SKU: 37142625168

Ninja Ultra 5.2" 4K HDMI Recording Monitor

Sale price$421.65 Regular price$468.50
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Description

Ninja Ultra 5.2" 4K HDMI Recording MonitorLightweight, tough and reliable monitor recorder with advanced monitoring and recording features. Capture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P Flexible codec choice ProRes RAW, ProRes, DNxHD & H. 265 (HEVC) all for free! Dual RAW record for Camera to Cloud workflows capture 4Kp60 ProRes RAW & H. 265 simultaneously* SDI Cine new feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras

  • Lightweight, tough and reliable monitor recorder with advanced monitoring and recording features.
  • Capture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P
  • Flexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!
  • Dual RAW record for Camera to Cloud workflows - capture 4Kp60 ProRes RAW & H.265 simultaneously*
  • SDI Cine new feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras

Product Description

Ninja Ultra is a leap forward in filmaking technology that captures your vision in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P with full codec flexibility choice between ProRes RAW, ProRes, DNxHD & H.265 (HEVC) . Ninja Ultra has been built with a new operating system AtomOS 11 that host new and exclusive monitoring and recording features that bring creativity to live in every project, from cinematic to social media. RecordAssist and PlayBackAssist cover pre-arranged or remote shots , while improved false color tools like Arri False Color or EL Zone fit with today's creators needs. In conjunction with the Atomos Connect, it opens up ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud and 4K H.265 for instant publishing from the cloud, and the SDI Cine feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras. Share what’s on your Atomos screen with other Atomos Connect users, as well as with Shogun Connect, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with full audio comunication between devices in the included feature Atomos RemoteView*. These new features bring even more versatility to the Ninja Ultra, providing professional I/O options for a multitude of cameras 12G-SDI, AirGlu wireless timecode and control and up to 4K NDI– from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. Ninja Ultra supports WiFi 6E that boosts cloud video workflows offering more a stable conection. Atomos’ close partnerships with major camera manufacturers ensure that Ninja Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras.

ProRes RAW for camera to cloud workflows

Capture simultaneously to 4K 60p ProRes RAW and HD 60p H.265

Record full-quality files in ProRes RAW up to 4K 60p while at the same time recording HD 60p to H.265. It’s the best of both worlds. Boost your productivity by storing your definitive copy in ProRes RAW ready for your post-production workflow, and use your H.265 copy for your camera to cloud activities.

Supercharge your internet

With lower latency, higher throughput and a more stable connection, WiFi 6E boosts cloud video workflows. All other Wi-Fi variants share the same two radio frequency bands: 2.4 GHz and 5GHz, but Wi-Fi 6E also occupies 6GHz. Only Wi-Fi 6E devices use this frequency, so they have no competition from legacy Wi-Fi formats.

Wi-Fi 6E is less prone to interference and works over a longer range. All things being equal, users will have at least twice the bandwidth available at a given distance from the transmitter.

The new format also offers lower latency and can make more simultaneous connections to Wi-Fi 6E routers. Wi-Fi 6E is backwards compatible with previous Wi-Fi versions, but its extended capabilities will only be available when connecting to other Wi-Fi 6E equipment

Multiple codecs

The new Ninja line includes the following codecs free of charge, giving you more options to choose the ideal codec for your projects.

  • Apple ProRes
  • Apple ProRes RAW
  • H.265
  • DNx (QuickTime)
  • DNx (MXF)* coming later in 2023

The Apple ProRes codec is pre-activated to use out of the box, so you can start shooting immediately.

To activate the H.265 and DNx codecs, visit my.atomos.com to register your product, then follow the simple online instructions to activate these codecs for free using an activation token system.

To activate the Apple ProRes RAW codec you need to go to the my.atomos.com portal.

RemoteView

Atomos RemoteView lets you share what’s on your Atomos screen with other Atomos monitors, as well as with iPads, Macs and Apple TVs wirelessly. You can monitor what’s happening on-set and look through any connected camera taking the shot, from anywhere in the world.

Remote view doesn’t need expensive hardware and uses the public internet, so it’s global. But Atomos technology ensures there are no delays. You can receive up to four RemoveView feeds on a single screen. It’s all configurable from a simple web interface. Atomos RemoteView needs an Atomos Connect but no additional hardware. Powered by a unique combination of AtomOS 11 and Atomos Cloud Studio.

Atomos RemoteView requires Atomos Connect and a subscription to Atomos Cloud Services. It uses Atomos Credits for a simple ‘pay as you go service’.


Publish from the cloud (Record higher quality media for instant publishing)

The new 4K camera to cloud mode lets you record and upload much higher quality H.265 video with higher framerates. H.265 files are half the size of H.264 media. They’re small enough for camera to cloud workflows more than good enough for immediate use on social media, sports reporting or news gathering. It’s the fastest way to get your video in front of your viewers (requires ACS subscription). Also a super useful mode to record proxies at up to 4K 60p to match a original in-camera (OCF) file.

Any Camera, any format. Anywhere.

