SKU: 18592132894

Mimbreño Dinnerware - Black & White

Sale price$54.00 Regular price$60.00
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Description

Mimbreño Dinnerware - Black & WhiteThe Mimbreo dinnerware made for and used by the El Tovar Lodge at the Grand Canyon is now available to the public! This restaurant quality dinnerware is made in Arizona and has a long story behind it. Over a thousand years ago, the Mimbreo Indians created their pottery with intricate geometric designs and whimsical depictions of the wildlife and natural surroundings they cherished. Their artistry, filled with humor and creativity, brought to life

The Mimbreño dinnerware made for and used by the El Tovar Lodge at the Grand Canyon is now available to the public! This restaurant quality dinnerware is made in Arizona and has a long story behind it.

Over a thousand years ago, the Mimbreño Indians created their pottery with intricate geometric designs and whimsical depictions of the wildlife and natural surroundings they cherished. Their artistry, filled with humor and creativity, brought to life unique images such as The March Hare in the Moon, The Bird with Four Fish Stuck in Its Neck, and animals decorated with elaborate patterns. Some of these striking designs were originally found on ancient Mimbreño bowls.

Centuries later, renowned architect and designer Mary Colter drew inspiration from Mimbreño artwork to create a distinctive china pattern for the Atchison, Topeka, and Santa Fe Railways elite Super Chief Two dining cars. Colter, best known for her architectural contributions to the Fred Harvey Company—including iconic Grand Canyon structures like the Hopi House, Hermit’s Rest, Lookout Studio, and Desert View Watchtower—crafted 37 unique Mimbreño-style drawings to adorn the dinnerware. Today, original Santa Fe Railway Mimbreño dinnerware is a prized collector’s item.

Mimbreño Dinnerware:

  • Sold individually. Many coordinating pieces are available in the Mimbreño collection.
  • Ancient Mimbreño Indian.
  • Dinner plate: 10.25" dia.
  • Side plate: 6.25" dia.
  • Cereal bowl: 6" dia. x 2.25" high. 15 oz.
  • Highly chip-resistant.
  • Every piece is lead free, cadmium free, dishwasher and microwave safe.
  • Oven proof, broiler and freezer safe.
  • Dinnerware can go from freezer to oven after it's been brought to room temperature.
  • A "clear coat" on top of each Mimbreño piece has been added. While guarding well against metal utensil marks, the clear coat may slightly scratch under heavy abrasion. We recommend putting a napkin, or spacer, underneath bowls and plates when nesting in order to keep the foot of one piece from scratching the top of another piece.
  • You can rest assured your dinnerware is the highest quality, most durable American made ceramic product available anywhere.

The MIMBREÑO mark is a licensed mark owned by BNSF Railway Company.

Among our Mimbreno clients, whether used for service or for resale, is La Posada Hotel, The El Tovar at the Grand Canyon, The Phoenician Resort (Scottsdale), and many fine galleries and shops throughout the US!

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 18592132894

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ImTooTired
Louisville, US
★★★★★ 5
Gender Roles is a scam
Format: Paperback
This is why most women play dumb. They play dumb to please males that it becomes who they are. It’s a waste of a lifetime to make yourself feel small just to make someone feel good about themselves.
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Reviewed in the United States on August 15, 2021
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Why read Butler when we have Wittig?
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Reviewed in the United States on November 27, 2017
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Great and thought-provoking!
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Reviewed in the United States on April 16, 2017
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Chris Eldredge
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excellent sevice
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Reviewed in the United States on June 23, 2015
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Lee Hall
Dallas, US
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004

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