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Description
Orange Fairing Bolts Screws Bodywork Kit For Yamaha YZF R6 R1 R3 R25 FZ07 FZ09198PCS Motorcycle Sportbike Windscreen Fairing Bolts Kit Fastener Clips Screws For Honda Kawasaki Ducati Features: This is a replacement spire speed clip and bolt kit,as used to secure fairings,bodywork,bumpers or just about any panel to another. Bolts have been made from high quality aluminium that resists corrosion,is very strong and has a shine that will last. This kits is a common size on most bikes but it remains the responsibility of the buyer
198PCS Motorcycle Sportbike Windscreen Fairing Bolts Kit Fastener Clips Screws For Honda Kawasaki DucatiFeatures:
This is a replacement spire/speed clip and bolt kit,as used to secure fairings,bodywork,bumpers or just about any panel to another.
Bolts have been made from high quality aluminium that resists corrosion,is very strong and has a shine that will last.
This kits is a common size on most bikes but it remains the responsibility of the buyer to check the appropriate size fitting before order.
The Surface Finish is Anodized Aluminum and Hardness less than 304 steel.
The bolt hardwares quality meets or exceeds OEM specs.
Easy to install without instructions.
Specifications:
Condition: 100% Brand New
Material: Aluminum
Quantity:198PCS
Type: Motorcycle Fairing Bolts Kit Fastener Clips Screw
Color Optional: Black,Blue,Gold,Green,Red,Silver
Position:
--Upper fairing
--Side fairing
--Lower fairing
--Tail fairing
--Trims and inner panels
--Front fender
--Rear fender
--Windscreens
Package includes:
6 x M6 Bolts - (M6 x 40mm)
20 x M6 Bolts - (M6 x 16mm)
20 x M6 Bolts - (M6 x 20mm)
20 x M5 Bolts - (M5 x 16mm)
8 x M5 Bolts - (M5 x 25mm)
14 x Speed Clips
10 x Push Clips
2 x Well Nut
4 x Truss Screws - (M5 x 20mm)
10 x Truss Screws - (M5 x 16mm)
20 x M6 Nylon Washers
20 x M5 Nylon Washers
11 x M6 Plastic pillar
11 x M5 Plastic pillar
10 x M6 Fairing clips
10 x M7 Fairing clips
1 x M5 Allen Wrench
1 x M6 Allen Wrench
Total:198PCS(with Plastic Box)
Fitments:
For Ducati 1098 -- 2007-2008 2010
For Ducati 1198 S -- 2009-2010
For Ducati 1199 Panigale 2012 2014
For Ducati 748 Biposto 2002
For Ducati 748 Monoposto 1997 1999
For Ducati 748 Biposto 1995
For Ducati 749 Biposto 2006 ( 749 do not fit 2004 )
For Ducati 749 Dark Biposto 2005 ( 749 do not fit 2004 )
For Ducati 749 Biposto 2003 ( 749 do not fit 2004 )
For Ducati 749 S -- 2003 ( 749 do not fit 2004 )
For Ducati 750 SS Full Fairing 2001
For Ducati 750 SS Half Fairing 2000
For Ducati 848 EVO -- 2011 2013
For Ducati 900 SS Half Fairing 2000
For Ducati 900 SS Full Fairing 1999
For Ducati 900 SS CR 1995 1998
For Ducati 900 SS SP 1997
For Ducati 900 SS -- 1991-1993
For Ducati 916 Biposto 1994
For Ducati 996 Biposto 2001-2002
For Ducati 996 Monoposto 2000
For Ducati 996 S -- 2001 2003
For Ducati 998 Biposto 2004
For Ducati 998 Monoposto 2003
For Ducati 999 Biposto 2003 2006
For Ducati 999 R -- 2003 2005-2006
For Ducati 999 S -- 2003
For Ducati Diavel Carbon 2011 2015
For Ducati GT1000 Sport Classic 2006-2009
For Ducati Monster 1100 -- 2009 2011
For Ducati Monster 1100 S -- 2011
For Ducati Monster 400 Dark 2004
For Ducati Monster 400 -- 1999-2000 2002
