SKU: 13533216319

Cheap Trick - The Complete Epic Albums Collection (LP, Album, RE, Cle + LP, Album, RE, Cle + LP, Albu)

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Cheap Trick - The Complete Epic Albums Collection (LP, Album, RE, Cle + LP, Album, RE, Cle + LP, Albu)Media Condition: Mint (M) Sleeve Condition: Mint (M) Comments: SEALED, brand new copy General notes about this release (please note: our version may differ a little. see the comments above): Comes in a slipcase box with each album in its own replica sleeve. Includes a bi fold insert that has a complete track listing. On the front of the shrink wrap is a hype sticker that includes the printed individual number of 1000. Originally issued on CD in 2013.

Media Condition: Mint (M)
Sleeve Condition: Mint (M)

Comments:
SEALED, brand new copy

General notes about this release (please note: our version may differ a little. see the comments above):
Comes in a slipcase box with each album in its own replica sleeve. Includes a bi-fold insert that has a complete track listing. On the front of the shrink-wrap is a hype sticker that includes the printed individual number of 1000. Originally issued on CD in 2013. On the box insert, track B1 appears as 'ELO Kiddies' (all caps on the album) but G3 has 'Elo Kiddies'. For the album 'Cheap Trick' the box insert has designated the sides as 'Side A' and 'Side B', but the album cover and labels have them as 'Side A' and 'Side One'. B5 appears as 'Oh Candy' on the label. F1 appears as 'Takin' Me Back (Long Time Ago)' on the album's lyric insert. F5 appears as 'How Are You?' on the box insert and the album's lyric insert. F6 'Oh Claire' is not listed on the album's back cover or side B label. No duration is provided. P5 appears as 'Who D'King' on the box insert. T1 has 'B. E. Carlos' as a writer on the label, although he is not mentioned on the album insert. AB4 has no duration on the label unlike the other tracks. Runouts are stamped except sides G to J are engraved. [Box back ℗ 2024 Sony Music Entertainment. © 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands [Hype sticker Limited edition of 1000 numbered copies on crystal clear vinyl Includes all studio albums released under Epic Records from 1977-1990 + the full live Budokan concert and 'Found All The Parts' E.P. Includes 4-page booklet #### / 1000 180 gram audiophile vinyl Individual albums: <> [Cheap Trick Comes with a plain white poly-lined inner sleeve and a double-sided monochrome insert. {Back cover} All songs published by Unichappell Music, Inc./Adult Music/Play-Onemusic (BMI) except "Speak Now...," published by Noma Music, Inc. (BMI) Produced by Jack Douglas for Waterfront Productions Ltd. Recorded, mixed and mastered at The Record Plant, New York, N.Y. {Back cover and labels} ℗ 1977 Sony Music Entertainment. © 1977, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Insert} © 1977, 2024 Sony Music Entertainment <> [In Color Comes in a single open pocket gatefold jacket with a plain white poly-lined inner sleeve. The back cover is inverted 'And In Black and White.' {Back cover} All songs published by Adult Music BMI (1977) Recorded at Kendun Recorders, Los Angeles Mixed at Westlake Audio, Los Angeles Mastered by George Marino at Sterling Sound, N.Y. {Back cover and labels} ℗ 1977 Sony Music Entertainment. © 1977, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands <> [Heaven Tonight Comes with a plain white poly-lined inner sleeve and a double-sided monochrome insert that has lyrics on one side and a photo on the other. The lyrics do not follow the playing order. {Back cover} Recorded at Record Plant, Los Angeles, California and Sound City, Van Nuys, California Mixed at Record Plant, Los Angeles, California Mastered by George Marino at Sterling Sound, New York, New York {Back cover and labels} ℗ 1978 Sony Music Entertainment. © 1978, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Insert} E2, F1 to F5 <> © Copyright 1978 by Screen