SKU: 67764728257

Mario Martin del Campo - Trabajadores

Sale price$157.50 Regular price$175.00
Save 10%

Pay in installments of $43.75 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 2 - Aug 7

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Mario Martin del Campo - TrabajadoresThis print measures 16. 5" x 13. 5" (41cm. x 34cm.), in very good condition. Signed and numbered 88 100. Done in Mexico City, in 1983. In excellent condition. Mario Martin Del Campo was born in 1945 in Guadalajara. Despite having made formal art studies in San Carlos, Del Campo never left his attachment for gold and delight for the refined materials to make handicrafts, the admiration he acquired in his native Jalisco. On the other hand, it was the

This print measures 16.5" x 13.5" (41cm. x 34cm.), in very good condition. Signed and numbered 88/100.

Done in Mexico City, in 1983. In excellent condition.

 

Mario Martin Del Campo was born in 1945 in Guadalajara. Despite having made formal art studies in San Carlos, Del Campo never left his attachment for gold and delight for the refined materials to make handicrafts, the admiration he acquired in his native Jalisco. On the other hand, it was the work of Remedios Varo a great influence for him to exercise his visual narratives of sleep and consciousness. Thus, little by little his work was classified in the world of fantastic surrealism, mainly by its constant metaphorical and symbolic games. Nevertheless, the artistic production of Mario Martin Del Campo also extended to the sculpture, the jewelry, the object art and the design of scenographies, costumes, masks and puppets. 

 

"Uno de los últimos artistas del realismo fantástico, cuyos trabajos poseen un rigor renacentista y una perfección impresionante. «Además de todo eso, él tiene una peculiaridad, la cual es el humor. Él es un ángel muy seguro y cargado de humor. Ese niño suyo lo deja salir y está dentro de sus obras». Agregó Echeverría. El dibujante, pintor, grabador, escultor, diseñador y orfebre originario de Guadalajara, estudió en la Escuela Nacional de Artes Plásticas de San Carlos, Universidad Nacional Autónoma de México y cuenta con mas de 50 exposiciones individuales aproximadamente hechas en toda su vida.

Ha expuesto sus obras desde 1977 en Europa, E.U.A., Canadá, Centro, Sudamérica y México.

Ha diseñado escenografías, vestuario, máscaras y títeres para las óperas Falstaff y Don Giovanni que han pasado en el teatro del Palacio de Bellas Artes.

Trabajos de escultura a través de instrumentos musicales, pintura y otros medios hechos de concha, madera y huevos de avestruz que forman vehículos, animales fantásticos y títeres,"

"Pocos artistas pueden aspirar en México al título de polímata como el maestro Mario Martín del Campo, por la diversidad y profundidad de los conocimientos que aplica a distintas disciplinas, desde el dibujo y la pintura hasta la escultura y la joyería, del diseño de vestuarios a la confección de marionetas, pasando por su talento para convertir objetos de uso común en raras invenciones prodigiosas.

Las páginas de Alucinaciones permiten adentrarse en el trabajo dibujístico, pictórico, gráfico, escultórico, artesanal, escenográfico y lúdico de un creador cuya trayectoria asciende, desde sus inicios artesanales, al dominio de una gran cantidad de materias, algunas de las cuales parecieran imposibles de ser dominadas por una sola persona."

Ester Echeverría

 


 

Mexico has the oldest printmaking tradition in Latin America. The first presses were established there in the 16th mainly to print devotional images for religious institutions. Because of their ephemeral nature, few of these early impressions survive. A rare early exception is a 1756 thesis proclamation printed on silk presented by a candidate for a degree in medicine. With the introduction of lithography to Mexico in the nineteenth century, printmaking and publishing greatly expanded, and artists became recognized for the character of their work. José Guadalupe Posada (1851–1913) is often regarded as the father of Mexican printmaking. His best-known prints are of skeletons (calaveras) published on brightly colored paper as broadsides that address topical issues and current events, love and romance, stories, popular songs, and other themes. Posada demonstrated how effective prints were for creating a visual language that everyone could understand and enjoy. In the early twentieth century, their example had a profound impact on artists who, in response to the turbulent political climate and social unrest, were similarly eager to reach broad audiences.

