SKU: 28696230117

Michl, Joseph Willibald: Quartet in C major for Bassoon and Strings (Schwemmer B XIX: 3.2) (AE602)

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Description

Michl, Joseph Willibald: Quartet in C major for Bassoon and Strings (Schwemmer B XIX: 3.2) (AE602)Description Michl, Joseph Willibald (1745 1816) Product Code: AE602 Description: Quartet in C major for Bassoon and Strings (Schwemmer B XIX: 3. 2) Edited by: Kate Nelson Year of Publication: 2020 Instrumentation: fag 2vn vc Binding: Score: Stapled Parts: Unbound Duration: 12 min(s) Key: C major ISBN: 978 988 8708 20 8 (print) 978 988 8708 21 5 (digital) ISMN: 979 0 805700 70 0 Audio samples Details These works are the epitome of urbane

Description

Michl, Joseph Willibald (1745-1816)

Product Code: AE602
Description: Quartet in C major for Bassoon and Strings (Schwemmer B XIX: 3.2)
Edited by: Kate Nelson
Year of Publication: 2020
Instrumentation: fag 2vn vc
Binding: Score: Stapled / Parts: Unbound
Duration: 12 min(s)
Key: C major
ISBN: 978-988-8708-20-8 (print)
978-988-8708-21-5 (digital)
ISMN: 979-0-805700-70-0

Audio samples

Details

These works are the epitome of urbane sophistication; elegant in construction, mellifluous and with a clarity of texture that allows the bassoon to shine. While he occasionally exploits the extreme upper and lower range of the instrument, Michl confines most of the bassoon writing to the tenor register where the instrument’s natural warmth and tone can be heard to advantage.

As is the case in writing melodically for the cello in combination with strings, the composer needs to take particular care to prevent the line being masked by the violins which generally, although not invariably, play above it. Michl’s adept handling of such technical matters immediately mark him out as a composer of considerable skill and imagination.

The musical texture, although simple, rarely lacks rhythmic animation and the various melodic instrumental pairings with the bassoon create a pleasing variety of tone colour. The thematic materials upon which the individual movements are based are also ideally suited to presentation and expansion by the bassoon. Such is the domination of the bassoon in these quartets that they resemble at times miniature concertos.

Although there are points of similarity with the Parisian quatuor concertant, Michl’s quartets differ significantly from them in restricting soloistic writing for the other instruments.

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SKU: 28696230117

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