo Mini Phone Jack
  • Input Impedance: 1.1 Kilohms
  • Maximum Input Level: -42 to 0 dBu
  • Mic Input: Connector: 1/4" / 6.3 mm Phone Jack (TS, unbalanced)
  • Input Impedance: 33 Ohms
  • Maximum Input Level: -48 to -6 dBu

Others

  • MIDI: In/Out
  • USB: 1 x USB Type-B port, USB MIDI Interface, USB Audio Interface
  • SD Card Slot: 1 x Card Slot
  • SD Memory Cards: Up to 2 GB
  • SDHC Memory Cards: Up to 32 GB (SDXC Memory Cards Are Not Supported)

Main Specifications:

  • Power: AC adapter, 9 VDC, 6 x AA Alkaline Batteries, 6 x NiMH
  • Battery Life: Approximately 6 hours with 6 x AA alkaline batteries, Approximately 7 hours with 6 x AA NiMH batteries (1900 mAh)
  • Power Consumption: 5 W
  • Dimensions: 57.0 x 15.1 x 5.4" / 145 x 38.3 x 13.6 cm
  • Weight: 27.1 lb / 12.3 kg (Excluding Batteries)
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SKU: 20990246605

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briana canterino
Fort Morgan, US
★★★★★ 4
Good but wood smell
Color: Carbonized, Size: 3-piece
These came with a woodsy smell but the price was great for the quality
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Reviewed in the United States on May 8, 2026
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Mike
Lake Worth, US
★★★★★ 5
Fantastic book! Great introduction to some of the current misunderstandings about the Bible.
Format: Kindle
As a believer, I have wrestled with the issue of why I trust the Bible to be God’s defining word. After all, simply saying that I have faith in God and Jesus and therefore the Bible must be true creates an ever-tightening inward spiral based on nothing more than a belief that it’s true. Probably not the best standard to be waiving. Why I Trust The Bible by Dr. William Mounce answers not only this question, but also whether or not Jesus was real and why the different Bible translations are so different. We live in an age where we are bombarded with half-truths and deceptions by purported experts whose only requirement is to have a YouTube page. The Bible is no more immune from these barrages of untested and ill-researched ideas than is science or politics, but the stakes are higher. While many refute the authenticity and truthfulness of the Bible, one name stands out among the rest: Bart Ehrman. He seems to be very good at nuancing just the right word to cause a reaction in support of his unfounded claims. Fortunately Dr. Mounce is superb at refuting the often-ridiculous claims as well as correcting minor misunderstandings. What I especially liked about Why I Trust The Bible was the way Dr. Mounce not only disproved the inaccuracies touted by Ehrman, but revealed the underlying false premises and sensationalist comments that Ehrman uses. Dr. Mounce’s corrective approach was very helpful. Why I Trust The Bible easily counters the common claims and misrepresentations against the Bible’s inspiration. If you want to understand the background of how and why our Bible is accurate, real, truthful, and God’s inspired word, this resource is for you. Dr. Mounce systematically addresses key issues originating from contradictory arguments presented by unbelievers while at the same time answers questions many believers have about their Bible. I especially appreciated the way Dr. Mounce included enough material for each section so that I was able to understand the issue without feeling overburdened. It is an enjoyable read: comprehensive and coherent. This book opens by evaluating the reality of Jesus, then moves to dismantle common criticisms against the Bible, examines the processes and decisions necessary when translating from the original languages into English, and finishes by addressing some of the perceived claims against the nature of God. While these issues tend to be technical, Dr. Mounce expertly navigates the waters to keep the reader engaged as he addresses the Bible’s history, fundamentals of textual criticism, and interpretative and translation principles. Whether you begin this book with a blank slate in these areas or already understand these issues, the book will fill the gaps. Too often people confuse their faith in the Bible with how faith (in any proposition) reinforces beliefs and closes one’s mind to other possibilities. Much of what we believe is actually an outgrowth from our paradigms. Dr. Mounce points out that we all have faith-beliefs. For example, if I believe God is able to alter the laws of nature to perform a miracle, then that is my faith-belief. But if I believe there is no God or that miracles cannot happen, then that is also my faith belief. We each assess everything by our paradigms. Although we live in a world that seeks to accept every idea as a relative truth, only one of these propositions can be correct; in the case of miracles, they can either happen or they cannot. One thing that stood out was the tendency for the non-believers to try to make the believer prove them wrong. Dr. Mounce flips the script and places the onus on the non-believer to prove that miracles can happen. He can do that because through his systematic approach to answer the critical questions about the Bible, he shows that it is not a work of fiction and that the events in the Bible were not late additions or were not the result of conspiracies perpetrated by a cabal of nefarious theologians of the past. His book documents the veracity and reliability of the Bible that we now have, and while we may not have the first-edition autographed copy, we are confident we have what the original authors wrote. There are some who attempt to use the faith-belief premise as an argument against the truthfulness and accuracy or our Bible, but that is the wrong approach because it does not accurately represent the stalemate that exists between believers and non-believers. The problem is much deeper and is more centered on the belief that just because we don’t have the original documents, and that because there are too many discrepancies in the Bible itself, that it is untrustworthy. These are unfounded or inaccurate statements which are not backed by any facts, but are simply distortions, untested by any historic or scientific means. Why I Trust The Bible breaks through the unfounded arguments against authenticity by providing the documentation and proof that it is real, that what it says happened actually did happen, and that those who so diligently protected the text for us through the many generations did so with the utmost respect for God and his word. Yes there are what appear on the surface to be discrepancies. Yes there are variants between the 5,600 plus manuscripts (less than 1/10 of 1 percent even warrant further research). But Dr. Mounce shows how it is not the number of textual differences that matter, but whether or not the differences are significant in any way that they alter the basic understanding of God, Jesus, or salvation. He guides the reader in understanding that although there seems to be a lot of discrepancies, only a small number are viable; they do not alter any truth in the Bible. He proves that, “there is not a single viable variant that calls into question any point of biblical theology, major or minor.” This book is an excellent choice for anyone wanting to understand how we got our Bible, why we can trust it to be true, that it is the faithful word of God, and how Bible translators struggle with real issues relevant to helping us understand what God said. I have many of the resources listed in the footnotes of this book and have studied these issues in the past, but as in most books I read, I discover new insights and information. This book is not just for the person beginning this study, but is applicable for even those who have studied these concepts. If you don’t have the foundation necessary to believe that the Bible we now have “is the very words of God” or want to learn more about the processes involved in interpreting words and phrases and the various theories of Bible translation, then this is the book for you. Mike F., MDiv, Theology
