SKU: 67152868500

Gellack P634 LILAC

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Description

Gellack P634 LILACViscosity: medium viscous, pasty Opacity: 2 thin layers, 1 medium layer Curing: 60 sec Product description: TPO FREE a gel polish that requires a base and a top self leveling and highly pigmented creamy colors can be removed by dissolving with a special Remover or by filing with a special nail drill bit. IMPORTANT! Do not interrupt the curing process, do not remove hand from lamp for 60 sec. Order information ATTENTION! DISCOUNTS ARE NOT CUMULATIVE!

Viscosity: medium-viscous, pasty

Opacity: 2 thin layers, 1 medium layer

Curing: 60 sec

Product description:

  • TPO FREE
  • a gel polish that requires a base and a top
  • self-leveling and highly pigmented creamy colors
  • can be removed by dissolving with a special Remover or by filing with a special nail drill bit.

IMPORTANT!

Do not interrupt the curing process, do not remove hand from lamp for 60 sec.

Order information

  • Orders placed until 11 AM are shipped the same day
  • Online payment, fast and easy expedition
  • DHL EXPRESS shipping (24-48 hours)
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KEEP IN MIND!

Nolia products should be used only as described on the site. Nolia Beauty SRL does not take responsibility for the use of products other than those recommended by us or by our appointed technicians/representatives. We do not guarantee the compatibility of our products with other brands. For curing please use Nolia nail lamps!

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SKU: 67152868500

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4.3 ★★★★★
Based on 7 reviews
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Product Reviews
T
The Art and Making of
West Palm Beach, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2018
R
Reverend Skull
Pawtucket, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
Carnegie, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Lexington, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Pawtucket, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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