Gems-EMI Music, Inc. and Adult Music (BMI). E1, E4 <> © Copyright 1976 by Screen Gems-EMI Music, Inc. and Adult Music (BMI). This arrangement, © Copyright 1978 by Screen Gems-EMI Music, Inc. and Adult Music (BMI). E5 <> © Copyright 1975 by Screen Gems-EMI Music, Inc. and Adult Music (BMI). This arrangement, © Copyright 1978 by Screen Gems-EMI Music, Inc. and Adult Music (BMI). All songs: All administrative rights controlled by Screen Gems-EMI Music, Inc. >> 'Oh Claire' appears after the above without any Copyright details. © 1978, 2024 Sony Music Entertainment <> [At Budokan: The Complete Concert Comes in a dual pocket gatefold jacket with plain white poly-lined inner sleeves. The [l15491 logo appears on the back cover. The title on the spine is 'At Budokan'. {Back cover and labels} ℗ 1978 Sony Music Entertainment. © 1978, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Gatefold interior} All tracks recorded in Japan, April 1978 Photos by Koh Hosebe courtesy of Music Life & Kenji Miura (G1, G2, G5, H1, H5, I2, J1, J3, J4) Mixed at Record Plant, New York, 1978 by Jay Messina · Mixing Supervision: Jack Douglas · Engineer: Gary Ladinsky, Assisted by Mike Beriger (G3, G4, H2 to H4, I1, I3, I4, J2) Mixed at Sony Music Studios, New York 1998 by Danny Kadar, Assisted by Robb Williams Mastered by Vic Anesini at Sony Music Studios, New York LP Master prepared by Mike Piacentini at Battery Studios, New York <> [Dream Police Comes in a single open pocket gatefold jacket with a plain white poly-lined inner sleeve and a double-sided printed insert that has lyrics on one side and a photo on the other. {Back cover} All songs: Screen Gems--E.M.I. Music, Inc. / Adult Music (BMI) Recorded and Mixed at: Record Plant, Los Angeles Mastered at: Sterling Sound Studios, NYC by George Marino Cheap Trick and Dream Police are marks owned by KAM Inc. licensed for use to CBS Inc. and its licensees throughout the world. {Back cover and labels} ℗ 1979 Sony Music Entertainment. © 1978, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Insert} All songs: © Copyright 1978, 1979 by Screen Gems. EMI Music, Inc. and Adult Music (BMI) All administrative rights for the world controlled by Screen Gems-EMI Music, Inc. © 1979, 2024 Sony Music Entertainment <> [Found All The Parts Comes in a non-gatefold jacket with a plain white poly-lined inner. {Back cover} (A1) Recorded 1976 (A2) Recorded 1977 (B1) Recorded live, Japan Tour 1978 (B2) Recorded live, U.S. Tour 1979 {Back cover and labels} ℗ 1980 Sony Music Entertainment. © 1980, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Insert} All songs: © Copyright 1978, 1979 by Screen Gems. EMI Music, Inc. and Adult Music (BMI) All administrative rights for the world controlled by Screen Gems-EMI Music, Inc. © 1979, 2024 Sony Music Entertainment <> [All Shook Up Comes in a non-gatefold jacket with a plain white poly-lined inner and a double-sided color insert that has photos on both sides. {Back cover} All songs Adult Music/Screen Gems-EMI, BMI Recorded at Air Studios, Monserrat and London Engineered by Geoff Emerick of Air Assisted by Tony George/Monserrat And Nigel Walker/London All songs arranged by Cheap Trick except “World’s Greatest Lover” arranged by George Martin and “Stop This Game” arranged by Cheap Trick with George Martin {Back cover and labels} ℗ 1980 Sony Music Entertainment. © 1980, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Insert} © 1980, 2024 Sony Music Entertainment <> [One On One Comes in a non-gatefold jacket with a plain white poly-lined inner and a double-sided monochrome insert that includes credits and photos. {Back cover} Produced by Roy Thomas Baker for RTB Audio Visual Productions, USA {Back cover and labels} ℗ 1982 Sony Music Entertainment. © 1982, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Insert} Produced by Roy Thomas Baker for RTB Audio Visual Productions, U.S.A. Engineered by Ian Taylor for RTB Audio Visual Productions, U.S.A. Recorded at Pierce