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 7, 2021
B
Verified Purchase
Bryan Catherman
Draper, US
★★★★★ 5
It's Great, but Maybe a Little More on the Topic than Some Might be Ready For
Format: Paperback
Dr. William Mounce's new book, "Why I Trust the Bible: Answers to Real Questions and Doubts People Have About the Bible," is a bit different than his typical work. This book is not specific to learning biblical Greek. Instead, it's a series of arguments for the reliability of the Bible with a much broader audience in mind. Mounce addresses this historicity of Jesus, contradictions in the Bible, how we have the biblical canon, issues of textual criticism, aspect of translation, and how the Old Testament supports our trust in the Bible more than you might think. "Why I Trust the Bible" is an accessible introduction to a selection of apologetic matters but goes deeper and beyond an introduction. For one seeking to explore these topics--for the first time or deeper study--Mounce does an outstanding job with each of these arguments. Each chapter (corresponding to a question) is well-argued and contains an excellent bibliography of references. Even without any theological knowledge, the book is easy to read, and it stands upon excellent theological study and solid academic work. While I highly recommend "Why I Trust the Bible," I found the scope of the "questions" and "doubts" limited. As a pastor, there are many questions about the historical Jesus, contradictions, how we got the revelation of God, and issues of translations. Sure. But they often come as more of an attempt to reject the Bible. Mounce's answers are excellent but address the reality of the situation rather than the questioner's heart. It's not something I'd expect to find someone with doubts and totally new to the Bible would pick up this book. Therefore, this book is better suited for the person who handles the questions and doubts of others. It provides the foundation and information to the pastor, Sunday school, teacher, friend, or family member in doubt. "Why I Trust the Bible" is also a helpful book for the seminary student, budding apologists, and preachers of God's Word. The chapters on textual criticism supply a fantastic framework (complete with charts and history). As we would expect from Bill Mounce, these chapters are a resource every pastor should have on his shelf, ready for when the tough challenges come. I found the book good and helpful and I have a Doctorate of Ministry and more than a decade of pastoral ministry under my belt. My twelve-year-old son is reading the book and also finding it in formative and helpful (although he also thumbs through my commentaries). My point: there's a little for everyone.
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Reviewed in the United States on September 15, 2021
C
Verified Purchase
C Dow
Chelsea, US
★★★★★ 5
An excellent, if brief introductory survey of the defense of the reliability of Scripture!
Format: Kindle
“How can you trust the Bible? Didn’t you know there are 400,000 disagreements between all the different copies of the New Testament alone, while there are only 110,000 words in it?” “The Bible contradicts itself, so it can’t be the Word of God.” “Church leaders picked and chose what went into the Bible, leaving out books and letters they didn’t agree with, so how can you trust what it teaches?” “Even the different versions of the Bible disagree with one another, so how can it be reliable?” “Jesus is more myth than historical figure, cobbled together from a bunch of ancient sources and religions. He’s made up, so can’t be a real savior.” Skeptical claims like these, and plenty others, are leveled against the Bible ALL. THE. TIME. On social media, in popular media, and in documentaries purporting to give the straight dope about the history surrounding the Word of God. We should not be surprised. After all, the enemies of God hate Him, and hate His Word. However, many Christians lack the ability to refute these claims. Many of us merely shout “nuh uh,” all the while wondering if there really are answers to these claims. There are answers to these claims, Christian. There is an entire field of study, namely apologetics, which provides a defense of the faith. “Why I Trust the Bible” is a one-stop-shop of introductions to several topics which comprise much of the field of apologetics these days: - The Historical Jesus - Contradictions in the Bible - How We Got the Canon (list of books in the Bible) - Textual Criticism (making sense of textual discrepancies or variants) - How Translation Happens - The Supposed Contradiction of the Old Testament In “Why I Trust the Bible” Dr. Mounce, renowned Greek language scholar, explains why he trusts the Bible, and why you should too. As a layperson who has done a lot of study in these areas, I found the this book a great introductory survey of these topics, with a great set of footnotes and bibliography for further reading. Most skeptics tossing out the objections covered are merely repeating talking points, and this book will be more than enough to equip you to answer them. “Why I Trust the Bible” is a great introduction to all of these subjects and can provide a great foundation for further study into any and all of them. If you have studied any of these subjects in greater depth, you may find Mounce’s treatment of them entirely too brief, but for someone who is new to apologetics and specifically the reliability of the Bible, this book is an excellent choice!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 15, 2021
D
Verified Purchase
David M. Wilson
Carnegie, US
★★★★★ 4
Using this one for a special study in our church.
Format: Paperback
This is a very scholarly book, but the author seeks to simplify it a bit for the reader. This book is written to respond to Biblical skeptics and answers many of the challenges those folks have for skeptics. Very well researched and very well written.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 28, 2024

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