For Ducati Monster 400 Metallic 2000
For Ducati Monster 600 -- 1997 1999-2001
For Ducati Monster 620 -- 2005-2006
For Ducati Monster 620 IE 2002-2004
For Ducati Monster 620 ie Dark 2002-2003
For Ducati Monster 695 -- 2007
For Ducati For Ducati Monster 696 -- 2009-2011 2013
For Ducati Monster 750 IE 2002
For Ducati Monster 750 -- 1997-1999 2001
For Ducati Monster 750 Dark 1999
For Ducati Monster 796 -- 2013
For Ducati Monster 900 IE 2002
For Ducati Monster 900 -- 2000
For Ducati Monster S2R 1000 2006 2008
For Ducati Monster S2R 800 -- 2006-2007
For Ducati Monster S4 -- 2002
For Ducati Monster S4R -- 2006
For Ducati Monster S4RS Testastretta 2006
For Ducati Multistrada 1000 DS 2004-2006
For Ducati Multistrada 1100 -- 2007 2009
For Ducati Multistrada 1100 S -- 2007-2008
For Ducati Multistrada 1200 -- 2010 2013-2014
For Ducati Multistrada 1200 ABS 2010 2012
For Ducati Multistrada 620 -- 2006
For Ducati Paulsmart 1000 LE Sport Classic 2006
For Ducati Sport 1000 Sport Classic Biposto 2008
For Ducati Sport 1000 Sport Classic 2006
For Ducati Streetfighter -- 2009-2010 2011
For Ducati Streetfighter 848 -- 2012 2014
For Ducati Streetfighter S -- 2011
For Honda CB1000R -- 2011 2015
For Honda CB1100 -- 2013
For Honda CB300F -- 2015
For Honda CB500F -- 2014-2015
For Honda CB500X -- 2013 2015
For Honda CB600F 599 2004 2006-2007
For Honda CB900F 919 2002 2006
For Honda CBF1000 -- 2006 2008-2010
For Honda CBF600 -- 2011
For Honda CBR1000RR -- 2004 2008 2010 2013-2015
For Honda CBR1100XX -- 1999 2001 2003
For Honda CBR125R -- 2004 2006 2008 2011
For Honda CBR250R -- 2011-2013
For Honda CBR600F -- 1987-1989
For Honda CBR600F2 -- 1992 1994
For Honda CBR600F3 -- 1995-1996 1998
For Honda CBR600F4 -- 1999-2000
For Honda CBR600F4i -- 2001-2003 2005
For Honda CBR600RR -- 2006-2008 2011 2013 2015
For Honda CBR650F -- 2015
For Honda CBR900RR -- 1994 1996-1997
For Honda CBR954RR -- 2002-2003
For Honda Grom 125 -- 2014
For Honda Interceptor 750 VFR750F 1992 1994 1996
For Honda Interceptor 750 VFR750F 1991
For Honda Magna 750 VF750C 2003
For Honda NC700S -- 2013
For Honda NC700X -- 2012
For Honda Nighthawk 750 CB750 2000 2002-2004
For Honda Nighthawk 750 CB750 1994-1996 1998
For Honda RVT1000R RC51 2002-2003 2006
For Honda Shadow ACE 750 VT750C 1998-2003
For Honda Shadow ACE 750 VT750CD Deluxe 1999 2001
For Honda Shadow Spirit 750 VT750C2 2014
For Honda ST1300 -- 2003-2005 2007
For Honda ST1300 ABS 2003
For Honda Super Hawk 1000 VTR1000F 2004
For Honda V45 Sabre VF750S 1983
For Kawasaki Concours 14 ZG1400A ABS 2016
For Kawasaki Concours 14 ZG1400C ABS 2012-2014
For Kawasaki Concours 14 ZG1400B 2009
For Kawasaki ER-6N -- 2010
For Kawasaki GPz1100 ZX1100 1997
For Kawasaki GPz1100 ZX1100E 1996
For Kawasaki GPz1100 ZX1100E 1995
For Kawasaki Ninja 1000 ZX1000G 2011 2013
For Kawasaki Ninja 250R EX250J 2008 2009
For Kawasaki Ninja 300 EX300 2016
For Kawasaki Ninja 300 EX300B ABS 2014
For Kawasaki Ninja 300 EX300A 2013
For Kawasaki Ninja 300 EX300B ABS 2013
For Kawasaki Ninja 500R EX500D 1997 2001-2006 2008 2009
For Kawasaki Ninja 650 EX650A 2015
For Kawasaki Ninja 650 EX650E 2014
For Kawasaki Ninja 650R EX650C 2010
For Kawasaki Ninja 650R EX650J 2008
For Kawasaki Ninja 650R EX650A 2006