Arrow Recorders, Evanston, Illinoi Mixed at Cherokee Recording Studios, Los Angeles, California Mastered at Sterling Sound, New York, by George Marino. © 1982, 2024 Sony Music Entertainment <> [Next Position Please Comes in a non-gatefold jacket with a plain white poly-lined inner and a double-sided monochrome insert. {Back cover} Produced, Engineered & Mixed by Todd Rundgren for Alchemedia Productions Recorded at Utopia Sound Studio Mastered at Sterling Sound, New York by Greg Calbi {Back cover and labels} ℗ 1983 Sony Music Entertainment. © 1983, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Insert} All songs published by Adult Music/Screen Gems-EMI Music Inc. (BMI) with the exception of "Heaven's Falling" (T5) which is published by Humanoid Music/(BMI) (Admin. by Blackwood Music Inc.) and "Dancing The Night Away" (S6) published by Ackee Music Inc./Virgin Music Inc. (Admin. by Chappell Music) (ASCAP) © 1983, 2024 Sony Music Entertainment <> [Standing On The Edge Comes in a non-gatefold jacket with a plain white poly-lined inner and a double-sided monochrome insert. {Back cover and labels} ℗ 1985 Sony Music Entertainment. © 1985, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Insert} Recorded at Sound Summit, Lake Geneva, WI Recording engineer: Paul Klingberg Assistant: John Patterson Additional recording at: Atlantic Recording Studios, New York City Engineer: Bill Dooley Assistant: Eddie Garcia Cherokee Recording Studios, Los Angeles Engineer: George Tutko Assistant: David Eaton Unique Recording, New York City Engineer: Bob Rosa Assistant Engineer: Roey Shamir Mixed by Tony Platt Mixed at Electric Lady Studios, New York City Assistant: Eddie Garcia Mastered at Sterling Sound, New York City by George Marino Serious mental anguish: K.E.K.C. All songs: Adult Music (BMI)/April Music Inc. (ASCAP) except "Little Sister" (U1) & "Love Comes" (U4) – Adult Music (BMI) © 1985, 2024 Sony Music Entertainment <> [The Doctor Comes in a non-gatefold jacket with a plain white poly-lined inner and a double-sided insert that includes lyrics and credits. {Back cover and labels} ℗ 1986 Sony Music Entertainment. © 1986, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Insert} All songs: © 1986 Adult Music (BMI) Except for "Kiss Me Red" (X1) © 1984 Billy Steinberg Music and Denise Barry Music (ASCAP) Recorded at: Park Gates Studios, Sussex, England, Pierce Arrow Recorders, Evanston, Ill, and Battery Studios, London Mixed at: Park Gates Studios; The Power Station—N.Y.C.; Right Track Recording—N.Y.C. Mastered at: Sterling Sound—N.Y.C. by George Marino © 1986, 2024 Sony Music Entertainment <> [Lap Of Luxury Comes in a non-gatefold jacket with a plain white poly-lined inner and a double-sided insert that includes credits and color photos. {Back cover and labels} ℗ 1988 Sony Music Entertainment. © 1988, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands {Labels} Track listing appears on one side only. The sides are identified as 'This Side' and 'Other Side'. {Insert} Recorded and Mixed at One On One, North Hollywood, CA*/Sound Castle, Los Angeles, CA**/A & M Studios, Los Angeles, CA*** 2nd Engineers: *Bernard Frings, Toby Wright, **Jim Champagne, Mike Tacci, *** Bob Vogt Mastered at Masterdisc NYC by Howie Weinberg © 1988, 2024 Sony Music Entertainment <> [Busted Comes in a non-gatefold jacket with a plain white poly-lined inner. {Back cover and labels} ℗ 1990 Sony Music Entertainment. © 1990, 2024 Sony Music Entertainment. Manufactured & distributed by Music On Vinyl B.V., a division of Acetone Label Group, for Sony Music Entertainment. EPIC is the exclusive trademark of Sony Music Entertainment. Made in the Netherlands Recorded at A&M Studios, Hollywood, CA and Take One Recording, Burbank CA Second Engineers: Randy Wine, John 'Genghis' Aguto, Ed Goodreau and Bill Kennedy at A&M Studios, Steve Montgomery and Chris Puram at Take One Recording Mixed at A&M Studios Mastered at Sterling Sound, NY by George Marino

