SKU: 39768385007

FUZZY HASKINS - RADIO ACTIVE (LP)

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FUZZY HASKINS - RADIO ACTIVE (LP)VERY LATE RSD DROP 2022 RELEASE 180g VINYL LP POSSIBLY WHITE VINYL, POSSIBLY BLACK CAN'T SAY FOR SURE. EDITION OF 500, ACCORDING TO THE OBI STRIP. "Jazz guitarist Calvin Keys is a legend among soul jazz funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Keys playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves.

VERY LATE RSD DROP 2022 RELEASE...

180g VINYL LP...POSSIBLY WHITE VINYL, POSSIBLY BLACK - CAN'T SAY FOR SURE. EDITION OF 500, ACCORDING TO THE OBI STRIP.

"Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city’s music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie “Cleanhead” Vinson’s band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard “Groove” Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell’s now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks’ jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal’s group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on June 18, 2022."


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SKU: 39768385007

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john porter
Phoenix, US
★★★★★ 5
Great Artwork and great read
Format: Kindle
This was my introduction to the X-Force. the art work was superb and the story was new to me but I was Intrigued by it. It was a definite page Turner for me. I wouldn't necessarily say all the blood was a negative, it went with the story. It's just my first time seeing so much blood and carnage.
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Reviewed in the United States on June 17, 2014
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M. DeKalb
Whiting, US
★★★★★ 4
Wolverine, Warpath, Wolfsbane and X-23 (+Angel). PA fun.
Format: Kindle
Writers: Kyle & Yost. Artist: Crain. Darkly drawn: blacks, grays, steel blues and vibrant reds, gory, depictive of graphic violence – as this is what X-Force is all about. They’re a hit squad, folks out for blood, and serious about it. This one comes with advisories against the kiddies. It is essentially a gore-fest. The graphic nature aside, and as well as inclusively, this is very well drawn / colored by Crain. The gorgeous yellows of Magus, the blur of red the first time Wolverine punches Cyclops, the panel expression shots of Rahne – excellent work, and it translates pretty nicely as well – but that’s also where it’s major drawback lies. In panel over panel format it’s done in pretty linear fashion (mostly top to bottom). In some regards this works better for this particular Kindle version as the panels CANNOT BE ENLARGED BY TILTING the Kindle itself – the one thing I found annoying about it. In this regard it really takes away from the art, which is definitely worth examining, and it also takes away from the reading experience – as I would often find myself readjusting the Kindle to reading distance from artistic distance, or vice-versa. The dialogue for nearly each issue opens with a stream of consciousness – you get to see inside a particular character’s thought process, and consequently, where they are bumping up against walls in their discourse and interactions with other members of the team. From this point we get the bubbled language and somewhat choppy discourse between the characters. In my experience with this, I can say I felt the pace of the story quick, maybe too quick. It’s secondary villain (Risman) is built off of ‘The New X-Men’ (2004), which is pretty neat, turning the concept a bit, striking it at a different angle – for instance, what if X-Force intervened against Risman’s campaign, in large-part because it got personal, well: this is what you’d get. There’s even a bit of a sentimental lean (not sexual tension) to the story from two of our protagonists: Warpath and Rahne. Should make it interesting. SPOILERS: Angels & Demons, Part 1: We see the unfolding of the chain of command / villainy (Reverend William Stryker – Matthew Risman & his Purifiers and a mutant-hating sentinel: Nimrod’s head + Bastion’s body = ?), and the selection of the group members to represent X-Force, Wolverine to head the group consisting of: X-23 (Laura Kinney), Wolfsbane (Rahne), and Warpath (James Proudstar). We learn their mission target is the Purifiers who had snuck into (with inside help) the Xavier Institute, killed 16 students and then stole Nimrod’s severed head. Specifically the hit is put out for Matthew Risman. X-Force creeps up on their first mission with zilch for a game plan. That’s why we see at the end of Part 1, Rahne has already been captured and presumably assassinated. To blame: her haste, and Wolverine not wanting any of them there to begin with. Angels & Demons, Part 2: X-23, apparently the most prone to risk amongst the group (Wolverine’s clone, has undergone intensive punishment), triggers a bomb, leveling the North Dakota church that Risman has X-Force pinned down and nearly captured. Wolfsbane is absconded with yet again by Risman and Wolverine confronts Cycolps, as Wolverine knew it a bad idea to bring her along, de facto. We encounter Rahne’s back-story with ‘Reverend Craig’, a non-mutant Purifier who is also, twistedly, Rahne’s father. Commence drugging and lecturing about her sinfulness. This is called ‘Delivering’ and according to Reverend Craig it feels ‘righteous’. Reverend Risman is usurped by Bastion who now officially heads the mutant extermination operation. He calls upon his nascent techno-organic pet from the sea – ‘Magus’. Angels & Demons, Part 3: This edition circles around the resurrection of Magus, and Bastion’s assembling a type of consortium of resurrected players, presumably upon which to feed Magus. The names include: Donald Pierce (Leader of the Reavers), Reverend William Stryker (aforementioned), and Bolivar Trask (creator of the Sentinels). Risman apparently fails to kill Rahne as Bastion had commanded. He seems to be knowingly lying to him. Risman wants Reverend Stryker’s plan carried out, and he’s willing to fight Bastion on this point. Because of Risman’s purposeful neglect the group recovers Rahne, but she’s OD’d on heroin. This section of the work does a stellar job pushing Warpath as a likable character, true tough guy, but still sensitive – as a lot of his feeling is projected toward Rahne. Angels & Demons, Part 4: Rahne recovers with an assist from Elixer, who was beckoned by Angel to dilute her blood. When Rahne recovers she see’s Angel and goes berserk, transforming and ultimately tearing off his wings. These she delivers to Risman before, again, remember who she is and what she’d done under the brainwashing of Reverend Craig. With these wings, non-organic, supernatural wings – any army of metal winged mutant assassins will be created. ‘The Choir’. Much of Part 4 is X-23’s outlook on Wolverine. It’s interesting how her analysis of him is very subjective and entirely confusing for her. She denotes her back-history as consisting of embryonic development for the Weapon-X project. She’s nearly the perfect war machine, and to see her confusion surrounding her own lack of feeling is… almost humanizing, per se. Angels & Demons, Part 5: After acquiring Angels wings Bastion sets Risman up to take the fall, as he uses the reincarnation of William Stryker as his personal mouth piece to denounce Risman. Risman’s ‘Choir’, men who’ve had surgically implanted metal wings, on behalf of DNA meshing with Angel’s wings, sets out to assassinate as many Purifiers sided with Bastion as possible. This issue closes with their confrontation. Risman has stated that he would crush the alien known as ‘Magus’ and then ‘the Oracle himself’. Brother Eli is coming along for moral support. Meanwhile, Angel has become Archangel. And he’s not one iota happy about having had his wings taken from him. X-Force attempts to distract him, but the trio take quite a whooping, while Rahne is transforming and escaping the clutches of the Purifiers. I’d much wished she’d offed her father (Reverend Craig) when she had the chance… *disappointed face* Part 5, something akin to Part 4, stars Matthew Risman as the introductory narrator. The spring-well from which the story comes forth, who’s thoughts, politics and perspectives are intertwined with the dialogue – in this particular case to show that Risman, rather than Bastion, is the more likable villain… or simply the lesser of the two evils. Angels and Demons, Part 6: Entering the ensuing battle more toward the end, Wolverine makes a recount of the events that led up to the carnage they walked in upon. Archangel slaughtered as many Purifiers as he could (meaning: all of them) in efforts to find his wings – which he successfully does. Risman has his cranium opened up by X-23 and Wolverine takes on Bastion. Bastion escapes but not without revealing his Consortium of mutant slaughtering regenerates. At this juncture the story takes on the typical multi-villain arch common to so many. An assembly, a hit-force, which eventually fails… because it has to. Rahne finally does get the opportunity to avenge herself. Will the psychological scars of her actions torment the rest of her existence? With Bastion on the loose, his 7 villain super-team currently stoic puppets & Eli Bard in apparent control of Magus, in what manner will X-Force continue the fight in ‘X-Force Volume 2: Old Ghosts’?
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Reviewed in the United States on December 28, 2013
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Joshua
Lake Worth, US
★★★★★ 5
Story develops well. And X Force characters are intriguingly likable, as is their developing story.
Format: Kindle
Wolverine's point of view works well for navigating this story, as X Force is put back together to face familiar enemies. However descent among their foes takes this plot left field and sets up an even bigger stage for a bigger showdown. The book is only six chapters, but they all tie in flawlessly, and the story and character relationships with each other are masterfully crafted . Can't wait to read vol.2. I strongly recommend you read this if you are considering it . The characters are all likable and keep you interested . Edgier darker X-men, but not emo. Cool. And this story develops well.
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Reviewed in the United States on July 24, 2013
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Justin Rowe
Belleville, US
★★★★★ 5
Best of a “Good” situation
This graphic novel arrived in the best “Good” level condition I’ve ever seen. It appeared to be an ex library copy that had excellent protection tape on the cover. I peeled that off and have perfect cover and barely any wear on the pages/binding. The novel itself was epic too.
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Reviewed in the United States on February 6, 2020
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George D. Long
Phoenix, US
★★★★★ 5
Great Great Great
With the extinction of mutants a very real possibly and some very nasty enemies plotting terrible things Cyclops decides the time is nigh to put together a Black-Ops style squad to hunt and kill the most extreme threats to mutant kind. Thus begins this series of X-Force and it begins with a bang I must say. Fantastic art, brutal violence, X-Men with blades %^&*ing ^%$# up... what's not to love?
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Reviewed in the United States on May 17, 2013

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