 

The best-known artists in Mexico from the early decades of the twentieth century are Diego Rivera, José Clemente Orozco (1883–1949), and David Alfaro Siqueiros (1896–1974)—“Los tres grandes” (The Three Greats). They were all committed to politics but expressed their views through their art in very different ways. Of the three, Rivera—who returned to Mexico from Europe at the invitation of the government in 1921 to work on a mural project—rose to greatest prominence. Rivera’s 1932 lithograph Emiliano Zapata and His Horse, based on a detail from one of his murals at the Palace of Cortés Cuernavaca to the south of Mexico City, has become an iconic twentieth-century print. Zapata was a landowner-turned-revolutionary who formed and led the Liberation Army of the South. He embodied the aims of agrarian struggle that aspired to improve conditions for those who worked on the land. Zapata was assassinated in April 1919. Rivera’s print conflates different moments of oppression with optimistic emancipation. It was commissioned and published by the Weyhe Gallery in New York for sale to American collectors. Orozco and Siqueiros also made prints for the U.S. market, a number of which are devoid of political content.

 

The establishment of the print collective known as the Taller de Gráfica Popular (Workshop of Popular Graphic Art, TGP) in Mexico City in 1937 best expresses the symbiosis between prints and politics that had developed in Mexico. Its founders, Leopoldo Méndez (1902–1969), Luis Arenal (1908/9–1985) and Pablo (Paul) O’Higgins (1904–1983), were committed communists who abandoned mural painting to concentrate on printmaking, demonstrating how important prints had become as a vehicle for artistic, social, and political expression. Some of its members had belonged to the League of Writers and Revolutionary Artists (LEAR), which had been launched in 1934. The TGP has a fascinating history steeped in astonishing artistic production and political intrigue. The Bolshevik revolutionary and Marxist theorist Leon Trotsky arrived in Mexico in 1937, much to the horror of the communists represented by Siqueiros, who regarded him as a pro-fascist provocateur. Rivera was a supporter of Trotsky and established a Mexican branch of the Fourth International, a socialist organization that had its own journal, Clave, and ran articles attacking the USSR and the Mexican Communist Party. Siqueiros, then a guest member of the TGP, with fellow printmakers Antonio Pujol (1913–1995) and Luis Arenal, led an attempt to assassinate Trotsky in May 1940. The TGP workshop was their rendezvous point. After the failed attempt, Pujol ended up in prison and Siqueiros fled the country. Their action caused terrible ruptures in the TGP, with some remaining committed to the communist cause and others pressing for a more moderate line.

 

By 1947, the year that the Society of Mexican Printmakers was founded, printmaking had broadened its horizons far beyond its proletarian roots. In fact, printmaking was now considered to be the most intimate of media. Post World War II artist felt a need to reassert private values in opposition to highly politicized work. They opened the way to more subjective investigations of personal identity and myth.

 

Jose Luis Cuevas, Rufino Tamayo, and Francisco Toledo are fine examples of the new sensibility. These later artists have kept alive Mexico’s reputation for excellence in the graphic arts. A common Mexican trait on either side of the U.S.–Mexico border is the passionate interest in Mexicanidad (Mexicanness) and what comprises Mexican identity. Perhaps this obsession to understand the concept of Mexicanidad comes from nearly five centuries of mestizaje – the interracial and cultural mixing that first occurred in Mesoamerica among Native Indigenous groups, European Spanish and enslaved Africans during the 1520s. By the 18th century, Mexican identity had developed. Mestizaje was the process that constructed it. The museum’s permanent collection showcases the dynamic and distinct Mexican stories in North America, and sheds light on why Mexican identity cannot be regarded as singular; its vast diversity defies any notion of one linear history. -

 

Nuestras Historias destaca la colección permanente del museo, la cual expone las historias dinámicas y diversas de la identidad mexicana en Norteamérica. La exhibición muestra la identidad cultural como algo que evoluciona continuamente a través del tiempo, de regiones y de comunidades,  en vez de señalarla como una entidad estática e inmutable, exhibiendo para esto, artefactos mesoamericanos y coloniales, arte moderno mexicano, arte popular, y arte contemporáneo de los dos lados de la frontera EE.UU-México.  La gran diversidad de identidades mexicanas mostradas en estas obras desafía la noción de una sola historia lineal e identidad única. 