 

. Cheap Trick
A1. Hot Love 2:30
A2. Speak Now Or Forever Hold Your Peace 4:34
A3. He's A Whore 2:42
A4. Mandocello 4:46
A5. The Ballad Of TV Violence (I'm Not The Only Boy) 5:12
B1. ELO Kiddies 3:42
B2. Daddy Should Have Stayed In High School 4:42
B3. Taxman, Mr. Thief 4:15
B4. Cry, Cry 4:20
B5. Oh, Candy 3:06
. In Color
C1. Hello There 1:39
C2. Big Eyes 3:04
C3. Downed 4:06
C4. I Want You To Want Me 3:09
C5. You're All Talk 3:31
D1. Oh Caroline 2:56
D2. Clock Strikes Ten 2:57
D3. Southern Girls 3:40
D4. Come On, Come On 2:36
D5. So Good To See You 3:34
. Heaven Tonight
E1. Surrender 4:13
E2. On Top Of The World 4:10
E3. California Man 3:45
E4. High Roller 3:58
E5. Auf Wiedersehen 3:39
F1. Takin' Me Back 4:50
F2. On The Radio 4:32
F3. Heaven Tonight 5:38
F4. Stiff Competition 3:39
F5. How Are You 4:15
F6. Oh Claire
. At Budokan: The Complete Concert
G1. Hello There 2:42
G2. Come On, Come On 2:59
G3. Elo Kiddies 3:57
G4. Speak Now Or Forever Hold Your Peace 6:03
G5. Big Eyes 3:49
H1. Lookout 3:12
H2. Downed 4:39
H3. Can't Hold On 6:13
H4. Oh Caroline 2:59
H5. Surrender 4:39
I1. Auf Wiedersehen 4:09
I2. Need Your Love 8:54
I3. High Roller 4:28
I4. Southern Girls 3:53
J1. I Want You To Want Me 3:36
J2. California Man 3:55
J3. Goodnight 3:05
J4. Ain't That A Shame 5:02
J5. Clock Strikes Ten 3:50
. Dream Police
K1. Dream Police 3:49
K2. Way Of The World 3:41
K3. The House Is Rockin' (With Domestic Problems) 5:17
K4. Gonna Raise Hell 9:18
L1. I'll Be With You Tonight 3:51
L2. Voices 4:29
L3. Writing On The Wall 3:26
L4. I Know What I Want 4:28
L5. Need Your Love 7:35
. Found All The Parts
M1. Day Tripper 3:13
M2. Can't Hold On 5:56
N1. Such A Good Girl 3:00
N2. Take Me I'm Yours 4:31
. All Shook Up
O1. Stop This Game 3:54
O2. Just Got Back 2:04
O3. Baby Loves To Rock 3:17
O4. Can't Stop It But I'm Gonna Try 3:30
O5. World's Greatest Lover 4:50
P1. High Priest Of Rhythmic Noise 4:10
P2. Love Comes A-Tumblin' Down 3:06
P3. I Love You Honey But I Hate Your Friends 3:49
P4. Go For The Throat (Use Your Own Imagination) 3:01
P5. Who D' King 2:16
. One On One
Q1. I Want You 3:03
Q2. One On One 3:05
Q3. If You Want My Love 3:35
Q4. Oo La La La 3:15
Q5. Lookin' Out For Number One 3:41
R1. She's Tight 2:59
R2. Time Is Runnin' 2:20
R3. Saturday At Midnight 3:00
R4. Love's Got A Hold On Me 2:35
R5. I Want Be Man 3:20
R6. Four Letter Word 3:39
. Next Position Please
S1. I Can't Take It 3:26
S2. Borderline 3:32
S3. I Don't Love Here Anymore 3:51
S4. Next Position Please 2:53
S5. Younger Girls 3:15
S6. Dancing The Night Away 4:54
T1. 3-D 3:36
T2. You Say Jump 3:05
T3. Y.O.Y.O.Y. 4:54
T4. Won't Take No For An Answer 3:13
T5. Heaven's Falling 3:46
T6. Invaders Of The Heart 3:54
. Standing On The Edge
U1. Little Sister 3:54
U2. Tonight It's You 4:47
U3. She's Got Motion 3:21
U4. Love Comes 4:41
U5. How About You 2:57
V1. Standing On The Edge 4:43
V2. This Time Around 4:32
V3. Rock All Night 2:50
V4. Cover Girl 3:41
V5. Wild Wild Women 4:16
. The Doctor
W1. It's Up To You 3:48
W2. Rearview Mirror Romance 4:31
W3. The Doctor 4:01
W4. Are You Lonely Tonight 3:36
W5. Name Of The Game 4:16
X1. Kiss Me Red 3:34
X2. Take Me To The Top 3:58
X3. Good Girls Go To Heaven (Bad Girls Go Everywhere) 3:22
X4. Man-U-Lip-U-Lator 3:45
X5. It's Only Love 4:44
. Lap Of Luxury
Y1. Let Go 4:25
Y2. No Mercy 3:53
Y3. The Flame 5:37
Y4. Space 4:15
Y5. Never Had A Lot To Lose 3:23
Z1. Don't Be Cruel 3:06
Z2. Wrong Side Of Love 3:59
Z3. All We Need Is A Dream 4:19
Z4. Ghost Town 4:10
Z5. All Wound Up 4:45
. Busted
AA1. Back 'N Blue 4:42
AA2. I Can't Understand It 3:30
AA3. Wherever Would I Be 4:06
AA4. If You Need Me 4:46
AA5. Can't Stop Fallin' Into Love 3:49
AB1. Busted 4:05
AB2. Walk Away 3:41
AB3. You Drive, I'll Steer
AB4. When You Need Someone
AB5. Had To Make You Mine 3:15
AB6. Rock 'N' Roll Tonight 4:56

