SKU: 87918664914

Victor Huerta Batista - Mi amor y mi isla

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Victor Huerta Batista - Mi amor y mi islaDescription h: 23 x w: 15 in 57 x 37cm. 2013 oil on canvas Permanent collections: University of Arizona Museum of Art, Tucson, Arizona, Tucson Museum of Art, Tucson, Arizona Estremadura Museum of Art, Estremadura, Spain Extracted from an article in Tucson Weekly, on August 23, 2007, written by Margaret Regan: In "Caerse de Habana" (The Fall of Havana), 2002, three old men are struggling to hold up a figure above their bald heads. They're decrepit


 

Description - h: 23 x w: 15 in - 57 x 37cm.

2013 - oil on canvas

Permanent collections:
University of Arizona Museum of Art, Tucson, Arizona, Tucson Museum of Art, Tucson, Arizona
Estremadura Museum of Art, Estremadura, Spain


Extracted from an article in Tucson Weekly, on August 23, 2007, written by Margaret Regan:

 

In "Caerse de Habana" (The Fall of Havana), 2002, three old men are struggling to hold up a figure above their bald heads. They're decrepit caryatids long past their prime, but then so is the strongman they're trying to support. He's a fake, his body made of wood, pegged together at the joints, and he's collapsing. But Huerta's vision is too wild, too erotic--and too much fun--to be reined in by a single interpretation tied to contemporary politics. Elephant-headed old folks dance on a gargantuan pink birthday cake in "Feliz Cumpleaños" (Happy Birthday), 2003, just beyond a giant snake slithering in the hay around it. Above, the heads of four angry gods blow the small brushfire atop the cake into a conflagration. In other works, a tiny family sits on the precipice of a stove, just past a pot of boiling ship. A sexy woman with a cat's head writhes all naked on the shoulders of a man with a dog's head. Workmen on scaffolding lazily touch up the paint job on the face of a giant man.


Huerta practices what the Cubans call "lo real maravilloso" (the marvelous real), a counterpart to the magical realism in Latin-American literature. He counterbalances the realistic and the fantastic, placing recognizable figures, landscapes and buildings in impossible settings. He plays with imbalances of scale--see that mini-family on the stovetop--and "irrational space," juxtaposing sailing teacups with sailing ships.


Beautifully rendered in acrylics on canvas, his paintings are meant to look like oils, says Lisa Fischman, University Of Arizona Museum of Art curator. Even to the point that he's faked the sheen of oil glaze on top. He paints in a limited Old World palette, in browns, golds, yellows and ambers, with jolts of pale blue or red here and there. Some passages are thinly stained with color, while others have deft layerings of thick paint. Occasionally, Huerta allows paint to drip vertically all across the canvas, like rain, or tears.


The landscape of Cuba, often a backdrop to the fantastic goings-on, emerges in soft, blurry rows of palm trees and glints of light on rooftops. The sea greens of the Straits of Florida shimmer, and sunset skies turn chalky yellow.

 

The Old Masters can take credit for some of Huerta's wildness. His crazy machines have their roots in Leonardo da Vinci's drawings of flying contraptions, moving dykes, pulleys and cranks. Huerta's fantastic creatures, half-human, half-animal, and his apocalyptic visions owe a debt to Hieronymus Bosch. And his imagination, Fischman says, follows the free flights of Francisco Goya.


Which is how Huerta's works came to be displayed at the UAMA. Fischman and assistant curator Susannah Maurer were looking for a contemporary artist to pair with the second installment of the museum's four-part Goya etchings series. Last spring, works by Tucson rodeo photographer Louise Serpa went up next door to Goya's La Tauromaquia suite of bullfighting prints. This second Goya show, now on view, exhibits 24 etchings from Los Disparates, which the museum translates as "mad and absurd ideas", along with 20 paintings by Victor Huerta Batista. Filled with grotesque monsters, dreamlike phantoms and humans with bats' wings, the nightmare Disparates images are bathed in darkness. Goya worked on these pictures at the end of his life, and scholars have debated whether they represent his fears of death, or his horror at the catastrophic wars of his lifetime, or something else altogether. In any case, the curators thought, rightly, that Huerta's unruly work was a good match. They found his work via the MLA Gallery in Los Angeles, which handles his work and acted as intermediary. Huerta has had some success in Cuba, but this is the first time his extravagant visions have won a museum show in the United States.