 



 
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 67764728257

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.9 ★★★★★
Based on 12 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
C
Verified Purchase
Chuck J
Lexington, US
★★★★★ 5
Awesome filter! Nasty campground water no longer...
Style: Standard Filter
I have run these for years in my RV and they work killer! Here's some more in-depth thoughts: Pros: - These work better than I had expected. Just hook them up to the water source, hook your hose to it, run it to your trailer and viola` clean and good tasting water. Some of the places we have visited have had water that I wouldn't feed to my worst enemy. With this thing attached, it's very good tasting. - I like the hose attachment that comes with this to aide in adding flexibility to the system and not put too much strain on the system. I have bought so many of these, I now use one attaching the filter to the nozzle, one out of the filter to my hose, and one attaching my hose to the trailer. Notes: - I will note that the manufacturer suggesting using these for only 1 camping season, and this makes sense. That's what I do, and it seems to work out great. It's not too much $ to replace every season. - Another note, when first putting this filter into service (just the first time of the season, subsequent hook-ups wont do this) there will be a bunch of carbon (black in the water) that comes out of the faucet in your trailer. This is perfectly fine, safe, and of no issue. This is the filter breaking in and getting the extra carbon out of the system. There is no health concern with this happening. I just run the faucet until it clears up, and then we're good to go for the rest of the season. - Last note, when we unhook from our camping spot, I swing the filter in my hand with my arm extended (using centrifugal force, not centrifical, look it up) to get the residual water out of the filter so it doesn't sit in there and spoil. I do this until I get most of the water drops to stop, leave it out on the counter to dry, and boom, it's perfect the next time. Cons: - None to report Overall this filter does a great job taking care of some seriously nasty campground water that we've encountered all over the Southwest US. I cannot recommend it any higher. I hope I have helped your purchasing decision of this product. I am not affiliated with the manufacturer, seller or any other product related company nor am I under any obligation to write this review. I do this for my own fun and to help others in the Amazon Community! Feel free to comment and let me know if I have helped you, and please note below if this review was able to help. If you should have any questions, please post them below in the Comments. I try to answer all inquires in a timely fashion to the best of my ability.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 26, 2017
M
Verified Purchase
Mark H. in the Garage
Lexington, US
★★★★★ 5
Clean, Great-Tasting Water Made Easy with Camco Tastepure
Style: Standard Filter
I installed the Camco Tastepure RV inline water filter on our rig, and it’s another example of why I’ve come to trust Camco products. The reinforced strain relief hose is a small but incredibly smart feature—it keeps the connection between the filter, hose, and RV kink-free and easy to manage. Setup was simple, and the whole system feels sturdy and well-designed. A tip I’ve learned through experience: before putting a new filter into service, run water through the internal charcoal filter for 30 - 45 seconds. This flushes out any loose charcoal bits and ensures the first water you drink is crystal clean and tastes amazing. After that, connecting to the RV is straightforward, and you immediately notice how much better the water tastes. Whether filling up a glass or cooking, it’s made a real difference in our RV experience. Reliable, easy to use, and excellent tasting water every time - I highly recommend this to any RV owner who cares about water quality on the road.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 10, 2026
G
Verified Purchase
Gus
Carnegie, US
★★★★★ 5
Works as designed
Style: Standard Filter
Works as designed. No issues or defects.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 2, 2026
C
Verified Purchase
CWORL
Louisville, US
★★★★★ 4
works well for camping
Style: Standard Filter
I’ve used this filter on my camper for years without issues, so I installed one in my outdoor kitchen at home. It was connected to a hose bib and left under constant pressure, feeding a small electric water heater for a sink. That turned out to be a mistake. Overnight, the top of the filter housing cracked and leaked water throughout the cabinet. No idea how long it was spraying. This filter works fine for intermittent use (like camping), but it does not appear to be designed for continuous pressure. I would not recommend installing it in a permanent, always-pressurized setup.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 14, 2026
J
Verified Purchase
Justme.
Boise, US
★★★★★ 5
Perfect, fits, nice to just have them sent to us.
Style: Standard Filter
Fits the bill. Clean water is so important and we enjoy the ease of having these sent right to us as we don’t live close to physical stores. They’re easy to install and the price is right!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 23, 2026

recommand products