SKU: 24649783631

Honeysuckle Absolute

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Description

Honeysuckle AbsoluteHoneysuckle Absolute Oil Honeysuckle Absolute Oil has a sweet, nectar like floral aroma with soft honeyed warmth and gentle green undertones. The scent opens lightly and develops into a smooth floral heart, sitting mainly in the upper heart of blends where it is used as a bright floral modifier rather than a lasting base note. Product Details Bottled in the UK for freshness and traceability. A natural aromatic absolute intended for external aromatic

Honeysuckle Absolute Oil

Honeysuckle Absolute Oil has a sweet, nectar-like floral aroma with soft honeyed warmth and gentle green undertones. The scent opens lightly and develops into a smooth floral heart, sitting mainly in the upper heart of blends where it is used as a bright floral modifier rather than a lasting base note.

Product Details

Bottled in the UK for freshness and traceability.
A natural aromatic absolute intended for external aromatic and formulation use only.
Carefully sourced and quality checked for aroma consistency.
Cruelty free and vegan friendly.
Supplied in high quality amber glass bottles to help protect the material.

Botanical Information

Botanical Name: Lonicera caprifolium
Plant Part Used: Fresh flower heads
Extraction Method: Solvent extraction to concrete, then absolute
Aroma: Sweet floral with honeyed warmth and soft green nuances
Shelf Life: Store in a cool, dark place and use within 12 months of opening for best quality.

Aroma Profile

Honeysuckle Absolute Oil is extremely concentrated and should always be assessed diluted. Once diluted, the aroma opens quickly with a sweet floral brightness, followed by a gentle honeyed warmth and a soft green musky undertone.

Top notes: Sweet floral
Middle notes: Honeyed floral warmth
Base notes: Soft green musk

Scent Family

Floral
Sweet
Herbal

Typical Uses of Honeysuckle Absolute Oil

Honeysuckle Absolute Oil is used mainly as a professional perfumery and formulation material. It is not a general-purpose aromatic oil.

Common uses include:

Perfumery and fine fragrance compositions as a bright floral accent or modifier
Cosmetic scenting in creams, oils, balms and solid perfumes
Aromatic blending where lightness, sweetness and floral lift are required
Craft and artisan products such as candles and soaps at very low concentrations

This material is normally used as an accent rather than a dominant aroma.

Handling and Working Dilution

Honeysuckle Absolute Oil may be slightly viscous, and its aroma clarity improves significantly once diluted.

If helpful, gently warming the closed bottle in the hands can assist with measuring.

Preparing a 1% working dilution in perfumer’s alcohol or a suitable carrier oil is recommended for accurate dosing during formulation.

Dilution Guidance for Honeysuckle Absolute Oil

Honeysuckle Absolute Oil is extremely concentrated and must always be diluted before skin contact.

Typical usage ranges are:

Perfumery and aromatic blends: 0.1–1%
Cosmetic products such as creams, oils and balms: 0.05–0.3%
Candles and soaps: usually below 1%, depending on the formulation

This material is not used neat and not used at high percentages. Patch testing is required before any skin application.

Frequently Asked Questions

Is this an essential oil

No. Honeysuckle Absolute Oil is a solvent-extracted absolute. It is not steam distilled and should not be treated as an essential oil.

What does Honeysuckle Absolute Oil smell like

It has a sweet floral aroma with honeyed warmth and soft green undertones.

Is it a top, middle or base note

Honeysuckle Absolute Oil sits between the top and heart of blends and is mainly used as a floral modifier.

Which materials does it blend well with

It blends well with jasmine, neroli, rose, citrus materials, soft woods and light musks.

How should it be stored

Store tightly closed in a cool, dark place away from heat and direct sunlight.

Is it suitable for children or during pregnancy

Honeysuckle Absolute Oil is generally avoided during pregnancy and is not recommended for children unless advised by a qualified professional.

Precautions

FOR EXTERNAL USE ONLY.
Do not apply undiluted to the skin.
Always dilute before topical use.
Avoid use during pregnancy unless advised by a qualified professional.
Keep out of reach of children and pets.
Avoid contact with eyes and mucous membranes.
Carry out a patch test before use.

Natural Variation Notice: As a natural absolute, variations in colour, viscosity or aroma may occur between batches and do not affect quality.
Disclaimer: Individual experiences may vary. Seek professional advice if unsure before use.

Honeysuckle | Sweet floral | Absolute oil | Top to middle note | Perfumery and formulation

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SKU: 24649783631

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4.4 ★★★★★
Based on 6 reviews
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Product Reviews
W
Verified Purchase
William
Lake Worth, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2017
G
Verified Purchase
G. Fisher
Waukegan, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
A
Verified Purchase
Artie Anzaldua
Belleville, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
H
Verified Purchase
Here
Boise, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 5, 2013
J
Verified Purchase
Joel K. Williams
Boise, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 11, 2010

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