 

Barcode and Other Identifiers:

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Matrix / Runout 400714 1A MOVLP3551
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Matrix / Runout 15736 1A MOVLP 1676
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Matrix / Runout 15736 1C MOVLP 1676
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Matrix / Runout 400722 1A MOVLP3558
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Matrix / Runout 400723 1A MOVLP3559
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Matrix / Runout 400726 1A MOVLP3562
Matrix / Runout 400726 1B MOVLP3562
Matrix / Runout 400727 1A MOVLP3563
Matrix / Runout 400727 1B MOVLP3563

 

Record Company Artone Label Group
Record Company Sony Music Entertainment
Distributed By Music On Vinyl B.V.
Manufactured By Music On Vinyl B.V.
Manufactured For Sony Music Entertainment
Phonographic Copyright (p) Sony Music Entertainment
Copyright (c) Sony Music Entertainment
Produced For Waterfront Productions LTD.
Published By Unichappell Music, Inc.
Published By Play One Music
Published By Noma Music, Inc.
Pressed By Record Industry
Recorded At Record Plant, N.Y.C.
Mixed At Record Plant, N.Y.C.
Mastered At Record Plant, N.Y.C.
Published By Adult Music (3)
Pressed By Record Industry
Recorded At Kendun Recorders
Mixed At Westlake Studios
Mastered At Sterling Sound
Published By Screen Gems-EMI Music Inc.
Pressed By Record Industry
Recorded At Record Plant, Los Angeles
Recorded At Sound City Studios
Mixed At Record Plant, Los Angeles
Pressed By Record Industry
Mixed At Sony Music Studios, New York City
Mastered At Sony Music Studios, New York City
Mastered At Battery Studios, New York
Licensed To CBS Inc.
Licensed From KAM Inc.
Pressed By Record Industry
Pressed By Record Industry
Published By Maclen Music, Inc.
Pressed By Record Industry
Recorded At AIR Studios, Montserrat
Recorded At Air Studios
Produced For RTB Audio Visual Productions
Pressed By Record Industry
Recorded At Pierce Arrow Recorders
Mixed At Cherokee Studios
Produced For Alchemedia Productions
Pressed By Record Industry
Recorded At Utopia Sound
Published By Humanoid Music
Published By Blackwood Music Inc.
Published By Ackee Music, Inc.
Published By Chappell Music
Pressed By Record Industry
Recorded At Sound Summit
Recorded At Atlantic Studios
Recorded At Cherokee Studios
Recorded At Unique Recording
Mixed At Electric Lady Studios
Published By April Music Inc.
Published By Billy Steinberg Music
Published By Denise Barry Music
Pressed By Record Industry
Recorded At Parkgate Studios
Recorded At Pierce Arrow Recorders
Recorded At Battery Studios, London
Mixed At Parkgate Studios
Mixed At Power Station
Mixed At Right Track Recording
Pressed By Record Industry
Recorded At One On One Studios
Mixed At One On One Studios
Recorded At Sound Castle Recorders, Los Angeles
Mixed At Sound Castle Recorders, Los Angeles
Recorded At A&M Studios
Mixed At A&M Studios
Mastered At Masterdisk
Pressed By Record Industry
Recorded At Take One Studios, Burbank

