SKU: 7257923504

James Rosenquist - Pushbuttons

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Description

James Rosenquist - PushbuttonsJames Rosenquist Pushbuttons This work is from the edition of 75 published by Petersburg Press, London. Materials Lithograph on Hodgkinson Handmade Oatmeal Paper Size 31 36 in 78. 7 91. 4 cm 1973 Signature Signed, titled, dated and numbered. MLA will provide a letter of authentication for this artwork. James Rosenquist (b. 1933) is one of the most important contributors to American Pop Art. Shortly after moving to New York City in the 1950's (to study

James Rosenquist - Pushbuttons

This work is from the edition of 75 published by Petersburg Press, London.
Materials - Lithograph on Hodgkinson Handmade Oatmeal Paper
Size  31 × 36 in | 78.7 × 91.4 cm
1973
Signature Signed, titled, dated and numbered.
MLA will provide a letter of authentication for this artwork.

James Rosenquist (b. 1933) is one of the most important contributors to American Pop Art. Shortly after moving to New York City in the 1950's (to study fine art) Rosenquist became a commercial painter working on advertising billboards. 
For nearly three years he worked non-stop as a commercial painter - which would be both the technical training and inspiration for his aesthetic as an artist. In the early 1960's he began exhibiting paintings that resembled collages of elements from American advertising of the era. 
In "Push Buttons" Rosenquist spoofs the erotic connection between woman and machine.
Drawn from a 1955 Plymouth ad featuring a gloved woman pressing the buttons, Rosenquist juxtaposes the male hand and the female leg closely together with the buttons of the automobile.
The buttons are so sharply contrasted you can almost feel them click, and the combination of the images perfectly insinuates commercial and sexual desire.
This work is a paradigm of Rosenquist's aesthetic and technique, yet is understated and realized in a black and white palette.


Rosenquist, though he drew constantly on the technical image world as a source for motifs, expressed indifference to the internet and eschewed mechanical means of production, maintaining his faith in the human hand and its wondrous abilities as shown by the old masters in works, as he said, “made with minerals mixed in oil schmeared on cloth with hair from the back of a pig’s ear.” His early experience as a painter of billboards had taught him how traditional tools used in a new context and at a different scale afforded entirely new effects. For him, the ancient tools retained infinite possibilities.

Major Pop artist James Rosenquist used sign-painting techniques to make kaleidoscopic canvases that conjure American advertising. He embraced the visual language of commercial art, filtering images of shiny American objects through a cool, Surrealism-inflected lens. His paintings, murals, and prints evoke billboards and posters, yet they remain more mysterious and unresolved than any editorial campaign could allow. Rosenquist took art classes at the University of Minnesota, Minneapolis, before moving to New York and briefly joining the Art Students League. He also worked as a billboard painter. Rosenquist’s work has been shown in New York, London, Paris, Berlin, Tokyo, Rome, and Los Angeles, and belongs in the collections of the Metropolitan Museum of Art, the Centre Pompidou, the Museum of Modern Art, the Tate, the Guggenheim Museum, Moderna Museet, and the Museum of Contemporary Art, Los Angeles, among others. His paintings have sold for up to seven figures at auction.


This work will be shipped free of charge, if within the US. International shipping will be $150, via DHL.





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SKU: 7257923504

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Bernadette Smith
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The tension and banter between Huntyr and Wold was delectable. I absolutely love the fallen angel and all of his flaws. Huntyr is amazing too being a badass FMC with some major trauma. The world building was great and I enjoyed the training aspect of the story. The writing was immersive and was in the story the whole time. The ending had quite a twist that I hadn’t anticipated and made my jaw DROP. Excellent job! I also loved the narration. Laura is one of my fave narrators!
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Reviewed in the United States on August 15, 2025
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❈ Elizabeth ❈ | Breakawayreads
Louisville, US
★★★★★ 5
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Reviewed in the United States on January 21, 2024
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MelsABookworm
Whiting, US
★★★★★ 4
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3.5 🌟 This book popped up in my KU recommended reading suggestions and the synopsis sounded like what I was in the mood for. I'm so glad I took a chance on it. I went into this knowing absolutely nothing about it and ended up really liking it. I love when this happens. The main characters are likeable and I easily found myself rooting for them. There is a mystery element to each of their backstories that I enjoyed watching unfold and can't wait to get more of. Wolf, in particular, has me fixated. Love him. I found this to be an entertaining, addictive read with a plot that moves along at a good pace. It reads so easily I found myself very reluctant to put it down. Lots of twists and turns and the angst is there. A good set up for the next book to come, for sure. My issues with this book....the dialogue feels a bit juvenile at times and there is a repetitive over use of a particular word phrasing that I found myself giving the ole eye-roll to. There are, without a doubt, some pretty cliche moments that gave me a bit of the cringe. I think this could've certainly 100% benefited from more depth regarding the world building. Perhaps the world building was sacrificed to keep the pacing quick? Just a guess. Also, the lack of consistency of character for the FMC was really evident and so she feels quite illogical at times. Overall, this was a fun and enjoyable read that hit the spot well enough for me. That ending certainly has me impatiently pining for book 2!
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Reviewed in the United States on June 18, 2024
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Amazon Customer
Alexandria, US
★★★★★ 3
Interesting take on the genre
Format: Kindle
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Reviewed in the United States on May 12, 2024
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Irene zamora
Lexington, US
★★★★★ 5
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Format: Kindle
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Reviewed in the United States on June 2, 2026

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