SKU: 45393964694

e28373

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Description

e28373Sweet Iron De Sweet Iron bitten zijn gemaakt van staal en hebben de kenmerkende blauwe kleur, die ontstaat door het verwarmen tijdens de productie. Door contact met (lucht)vochtigheid ontwikkelt Sweet Iron een oxidatielaag die de kleur van het bit verandert naar bruingrijs. Dit oxidatieproces is een gewenst effect van de Sweet Iron bitten. Sweet Iron mondstukken zijn verkrijgbaar in twee diktes, aangegeven met een cijfer in de productnaam. De 12 mm

Sweet Iron

De Sweet Iron bitten zijn gemaakt van staal en hebben de kenmerkende blauwe kleur, die ontstaat door het verwarmen tijdens de productie. Door contact met (lucht)vochtigheid ontwikkelt Sweet Iron een oxidatielaag die de kleur van het bit verandert naar bruingrijs. Dit oxidatieproces is een gewenst effect van de Sweet Iron bitten.

Sweet Iron-mondstukken zijn verkrijgbaar in twee diktes, aangegeven met een cijfer in de productnaam. De 12 mm-variant is te vinden in ponybitten en onderlegtrensen, en biedt extra ruimte in de mond. De 16 mm-variant is onze standaarddikte en wordt gebruikt bij zowel normale bitten als onderlegtrensen, passend voor een breed scala aan paarden.

Wanneer een Sweet Iron bit tijdelijk niet wordt gebruikt, kan er zich een oranjebruine roestlaag op het mondstuk vormen. Deze kan eenvoudig worden verwijderd door het bit af te nemen met een vochtige doek. Dit heeft geen invloed op de werking van het bit.

Sweet Iron bitten zijn geschikt voor alle paarden en helpen de acceptatie van het bit te verbeteren.

Elk paard is anders, en het kiezen van het juiste bit is essentieel voor comfort, heldere communicatie en goede prestaties. Een goed passend bit voorkomt drukplekken, schuiven in de mond en knellingen bij de mondhoeken—en draagt bij aan ontspanning en vertrouwen in de aanleuning.

Heb je hulp nodig bij het kiezen van het juiste model, materiaal of maat bit voor je paard? Neem gerust contact met ons op of vul het bitadviesformulier in - we helpen je graag verder.

Trust Pony Collectie

De Trust Pony collectie is speciaal ontwikkeld voor pony’s en biedt anatomisch gevormde bitten die perfect passen in de kleinere pony-mond. In samenwerking met ponyrijders is deze serie ontworpen met dunnere mondstukken, verfijnde bitringen en kleinere maten voor meer comfort en een nauwkeurige inwerking. De bitten zijn verkrijgbaar in 9,5 cm, 10,5 cm en 11,5 cm - ideaal voor verschillende typen pony’s.

Pelham en Baby Pelham

De Pelham is een bit met een gecombineerde hefboomwerking, die druk uitoefent op zowel de poll (net achter de oren) als de kin. Het kan met één of twee teugels worden gebruikt. Bij gebruik van één teugel moet deze via de verbinding tussen de grote en de kleinere ring lopen, met behulp van een Pelhamriem. Hoe langer de scharen zijn, hoe groter de hefboomwerking en dus de impact op het paard. Het bit is voorzien van een ketting die goed afgesteld moet worden voor de juiste werking.

De Baby Pelham is een mildere versie van de gewone Pelham, met kortere scharen die zorgen voor een minder sterke hefboomwerking. Dit maakt het effect zachter dan bij de reguliere Pelham. Net als de gewone Pelham kan de Baby Pelham met één of twee teugels worden gebruikt, met de juiste verbinding tussen de ringen bij gebruik van één teugel.

Pelham-bitten zouden alleen moeten worden gebruikt door professionele ruiters of onder begeleiding van een trainer. Hoewel het bit effectief is wanneer het correct wordt gebruikt, kan onjuist gebruik leiden tot ongemak of schade aan het paard. Het is daarom essentieel om de werking en afstelling van het bit goed te begrijpen.

Eliptical / Dubbelgebroken

Een dubbelgebroken bit bestaat uit drie delen, waarbij het middenstuk op de tong rust. Dit zorgt voor iets meer tongdruk dan bij een enkelgebroken bit, maar verdeelt de druk juist gelijkmatiger over de lagen en mondhoeken.

Bij dit type bit is de juiste maat extra belangrijk. Is het bit te groot, dan kunnen de scharnierpunten de mondhoeken raken en zo irritatie of wondjes veroorzaken.

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Tim M.
Port Orchard, US
★★★★★ 5
Great gift idea!
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Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
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Madison
Charlottesville, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
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Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Louisville, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
West Palm Beach, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016
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Diana S. Long
Cuba, US
★★★★★ 5
Delightful and entertaining
Format: Kindle
314. The History of Tom Jones: a foundling by Henry Fielding (Novel-Audible/E Book-Fiction) 5* I read along with the Audible of the novel which I found a highly delightful and entertaining experience. The narrator, Bill Homewood, who performed the audio version of the work was excellent doing the various characters as well as the invisible narrator (author) of the story. The Synopsis is as follows: A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature. It is rather brilliant, and there is no lack of shenanigans as we follow Jones through his history and the reader never knows when and where the author will abruptly go off on a tangent, told in a most eloquent manner, end with a flourish and no doubt tossed his quill down and took a bow. I am either taken in by some farce or thoroughly enchanted by this author. As Fielding is rather the loquacious writer this read comes in Audible time at almost 38 hours or roughly 1,000 pages but worth every minute spent on it.
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Reviewed in the United States on December 19, 2017

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