SKU: 12551888832

MULTIPLEX HOUTEN MANCHETKNOPEN

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Description

MULTIPLEX HOUTEN MANCHETKNOPENDeze manchetknopen combineren de natuurlijke gelaagdheid van berkenmultiplex met de glans van zilver. De bovenkant bestaat uit drie lagen: berkenhout, een laag zilver en opnieuw een laag multiplex. In dit bovenste laagje zijn vijf kleine zilveren stipjes ingelegd, die samen een verfijnd lijnenspel vormen. Het gebruikte multiplex is afkomstig van reststukken uit het TimberRing atelier. Door de opbouw uit dunne lagen ontstaat een duidelijke tekening met

Deze manchetknopen combineren de natuurlijke gelaagdheid van berkenmultiplex met de glans van zilver. De bovenkant bestaat uit drie lagen: berkenhout, een laag zilver en opnieuw een laag multiplex. In dit bovenste laagje zijn vijf kleine zilveren stipjes ingelegd, die samen een verfijnd lijnenspel vormen.

Het gebruikte multiplex is afkomstig van reststukken uit het TimberRing atelier. Door de opbouw uit dunne lagen ontstaat een duidelijke tekening met warme, lichte tonen van crème tot honingkleurig. Elk paar wordt met de hand gemaakt en zorgvuldig afgewerkt met aandacht voor detail en duurzaamheid.

Het zilveren mechaniek is stevig en betrouwbaar, ontworpen om jarenlang mee te gaan. De matte afwerking van het hout contrasteert mooi met de glans van het zilver, wat deze manchetknopen een eigentijdse, natuurlijke uitstraling geeft.

 De diameter van deze manchetknopen is 15 millimeter.

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SKU: 12551888832

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4.2 ★★★★★
Based on 25 reviews
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Product Reviews
T
The Art and Making of
Lake Worth, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2018
R
Reverend Skull
Omaha, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
Omaha, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Lexington, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Los Angeles, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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