SKU: 43212246683

Stone County Ironworks 34" 900-387 5-Piece Rush Fireplace Tool Set w/ Natural Broom

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Description

Stone County Ironworks 34" 900-387 5-Piece Rush Fireplace Tool Set w/ Natural BroomStone County Ironworks is appropriately named after the county in Arkansas where our company was birthed almost 4 decades ago. As the business grew, we chose to remain, live, and work in this small hardscrabble community where doing things the hard way comes naturally. Over the years, that pioneering independence has shaped the Stone County brand. We rely on old world tools and techniques to produce character and texture in our work. Those methods fit

Stone County Ironworks is appropriately named after the county in Arkansas where our company was birthed almost 4 decades ago. As the business grew, we chose to remain, live, and work in this small hardscrabble community where doing things the hard way comes naturally. Over the years, that pioneering independence has shaped the Stone County brand. We rely on old-world tools and techniques to produce character and texture in our work. Those methods fit the throwback life we have built here. By any measure, doing what we do is hard. If it were easy, perhaps others would do it too.

About Stone County Ironworks

Why We Do It

Stone County Ironworks is appropriately named after the county in Arkansas where our company was birthed almost 4 decades ago. As the business grew, we chose to remain, live and work in this small hardscrabble community where doing things the hard way comes naturally. Over the years, that pioneering independence has shaped the Stone County brand. We rely on old world tools and techniques to produce character and texture in our work. Those methods fit the throwback life we have built here. By any measure, doing what we do is hard. If it were easy, perhaps others would do it too.

Here you will find a simple and safe place where neighbors and employees are like family. It's a magical spot where people still wave, and stop to let others cross the street. Over time, folks here learned to socialize and entertain in wholesome ways that didn't cost much money. That’s why music and craft is still such an important part of a creative community that produces the artisans who make our company possible. We have over 1,000 items in our portfolio with millions of possible combinations. Much of our business is custom. We work in 100,000 square feet full of artisan blacksmiths, woodcarvers, coppersmiths and finish artists who can make anything. There is no place like it on earth.

The unique way we shape our steel requires a blend artistry and brawn. Strength and finesse, combining somehow to produce the wonderful art pieces you will find in homes and resorts everywhere.

It's a privilege to make functional art in a way that has otherwise faded into history. And, it’s a proud trade...that we love. Like pioneers who worked so hard to discover and then scratch out a life on their little plot of ground...ours is here. We are grateful that you stopped by. If we can serve you in some way, then our lives will be all the better for it. If you should call, or stop by our showroom in Mountain View, then we hope you will look back and feel like family.


The Forge

"a place where we get gritty... and sweat to convert iron to art every day"

We dream up new product ideas at night, on the phone with clients, in the shower, or in an air conditioned office. But at that point, it's just an idea. A nice sketch. Unless someone gets to work...picks up hammer and tong and fires up the forge, neither the dream, or those stacks of iron bars, strap and pipe in the back ever get a new shot at life as an amazing chandelier, a custom table or a gorgeous pot rack.

The Forge is truly a magical place. With artisan bodies fully in motion, yellow flames licking hot steel, ringing anvils and the pounding cadence of blow after blow...its more like the stormy deck of a pirate ship. Burly, bearded blacksmiths, laboring over ancient equipment using graceful tricks they learned from generations past. A combination of brawn and finesse. Nothing else like it on earth! And we wanted you to see it.

The video below show our gifted artisans making various products in our forge here in the Arkansas hills. We craft our product using tools and techniques that are over 100 years old. Our oldest tool was made in 1844, but the hammer, the anvil, and fire are still the essentials of the trade. It is hard, hot and demanding work, but it's worth it. Why?

"Because we will go to any length to create an heirloom treasure for you!"

Stone County Ironworks is unique among US makers. No other company produces such a wide range of products, all hand forged, using centuries-old tools and techniques. SCI is truly an American treasure. We offer this video archive so that you might appreciate the lengths we go to every day, in pursuit of our craft, for your good pleasure.


Description

Stone County Ironworks is famous for the heirloom quality and beauty of our hand-forged fire tool sets. Made not only to enchant, the Rush fire tool set is also carefully constructed to last through generations. Nothing says home like a hearth, and nothing compliments the experience of a roaring fire more than the heft and sheen of quality wrought iron.

Each tool is designed for optimal functionality as well as aesthetics. The poker includes a side hook for rolling logs, and the tongs are made for ten lifetimes of lifting heavy logs, complete with a unique fork design that really grips. Our shovels are hot riveted in place to last forever. Each broom is hand-tied by gifted broom squires using age-old techniques and the best materials available. Broom straw is offered in natural finish, black, or rust. The tools may also receive special finishes; pictured in natural black, the set may receive any of the options listed above in our 'finish' selections. Gold and copper accents catch the firelight particularly well!

Also, be sure to visit our selection of log baskets and fire screens!


Features

  • Masterfully Crafted by Artisan Blacksmiths
  • Made in USA
  • Choice of Iron Finish and Iron Accent


Customization

Iron Finish

Click to see available options

Natural Black

Burnished Gold SPF

Satin Black

Hand Rubbed Bronze SPF

Woodland Brown SPF

Hand Rubbed Ivory SPF

Hand Rubbed Pewter SPF

Hand Rubbed Brass SPF

Chalk White


Iron Accent

Gold Accent SPF

Copper Accent SPF

Pewter Accent SPF

Broom Color

Natural


Specifications

Model 900-387
Dimensions 10" (W) x 10" (D) x 34"(H)


Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 43212246683

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4.8 ★★★★★
Based on 10 reviews
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Product Reviews
J
Verified Purchase
jk Smiles
Draper, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Boise, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
Dallas, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Chelsea, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
Bozeman, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016

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