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kindlemom1 (My Guilty Obsession Blog)
San Leandro, US
★★★★★ 5
Worth the price!
Format: Paperback
Great set!
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Reviewed in the United States on November 8, 2025
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John Hall
Carnegie, US
★★★★★ 5
The Robin Origin Tale We Needed
Format: Paperback
Hot off The Long Halloween Jeph Loeb and Tim Sale return for another murder mystery. This is a direct sequel and follows the aftermath of The Long Halloween. The art is stellar and the story is deep and dark. The trinity of Batman, Dent and Gordon is gone and the isolation is real. At the heart of it, life goes on. Sofia Falcone is back and ready to get revenge. Meanwhile, Dick Grayson's about to go through the darkest chapter of his life. There's a surprise villain who makes a chilling introduction and much more. If you wanted more after Batman: Year One and The Long Halloween, this is the book for you.
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Reviewed in the United States on May 22, 2025
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john porter
Lowell, US
★★★★★ 5
Great Artwork and great read
Format: Kindle
This was my introduction to the X-Force. the art work was superb and the story was new to me but I was Intrigued by it. It was a definite page Turner for me. I wouldn't necessarily say all the blood was a negative, it went with the story. It's just my first time seeing so much blood and carnage.
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Reviewed in the United States on June 17, 2014
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M. DeKalb
Whiting, US
★★★★★ 4
Wolverine, Warpath, Wolfsbane and X-23 (+Angel). PA fun.
Format: Kindle
Writers: Kyle & Yost. Artist: Crain. Darkly drawn: blacks, grays, steel blues and vibrant reds, gory, depictive of graphic violence – as this is what X-Force is all about. They’re a hit squad, folks out for blood, and serious about it. This one comes with advisories against the kiddies. It is essentially a gore-fest. The graphic nature aside, and as well as inclusively, this is very well drawn / colored by Crain. The gorgeous yellows of Magus, the blur of red the first time Wolverine punches Cyclops, the panel expression shots of Rahne – excellent work, and it translates pretty nicely as well – but that’s also where it’s major drawback lies. In panel over panel format it’s done in pretty linear fashion (mostly top to bottom). In some regards this works better for this particular Kindle version as the panels CANNOT BE ENLARGED BY TILTING the Kindle itself – the one thing I found annoying about it. In this regard it really takes away from the art, which is definitely worth examining, and it also takes away from the reading experience – as I would often find myself readjusting the Kindle to reading distance from artistic distance, or vice-versa. The dialogue for nearly each issue opens with a stream of consciousness – you get to see inside a particular character’s thought process, and consequently, where they are bumping up against walls in their discourse and interactions with other members of the team. From this point we get the bubbled language and somewhat choppy discourse between the characters. In my experience with this, I can say I felt the pace of the story quick, maybe too quick. It’s secondary villain (Risman) is built off of ‘The New X-Men’ (2004), which is pretty neat, turning the concept a bit, striking it at a different angle – for instance, what if X-Force intervened against Risman’s campaign, in large-part because it got personal, well: this is what you’d get. There’s even a bit of a sentimental lean (not sexual tension) to the story from two of our protagonists: Warpath and Rahne. Should make it interesting. SPOILERS: Angels & Demons, Part 1: We see the unfolding of the chain of command / villainy (Reverend William Stryker – Matthew Risman & his Purifiers and a mutant-hating sentinel: Nimrod’s head + Bastion’s body = ?), and the selection of the group members to represent X-Force, Wolverine to head the group consisting of: X-23 (Laura Kinney), Wolfsbane (Rahne), and Warpath (James Proudstar). We learn their mission target is the Purifiers who had snuck into (with inside help) the Xavier Institute, killed 16 students and then stole Nimrod’s severed head. Specifically the hit is put out for Matthew Risman. X-Force creeps up on their first mission with zilch for a game plan. That’s why we see at the end of Part 1, Rahne has already been captured and presumably assassinated. To blame: her haste, and Wolverine not wanting any of them there to begin with. Angels & Demons, Part 2: X-23, apparently the most prone to risk amongst the group (Wolverine’s clone, has undergone intensive punishment), triggers a bomb, leveling the North Dakota church that Risman has X-Force pinned down and nearly captured. Wolfsbane is absconded with yet again by Risman and Wolverine confronts Cycolps, as Wolverine knew it a bad idea to bring her along, de facto. We encounter Rahne’s back-story with ‘Reverend Craig’, a non-mutant Purifier who is also, twistedly, Rahne’s