SKU: 2184449201

Ada Balcacer - When night falls

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Ada Balcacer - When night falls30" x 22" Acrylic and collage on hand made paper 2004 This painting is recent work by this Dominican Master. Balcacers paintings represent a mixture of great beauty, whimsy, romance, substance, magic, and power. Good works by Balcacer are becoming harder to find, as the demand for her work has risen dramatically over the past few years. MLA Gallery has an excellent selection of original works on canvas, and paper. Ada Balcacer was considered one of

30" x 22"
Acrylic and collage on hand made paper
2004
This painting is recent work by this Dominican Master. Balcacer’s paintings represent a mixture of great beauty, whimsy, romance, substance, magic, and power. Good works by Balcacer are becoming harder to find, as the demand for her work has risen dramatically over the past few years. MLA Gallery has an excellent selection of original works on canvas, and paper. Ada Balcacer was considered one of the five most significant artists in the history of the Dominican Republic.

 

Ada Balcácer, the Dominican painter and visual artist whose luminous work and decades of teaching shaped the course of national art, died this past Christmas Day in Miami at the age of 95. Born in San Juan de la Maguana, she graduated from the National School of Fine Arts in 1951 and went on to perfect her craft at the University of Río Piedras (Puerto Rico) and in New York, where she combined studies in design with ceramics and engraving.

A leading figure in the Nueva Imagen movement that emerged in 1972, Balcácer explored multiple aesthetic languages across painting, mural work, ceramics, and printmaking. Her pieces have been exhibited widely and are held in major public collections: the National Museum of Havana; the Inter-American Development Bank Gallery in Washington; the Palaces of Fine Arts in Mexico and Caracas; and the Museum of Modern Art of Santo Domingo, among others.

Among her most celebrated public works is the mural The Transparent Palm in the Dominican Tourist Information Center in New York. Her painting The Magician of the Landscape was selected by the United Nations to illustrate a postage stamp—an emblem of the international recognition her work achieved. Notable thematic cycles include Mythology and Legend (Taticas, Carnival, and Bacá, 1969–1972) and Geometry and Composition (Participating Spaces, 1972–1978).

Balcácer’s contributions were recognized throughout her career: first prize and gold medal at the E. León Jimenes awards (1967); Artist of the Year from the University Cultural Movement (1970); honors at the V American Biennial of Graphic Arts in Cali (1986); the Grand Prix of the Diplomatic World (Santo Domingo, 1987); and the Corripio Foundation Art Prize (2014), among others. Beyond accolades, she leaves an enduring legacy as a teacher and cultural activist whose sensitivity to light and color profoundly influenced generations of Dominican artists.

Rest in peace, beloved teacher of light—may your colors continue to illuminate our skies and our memory.

 

To see many more of the gallery works, please visit our Artnet site at:

http://www.artnet.com/galleries/mla-gallery/

For more info, feel free to call us at (323) 792-3779

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SKU: 2184449201

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Age Appropriate For: 15 and up (some marital themes and matter best for older readers) Best for Ages: 15 and up Elisabeth Elliot is an incredible woman whom I have looked up to for years. Though I might not always agree with everything she says, I know whatever she says comes from a heart that is devoted to God and is seeking him. As this year I am spending a lot of time reading about Biblical Womanhood, this was high on my list. One of the things I loved about this book is that it was from a mother’s heart to her daughter. So much of the advice felt not like so many of the books on the market, but like I was sitting at her beach home listening to her talk. I felt as if I was peering over Elisabeth’s shoulder reading these letters, unfiltered, no nonsense, but with deep beauty. The advice was so steeped in Scripture without any of the softening that so many books try to do. I loved the way she made fun of feminism and did not shy away from saying things that are politically incorrect with no apology. So many books on womanhood for Christian women (I am finding) almost sound as if they are apologizing for the politically incorrect way God wants women to live. Elisabeth Elliot does not apologize; she shows what a wonderful thing is. This book really got me to thinking in such a good way. I saw so many areas that I need to allow God to work on me. There is nothing as empowering as seeing a reflection of what you are supposed to be, and I found it in this book. Elliott does talk about sex in this book. After all, it is a part of life, womanhood, and her daughter was about to be married. I found this chapter one of the more encouraging ones, oddly enough. I think because she talks about it very matter-of-factly but also doesn’t become crude about it. All her advice and encouragement is steeped in biblical principles and personal experience. I didn’t find it awkward, but rather much like a good mother-daughter talk. I highly recommend this book to women who are trying to live their life aligned with God and the Bible, not the world.
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Easy Read. As a Christian Woman, I am grateful to have read this before my marriage. The wisdom and advice is something I wish my own mother had given me years prior.
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The only thing I wish Elisabeth had covered is the concept of submission must be “as unto the Lord”which means not for the woman to submit to sin but to submit to her husband as she would Christ. Wives can submit as long as the husband is obedient to Christ in not compelling a woman to do something outside of the will of God. If the man is in submission to Christ then so is the wife. That is why it is so important for the woman to pray for her husband at all times.
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