"His imagination is unloosed," Fischman says. "He's an artist willing to see where that goes. That's a precedent that Goya set."


Correspondence: In Relation to Goya paintings by Victor Huerta Batista
Goya's Mastery in Prints: Los Disparates
University of Arizona Museum of Art, through Sept. 30th, 2007
Excerpts, and paintings on loan courtesy of MLA Gallery

 

 

For more info call us at (323) 744-7550, or to see a greater selection of the gallery work, please visit our Artnet site at:

http://www.artnet.com/artists/victor-huerta-batista/
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★★★★★ 1
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Reviewed in the United States on October 9, 2023
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Kat
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★★★★★ 4
AWESOME TOY for aggressive chewers
My 4 legged fur baby has only had for a few days. Now we’ve purchased several others in the past and he LOVES them. EXTREMELY durable. He is a dachshund and loves to destroy his toys. It’s almost like it’s a mission to see how fast to get the stuffing and squeakers out of his toys and can say he has been unable to destroy any. Now the reason I gave this only 4 stars is because the end of the tail has hair like material and he did start tearing this apart. Was finding the hair on his blanket and hanging out of his mouth. So I just trimmed the tail and he is back to loving on his toy. I would highly recommend this to anyone.
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Reviewed in the United States on May 2, 2021
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1Elley1
Whiting, US
★★★★★ 5
Cute and my dog loves it
My dog loves toys she can play rough with both her teeth and paws and this one was loved the second it came out of the packaging. We liked that the eyes are sewn patches so nothing to swallow if it detaches (other than the material). The knotted ropes that form it’s arms and legs actually move through the body from side to side, which makes tugging games fun and interesting. We also liked that there were no dangling easy-to-chew off bits, for example, the ears are tiny nubs so she can’t get them off with her teeth easily. The stuffing is also firm and full so it’s like a soft toy to cuddle up with but with rope limbs to sink her teeth into. She rates it highly.
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Reviewed in the United States on July 9, 2021
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LeighCee
Massapequa, US
★★★★★ 3
Chew proof except for stuffing
Color: Grey, Color: Grey
I left Sage with her new chew toy and was distracted by something in the other room. I came back not 5 minutes later, and this was what I saw! Stuffing all over the floor! And that was just the beginning. By the end of the day, I had cleaned up stuffing several times from separate sessions with the toy! The rest of the poor toy is holding together, except that it has lost a couple of squeakers. I don't know whether to recommend it or not. Sage is exceptionally, extraordinarily, extremely, immensely, and profoundly aggressive when she chews (on inanimate objects only -- no humans or other animals!).
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Reviewed in the United States on April 30, 2023
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dallinna
Houston, US
★★★★★ 5
Great hit with my dog
Color: Grey, Color: Grey
The gray rhino is a great hit with my dog. She's a medium size golden (53lbs) likes to chew and tug, but she is not not too aggressive with toys, and this has become her favorite toy. Over the last 2 weeks she's removed the top arms from the body and "killed" one of the squeakers, and the arms are now a separate tug toy. We could have put the arms back, but she figured out those come off, and she would take them out again. The armless rhino is still the one she carries around from room to room, plating tug and fetch with every day. The toy is very well stitched, the fabric is of good quality and there are no small pieces that come apart to be swallowed. It gets dirty from all the playing so I plan to throw it in the wash every month or so.
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Reviewed in the United States on February 25, 2024

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