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35x22x35 Just Rite Flammable Cabinet 22 Gallon(100243)Item Dimensions L X W X H 35X22X35Keep your laboratory safe and organized with the 35x22x35 Just Rite Flammable Cabinet. Designed specifically for storing flammable liquids, this 22 gallon cabinet is built with sturdy materials to withstand the demands of any lab environment. Its dimensions of 35 inches high, 22 inches deep, and up to 35 inches wide make it spacious enough to store various containers securely. Tough construction ensures long lasting
Item Dimensions - L X W X H - 35X22X35Keep your laboratory safe and organized with the 35x22x35 Just Rite Flammable Cabinet. Designed specifically for storing flammable liquids, this 22-gallon cabinet is built with sturdy materials to withstand the demands of any lab environment. Its dimensions of 35 inches high, 22 inches deep, and up to 35 inches wide make it spacious enough to store various containers securely.- Tough construction ensures long-lasting durability and safety.- Compact and versatile design fits smoothly into any laboratory space.- Features a leak-proof base to prevent spills and maintain cleanliness.- Lockable doors enhance security, protecting sensitive materials.Whether youre in a professional lab setting or an educational facility, this flammable cabinet is an essential tool for maintaining a safe working environment while keeping your chemicals neatly organized. No returns will be accepted due to items not in the picture. 30-Day Functional WarrantyShop with confidence! We guarantee all equipment to be fully functional. Your purchase is backed by our 30-Day Warranty, which begins upon confirmed delivery. If the item does not function as described, we will, at our discretion, repair the item, offer a replacement, or issue a refund upon the secure return of the equipment.Shipping & Freight LogisticsFreight Handling: Average handling lead time is 5 business days (varies by item size, carrier used, and shipping location).Freight Inspection (Crucial): For all freight deliveries, the buyer must inspect the shipment for transit damage and NOTATE ANY DAMAGE on the bill of lading. Have the driver initial the bill of lading and take a photo of entire bill of lading. Send the photo of the BOL to your contact at Quantum Technology. Any damage not noted on the bill of lading will not be refunded.Local Pickup: Available for many items. Please note: Palletizing, strapping, or loading assistance is not included with local pickup unless arranged in advance.International Shipping: We ship worldwide either directly or through a freight forwarder! Contact us for a custom freight quote if international checkout is unavailable.Listing Terms & ExclusionsWhats Included: Only the specific items, cables, and accessories shown in the listing photos are included. If it is not pictured or explicitly listed, it is not included.Cosmetic Condition: This is used commercial equipment. Expect minor cosmetic surface scratches, scuffs, or blemishes that do not impact mechanical or electrical performance.Regulatory & Safety Removals: * Generators/Engines will be shipped without batteries and fuel per DOT safety regulations, therefore those items must be purchased separately by buyer. NOTE: there may be some fuel remaining in the tank as allowed by DOT. oServers/Datacenter Gear: Do not include hard drives, software licenses, or operating systems unless explicitly stated.Buyer Responsibility & Liability LimitationsCompatibility: While we guarantee functionality, listing descriptions are for reference only. Buyers are solely responsible for verifying technical compatibility, power requirements, and software integration with an expert prior to purchase.Limitation of Liability: Quantum is not liable for liquidated damages due to shipping delays or equipment failure. Quantums standard warranty applies as shown above. Except for the 30-day warranty stated above, all items are sold "As-Is, Where-Is.Shipping Notes
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4.5 ★★★★★
Based on 22 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017