father. Commence drugging and lecturing about her sinfulness. This is called ‘Delivering’ and according to Reverend Craig it feels ‘righteous’. Reverend Risman is usurped by Bastion who now officially heads the mutant extermination operation. He calls upon his nascent techno-organic pet from the sea – ‘Magus’. Angels & Demons, Part 3: This edition circles around the resurrection of Magus, and Bastion’s assembling a type of consortium of resurrected players, presumably upon which to feed Magus. The names include: Donald Pierce (Leader of the Reavers), Reverend William Stryker (aforementioned), and Bolivar Trask (creator of the Sentinels). Risman apparently fails to kill Rahne as Bastion had commanded. He seems to be knowingly lying to him. Risman wants Reverend Stryker’s plan carried out, and he’s willing to fight Bastion on this point. Because of Risman’s purposeful neglect the group recovers Rahne, but she’s OD’d on heroin. This section of the work does a stellar job pushing Warpath as a likable character, true tough guy, but still sensitive – as a lot of his feeling is projected toward Rahne. Angels & Demons, Part 4: Rahne recovers with an assist from Elixer, who was beckoned by Angel to dilute her blood. When Rahne recovers she see’s Angel and goes berserk, transforming and ultimately tearing off his wings. These she delivers to Risman before, again, remember who she is and what she’d done under the brainwashing of Reverend Craig. With these wings, non-organic, supernatural wings – any army of metal winged mutant assassins will be created. ‘The Choir’. Much of Part 4 is X-23’s outlook on Wolverine. It’s interesting how her analysis of him is very subjective and entirely confusing for her. She denotes her back-history as consisting of embryonic development for the Weapon-X project. She’s nearly the perfect war machine, and to see her confusion surrounding her own lack of feeling is… almost humanizing, per se. Angels & Demons, Part 5: After acquiring Angels wings Bastion sets Risman up to take the fall, as he uses the reincarnation of William Stryker as his personal mouth piece to denounce Risman. Risman’s ‘Choir’, men who’ve had surgically implanted metal wings, on behalf of DNA meshing with Angel’s wings, sets out to assassinate as many Purifiers sided with Bastion as possible. This issue closes with their confrontation. Risman has stated that he would crush the alien known as ‘Magus’ and then ‘the Oracle himself’. Brother Eli is coming along for moral support. Meanwhile, Angel has become Archangel. And he’s not one iota happy about having had his wings taken from him. X-Force attempts to distract him, but the trio take quite a whooping, while Rahne is transforming and escaping the clutches of the Purifiers. I’d much wished she’d offed her father (Reverend Craig) when she had the chance… *disappointed face* Part 5, something akin to Part 4, stars Matthew Risman as the introductory narrator. The spring-well from which the story comes forth, who’s thoughts, politics and perspectives are intertwined with the dialogue – in this particular case to show that Risman, rather than Bastion, is the more likable villain… or simply the lesser of the two evils. Angels and Demons, Part 6: Entering the ensuing battle more toward the end, Wolverine makes a recount of the events that led up to the carnage they walked in upon. Archangel slaughtered as many Purifiers as he could (meaning: all of them) in efforts to find his wings – which he successfully does. Risman has his cranium opened up by X-23 and Wolverine takes on Bastion. Bastion escapes but not without revealing his Consortium of mutant slaughtering regenerates. At this juncture the story takes on the typical multi-villain arch common to so many. An assembly, a hit-force, which eventually fails… because it has to. Rahne finally does get the opportunity to avenge herself. Will the psychological scars of her actions torment the rest of her existence? With Bastion on the loose, his 7 villain super-team currently stoic puppets & Eli Bard in apparent control of Magus, in what manner will X-Force continue the fight in ‘X-Force Volume 2: Old Ghosts’?
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Reviewed in the United States on December 28, 2013
J
Verified Purchase
Joshua
Omaha, US
★★★★★ 5
Story develops well. And X Force characters are intriguingly likable, as is their developing story.
Format: Kindle
Wolverine's point of view works well for navigating this story, as X Force is put back together to face familiar enemies. However descent among their foes takes this plot left field and sets up an even bigger stage for a bigger showdown. The book is only six chapters, but they all tie in flawlessly, and the story and character relationships with each other are masterfully crafted . Can't wait to read vol.2. I strongly recommend you read this if you are considering it . The characters are all likable and keep you interested . Edgier darker X-men, but not emo. Cool. And this story develops well.
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Reviewed in the United States on July 24, 2013

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