SKU: 92768486819

Joni Mitchell - The Studio Albums 1968-1979 (HDCD, Album, RE + HDCD, Album, RE + HDCD, Album, R)

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Description

Joni Mitchell - The Studio Albums 1968-1979 (HDCD, Album, RE + HDCD, Album, RE + HDCD, Album, R)Media Condition: Mint (M) Sleeve Condition: Near Mint (NM or M ) Comments: SEALED , brand new copy General notes about this release (please note: our version may differ a little. see the comments above): The first 10 studio albums of Joni Mitchell's legendary career. All albums in replicated gatefold wallets with original artwork. [Box Manufactured in the E. U. [Discs Made in E. U. "Song To A Seagull": & 1968 Warner Bros. Records Inc. Durations differ

Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)

Comments:
SEALED , brand new copy

General notes about this release (please note: our version may differ a little. see the comments above):
The first 10 studio albums of Joni Mitchell's legendary career. All albums in replicated gatefold wallets with original artwork. [Box Manufactured in the E.U. [Discs Made in E.U. "Song To A Seagull": ℗ & © 1968 Warner Bros. Records Inc. Durations differ as shown on sleeve and disc. "Clouds": ℗ & © 1969 Warner Bros. Records Inc. "Ladies Of The Canyon": ℗ & © 1970 Warner Bros. Records Inc. "Blue": ℗ & © 1971 Warner Bros. Records Inc. "For The Roses": ℗ & © 1972 Asylum Records Includes lyric insert. "Court And Spark": ℗ & © 1974 Asylum Records "The Hissing Of Summer Lawns": ℗ & © 1975 Asylum Records "Hejira": ℗ & © 1976 Asylum Records "Don Juan's Reckless Daughter": ℗ & © 1977 Asylum Records "Mingus": ℗ & © 1979 Asylum Records Includes lyric insert. Shrinkwrap includes a "Limited Edition Set" custom sticker and a small "Made in England" sticker. The following discs are included in HDCD format, however this is not mentioned on either the packaging or the discs themselves: Song To A Seagull Clouds Ladies Of The Canyon Blue Don Juan's Reckless Daughter

 

. Song To A Seagull
. Part One I Came To The City
1-1. I Had A King
1-2. Michael From Mountains
1-3. Night In The City
1-4. Marcie
1-5. Nathan La Franeer
. Part Two Out Of The City And Down To The Seaside
1-6. Sisotowbell Lane
1-7. The Dawntreader
1-8. The Pirate Of Penance
1-9. Song To A Seagull
1-10. Cactus Tree
. Clouds
2-1. Tin Angel
2-2. Chelsea Morning
2-3. I Don't Know Where I Stand
2-4. That Song About The Midway
2-5. Roses Blue
2-6. The Gallery
2-7. I Think I Understand
2-8. Songs To Aging Children Come
2-9. The Fiddle And The Drum
2-10. Both Sides, Now
. Ladies Of The Canyon
3-1. Morning Morgantown
3-2. For Free
3-3. Conversation
3-4. Ladies Of The Canyon
3-5. Willy
3-6. The Arrangement
3-7. Rainy Night House
3-8. The Priest
3-9. Blue Boy
3-10. Big Yellow Taxi
3-11. Woodstock
3-12. The Circle Game
. Blue
4-1. All I Want
4-2. My Old Man
4-3. Little Green
4-4. Carey
4-5. Blue
4-6. California
4-7. This Flight Tonight
4-8. River
4-9. A Case Of You
4-10. The Last Time I Saw Richard
. For The Roses
5-1. Banquet
5-2. Cold Blue Steel And Sweet Fire
5-3. Barangrill
5-4. Lesson In Survival
5-5. Let The Wind Carry Me
5-6. For The Roses
5-7. See You Sometime
5-8. Electricity
5-9. You Turn Me On I'm A Radio
5-10. Blonde In The Bleachers
5-11. Woman Of Heart And Mind
5-12. Judgement Of The Moon And Stars (Ludwig's Tune)
. Court And Spark
6-1. Court And Spark
6-2. Help Me
6-3. Free Man In Paris
6-4. People's Parties
6-5. The Same Situation
6-6. Car On A Hill
6-7. Down To You
6-8. Just Like This Train
6-9. Raised On Robbery
6-10. Trouble Child
6-11. Twisted
. The Hissing Of Summer Lawns
7-1. In France They Kiss On Main Street
7-2. The Jungle Line
7-3. Edith And The Kingpin
7-4. Don't Interrupt The Sorrow
7-5. Shades Of Scarlett Conquering
7-6. The Hissing Of Summer Lawns
7-7. The Boho Dance
7-8. Harry's House / Centerpiece
7-9. Sweet Bird
7-10. Shadows And Light
. Hejira
8-1. Coyote
8-2. Amelia
8-3. Furry Sings The Blues
8-4. A Strange Boy
8-5. Hejira
8-6. Song For Sharon
8-7. Black Crow
8-8. Blue Motel Room
8-9. Refuge Of The Roads
. Don Juan's Reckless Daughter
9-1. Overture - Cotton Avenue
9-2. Talk To Me
9-3. Jericho
9-4. Paprika Plains
9-5. Otis And Marlena
9-6. The Tenth World
9-7. Dreamland
9-8. Don Juan's Reckless Daughter
9-9. Off Night Backstreet
9-10. The Silky Veils Of Ardor
. Mingus
10-1. Happy Birthday 1975 (Rap)
10-2. God Must Be A Boogie Man
10-3. Funeral (Rap)
10-4. A Chair In The Sky
10-5. The Wolf That Lives In Lindsey
10-6. I's A Muggin' (Rap)
10-7. Sweet Sucker Dance
10-8. Coin In The Pocket (Rap)
10-9. The Dry Cleaner From Des Moines
10-10. Lucky (Rap)
10-11. Goodbye Pork Pie Hat