For Kawasaki Ninja H2 ZX1000 2015
For Kawasaki Ninja ZX10R ZX1000 2009-2011 2013 2015
For Kawasaki Ninja ZX10R ZX1000J 2011 2013
For Kawasaki Ninja ZX10R ZX1000F 2010
For Kawasaki Ninja ZX10R ZX1000E 2009
For Kawasaki Ninja ZX10R ZX1000C 1990 1992 1993 2004
For Kawasaki Ninja ZX11 ZX1100D 1993 1996 1998 2000 2001 2007
For Kawasaki Ninja ZX12R ZX1200B 2002 2004
For Kawasaki Ninja ZX12R ZX1200A 2000
For Kawasaki Ninja ZX14R ZX1400 ABS 2015
For Kawasaki Ninja ZX14R ZX1400E 2013
For Kawasaki Ninja ZX14R ZX1400F ABS 2012
For Kawasaki Ninja ZX6 ZX600E 1994 1996 1998-2001
For Kawasaki Ninja ZX6 ZX600D 1990 1993
For Kawasaki Ninja ZX6R ZX636E 2014
For Kawasaki Ninja ZX6R ZX600R 2011-2012
For Kawasaki Ninja ZX6R ZX600R 2009-2010
For Kawasaki Ninja ZX6R ZX600P 2008
For Kawasaki Ninja ZX6R ZX636C 2003-2005
For Kawasaki Ninja ZX6R ZX600J 2000 2002
For Kawasaki Ninja ZX6R ZX600G 1998
For Kawasaki Ninja ZX6R ZX600F 1995-1996
For Kawasaki Ninja ZX6R ZX600F
For Kawasaki Ninja ZX6RR ZX600N 2005
For Kawasaki Ninja ZX6RR ZX600K 2003
For Kawasaki Ninja ZX7R ZX750P 1997 1999-2002
For Kawasaki Ninja ZX7R ZX750M 1993
For Kawasaki Ninja ZX7R ZX750K 1991-1992
For Kawasaki Ninja ZX9R ZX900F 1999 2001 2003
For Kawasaki Ninja ZX9R ZX900B 1996
For Kawasaki Versys 650 KLE650D ABS 2014
For Kawasaki Versys 650 KLE650C 2010-2012
For Kawasaki Versys 650 KLE650A 2007 2009
For Kawasaki Z1000 -- 2003 2005 2007 2011-2013
For Kawasaki Z750 -- 2010-2011
For Kawasaki Z750R -- 2011
For Kawasaki Zephyr 550 ZR550B 1991 1993
For Kawasaki Zephyr 750 ZR750C 1991-1993
(Compatibility Chart is for Reference ONLY!!!)
(Please Compare with Your faulty unit and the image we provided to Decide Fitments)
Note:
This kit is a universal size,but please check out the details and size fits your bike or not before you purchase.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.4 ★★★★★
Based on 21 reviews
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Product Reviews
★★★★★ 5
Hydrating
New fav. My teenager loves it
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Reviewed in the United States on January 10, 2026
★★★★★ 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
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Reviewed in the United States on March 19, 2026
★★★★★ 5
Good
Good
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Reviewed in the United States on January 22, 2026
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000."
On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there.
From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link.
Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name.
The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin.
In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair.
Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited.
Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter.
The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank.
He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
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Reviewed in the United States on May 3, 2014
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
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Reviewed in the United States on September 25, 2007