Pair Ninja Ultra equally well with smaller cameras as part of a minimal setup, or with full-size camera rigs on large-scale productions.

Ninja Ultra is made from precision materials, carefully crafted for maximum durability. Weighing only 360g (0.79lbs), you can use it comfortably with a handheld camera. Ninja Ultra includes anti-rotational ⅜ – 16 mount points on the top and bottom. It ships with a ¼ – 20 adaptor for easy mounting on industry-standard equipment from a wide range of manufacturers.

  • Lightweight, tough and reliable monitor recorder with advanced monitoring and recording features.
  • Capture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P
  • Flexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!
  • Dual RAW record for Camera to Cloud workflows - capture 4Kp60 ProRes RAW & H.265 simultaneously*
  • SDI Cine new feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras

Add-On Options

Both monitors retain the form factor of the original Ninja V/V+ models, enabling them to work with all existing accessories, such as the Master Caddy II / III, the AtomX Cast, and the Atomos Connect.

Many of the new AtomOS features have been enhanced or are newly added to support the optional Atomos Connect and AtomX Cast modules. With Atomos Connect, it supports the latest Wi-Fi 6E protocols, so you can share your screen using the RemoteView app. With the added SDI connectivity of the Connect and AtomX expansion, you can add 12G-SDI input/output, timecode, enhanced metadata, remote control, 1Gb Ethernet connectivity, and even set up your monitor streams on an NDI 4K network as a drop-in node. The Connect also provides a gateway to the Atomos Cloud―record and share your 4K60 raw files and H.265/HEVC streams globally using the new 4K C2C mode.

Add to Cart
Customer Reviews
3.4 out of 5 stars
10
Price $799.00$799.00
ATOMOS 11
RecordAssist, Playback Assist & TimeLapse
Atomos RemoteView SC SC
Supported Wi-Fi standard (Requires Atomos Connect) 6E 6
Apple ProRes
Apple ProRes RAW Y(8K) Y(6K)
Apple ProRes RAW + H.265 (Dual Record) -
H.625 4k for C2C workflow
H.625 Record + Steam/Live Show/NDI TX
ARRI/Canon/Sony/RED Camera SDI Cine filename support -
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 37142625168

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Gummy Roach
Battle Creek, US
★★★★★ 5
Very easy to use
Size: 12 Pairs / 24 pcs
I have an Onkyo audio/video receiver along with an Emotiva amplifier. Both have speaker "post" terminals which will accept banana plugs, OR I can connect the speaker wires by unscrewing the posts, poke the speaker wires into the terminals and then tighten the posts. The problem with poking the wires into the terminals and tightening the posts vs using banana plugs is that there is a risk of the wires touching the metal on the back of the chassis or touching other speaker wires, causing a short if one is not careful. With banana plugs, they simply plug into the back/top of the posts, eliminating the rsick of a short circuit. They can also be unplugged very easily if needed. Banana plugs are DEFINITELY the preferred way to connect speakers to an receiver or amplifier if they have post-style terminals. These particular banana plugs came in a package of 12 I believe. They were very reasonably priced, and simple to connect to the end of the speaker wires. Simply unscrew the banana plugs, use a small, standard jewelry screwdriver and loosen both of the set screws, insert the speaker wire, then tighten the set screws, and then screw the banana plug back together. The plugs have either a red band which would typically be used for your "Right" speakers, or a black band which would typically be used for the "left" speakers. The banana plugs insert into the top or front of the speaker terminal posts on the amp and receiver. They fit VERY snug, and so I did have to apply just a little bit of pressure in order to insert them into the posts, but once plugged in, rest assured they're not going anywhere. They are snug. I highly recommend these.
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Reviewed in the United States on January 2, 2025
Y
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Yozhik
Fort Morgan, US
★★★★★ 5
Flexible PVC Cable
Size: 2 Gauge 10FT
If you like the slick, shiny surface of PVC but want the flexibility of welding cable, this is a pretty good option. Easy to shape and makes solid crimps. One of my favorites.
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Reviewed in the United States on April 28, 2026
J
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JW
Natrona Heights, US
★★★★★ 5
Good quality for a good price!
Size: 6 Gauge 15FT, Size: 6 Gauge 15FT
Good value for the quality of these copper cables. Cut them to the length I needed and put a copper eyelet on one end. Wire size works good between my Victron solar charge controller and the batteries. Wire gauge will be able to handle the wattage much better than what I was using. They look much more professional than the old cables I was using also!
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Reviewed in the United States on December 15, 2025
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Amazon Customer
Omaha, US
★★★★★ 5
Be safe and always calculate the gauge wire are you need, don’t cut corners.
Size: 4 Gauge 10FT
Good quality solid copper 4 Gauge wires in red and black. Avoid aluminum wiring that has copper plating so looks like solid copper but can be dangerous if used in heavy load applications. Copper is expensive but required if amperage is high.
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Reviewed in the United States on February 8, 2026
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Jenaro Garcia
Phoenix, US
★★★★★ 5
Good
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Good item
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