 

Barcode and Other Identifiers:

Barcode 0 81227 97178 6
Barcode 081227971786
Label Code LC02982
Rights Society GEMA/BIEM
Other 8122797178-1
Other 8122797178-2
Other 8122797178-3
Other 8122797178-4
Other 8122797178-5
Other 8122797178-6
Other 8122797178-7
Other 8122797178-8
Other 8122797178-9
Other 8122797178-10
Matrix / Runout 8122797178A V01 BJG
Matrix / Runout 8122797178B V01 BRG
Matrix / Runout 8122797178C.2 V01 GAN
Matrix / Runout 8122797178D V01 FOI
Matrix / Runout 8122797178E V01 SLY
Matrix / Runout 8122797178F V01 XRY
Matrix / Runout 8122797178G V01 KCH
Matrix / Runout 8122797178H V01 SSF
Matrix / Runout 8122797178I V01 CWV
Matrix / Runout 8122797178J V01 GID
Mastering SID Code IFPI L016
Mastering SID Code IFPI L017
Mould SID Code IFPI 05P5
Mould SID Code IFPI 052S
Mould SID Code IFPI 05R1
Mould SID Code IFPI 054T
Mould SID Code IFPI 05P3
Mould SID Code IFPI 054T
Mould SID Code IFPI 05L3
Mould SID Code IFPI 052W
Mould SID Code IFPI 05L2
Mould SID Code IFPI 054T
Mould SID Code IFPI 05M9
Mould SID Code IFPI 054T
Mould SID Code IFPI 057T
Mould SID Code IFPI 054T
Mould SID Code IFPI 056S
Mould SID Code IFPI 054T
Mould SID Code IFPI 0598
Mould SID Code IFPI 054T
Mould SID Code IFPI 054T

 

Marketed By Rhino Entertainment Company
Phonographic Copyright (p) Rhino Entertainment Company
Phonographic Copyright (p) Warner Bros. Records Inc.
Phonographic Copyright (p) Asylum Records
Copyright (c) Rhino Entertainment Company
Copyright (c) Warner Bros. Records Inc.
Copyright (c) Asylum Records
Made By Cinram GmbH

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Reviewed in the United States on May 17, 2026
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Reviewed in the United States on May 12, 2026
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Los Angeles, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
Grantham, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016

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