SKU: 4343947787

SCHEURICH KERAMIK ‘HARLEKIN’ VASE Nr. 549/21

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Description

SCHEURICH KERAMIK ‘HARLEKIN’ VASE Nr. 549/21An outstanding 1960s version of Scheurich Keramik's 'HARLEKIN' decor on Heinz Siery's. shape No. 549 21 SCHEURICH had its origins in a joint venture launched in 1928 by Alois Scheurich and his cousin Fridolin Greulich in the small town of Schneeberg near the Czech border in Saxonywholesaling glass, porcelain, and ceramics. The business was moved to the market community of Kleinheubach in the northeast corner of Bavaria in 1938, and ten years later the

An outstanding 1960s version of Scheurich Keramik's 'HARLEKIN' decor on Heinz Siery's. shape No. 549/21

SCHEURICH had its origins in a joint venture launched in 1928 by Alois Scheurich and his cousin Fridolin Greulich in the small town of Schneeberg near the Czech border in Saxony—wholesaling glass, porcelain, and ceramics. The business was moved to the market community of Kleinheubach in the northeast corner of Bavaria in 1938, and ten years later the partners began producing household ceramics of their own, selling them under the name Scheurich & Greulich. In 1954 the partnership was dissolved, and Alois founded Scheurich GmbH & Co. KG to continue production on his own.

The celebrated designer Heinz Siery was recruited in 1955 as Scheurich’s lead form designer, but in addition to an extensive range of shapes, he was also key in helping the company develop a successful overarching production strategy, which was to produce a wide array of simple forms that could be produced cheaply and decorated in a great variety of glazes. This resulted in a range of pieces that were both varied and economically adaptable. The approach proved altogether successful and led to Scheurich’s hegemony beginning in the late 1960s.  The company's strategy of keeping its prices low combined with an enormous range of attractive designs resulted in millions in sales and the designs were adapted twice a year to the changing tastes of the public.

Scheurich mainly made vases and flowerpots but also produced ashtrays, piggy banks, candle stands, beer mugs, buffet clocks, wall reliefs, and Christmas tree holders. Scheurich, with a few exceptions, did not make kitchen clocks or lamp bases.

The most successful vase models come in dozens of glaze versions (decors), for example, Heinz Siery designed vase model 271-22 in 1959 and it was fashionable for decades with a variety of changing glaze options. Another important designer for the shapes was A. Seidel. The main glaze designer was Oswald Kleudgen.

Some well-known motifs are Montignac (1972-1973; hand-painted), Amsterdam (onion motif/Zwiebeldekor; 1974-1975), Fabiola (dark brown-red overflow glaze), and Jura (fossil/snail motif).

Some designs were made especially for export purposes; on the bottom of those vases is not "West Germany", but "foreign". Nevertheless, vases with "foreign" also ended up on the home market.

The vases were fired at 1000 degrees Celsius and came from molds. The most extreme glazes and patterns remained in West Germany. Red and orange vases sold best. Yellow and purple less. Large floor vases cost 40-50 Deutsche Mark (20-25 euros) each and were for sale in the Karstadt and Kaufhof department stores. At least 500 pieces of each vase were made.

By the late 1980s, shapes and color schemes became plainer and the work less attractive to collectors.

HEINZ SIERY was a true luminary in the world of ceramics in the 1950s and '60s.  His form designs had a significant impact on the product styles of makers Fohr, Scheurich, Carstens, and Ruscha, among others.  Siery often employed "the golden ratio" (or an approximation) while designing, lending harmonious proportion to his work.  This can be clearly seen in his most iconic vase, no. 271/22 for Scheurich.  Presented in 1959, it was extremely popular and was still being manufactured in the 1970s.  Siery also developed and introduced new methods of industrial organization.

In 1969 Siery and his wife, Ingrid Siery-Illgner, established a jointly operated studio, Atelier Syré, near the historic town of Euskirchen in North Rhine-Westphalia out of which they both freelanced.  (Ingrid had also designed decorative objects for Carstens and overseen the design department at the Wächtersbach earthenware factory.)  In addition to commissioned work, the couple produced creations of their own—notably elegant, figural sculptures made of bronze, whose simple, classical forms and sleek lines evoke the work of Henry Moore and Joannis Avramidis.  Atelier Syré houses a sculpture park home to more than 300 of these works.

Designer Heinz Siery
Manufacturer Scheurich
Design Period 1960 to 1969
Production Period 1960 to 1969
Country of Manufacture Germany
Identifying Marks This piece has an attribution mark
Style Vintage, Mid-Century, Modernist, Bauhaus
Detailed Condition Excellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight restorations.
Product Code
Materials Ceramic
Color Black, teal, orange, red
Width 5.0 inch
Depth 5.0 inch
Height 8.5 inch

 

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SKU: 4343947787

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Ms. Rea
San Leandro, US
★★★★★ 5
It's perfect support.
Size: Extra Back Support (21-Inch), Color: Dark Grey
The best way to describe the super comfy reading pillow is super comfy. I use it to sit up while watching something soothing to my mind on tv and due to its comfyness and softness, it's perfectly just right for my back. The funny thing is within a few minutes I'm knocked out sleep, which is a good thing. It's soft but firm lumbar area and arms feels oh so comfortable. It gives the best sleep quality and less toss and turning. I highly recommend.
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Reviewed in the United States on May 7, 2026
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Michael Simko
Waukegan, US
★★★★★ 4
Great Size and Comfort
Size: Extra Back Support (21-Inch), Color: Dark Grey
2 months after buying a different reading pillow I felt it was time to buy a different one based on the comfort and support. I found this one listed for a good price. After carefully looking through the listing, I bought the 21" size. On my first night of usage, I was already impressed with the comfort and support vs the reading pillow I had bought 2 months prior. I like how this one has nice support for my neck and head as I'm relaxing on my bed with my laptop and phone. The texture of the filling gives it a very nice combination of cushioning and firmness. The horizontal feature line in the center of the pillow is a nice feature for back and neck support thanks to it giving the pillow some flexibility. As for the arms, their length, width, height, and cushioning are very good for resting my arm while I'm using the wireless mouse with my laptop.
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Reviewed in the United States on February 27, 2026
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GhostFingersXP
Dallas, US
★★★★★ 5
Book Reading Wife Approved
Size: Standard (18-Inch), Color: Sage Green
I purchased this for my wife who reads quite a bit and she absolutely loves it. She said it feels soft, is the right size for her, and makes book reading more comfortable for her. I call it a win.
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Reviewed in the United States on April 23, 2026
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A Brown
Waukegan, US
★★★★★ 3
Not good quality
Size: Standard (18-Inch), Color: Dark Grey
Comfy, however it’s getting flat an only had it a week
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Reviewed in the United States on April 27, 2026
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Linda F. Del Valle
Alexandria, US
★★★★★ 5
Love this ❤️❤️
Size: Standard (18-Inch), Color: Rose Pink
Love love super comfy soft yet firm Great quality good value the material is sturdy
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Reviewed in the United States on June 3, 2026

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