SKU: 45546496064

Chelsea Classical Lean Medium

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Description

Chelsea Classical Lean MediumPlease Note: This product is Classified as Dangerous Goods and will add significant freight surcharges. Please review the Shipping Policy below for details. This archival quality medium thins oil paints and decreases drying time. The oil in CCS Lean Medium is cold pressed, purified, and de yellowed by traditional, natural processes. Lavender gives the medium a strong, sweet smell. Recommended for use in the early layers of your painting while painting

Please Note: This product is Classified as Dangerous Goods and will add significant freight surcharges. Please review the Shipping Policy below for details.

This archival-quality medium thins oil paints and decreases drying time. The oil in CCS Lean Medium is cold-pressed, purified, and de-yellowed by traditional, natural processes. Lavender gives the medium a strong, sweet smell. Recommended for use in the early layers of your painting while painting fat-over-lean.  This high-quality, oil painting medium is meticulously handcrafted using formulas based on historic recipes and techniques. No harsh chemicals are used in its production, so it's safer for artists than other oil painting mediums. It comes in glass bottles.

This product contains Lavender Spike Oil Essence, which is a historically documented solvent used since the Renaissance. It is non-carcinogenic and has a strong herbaceous scent. Use in a well-ventilated area, and it may not be suitable for people who are sensitive to strong scents. 

Q: WHY IS IT IMPORTANT TO PAINT FAT OVER LEAN? 

A: Fat-over-lean is a fundamental technique that every painter should be aware of if they wish to prevent cracking, delaminating, imperfect drying, and uneven gloss in their painting.

Q:HOW DO YOU PAINT FAT OVER LEAN? A: Fat over lean means to paint so that each successive layer of paint is fat and contains more oil than the lean layer preceding it. To paint fat over lean, begin by using our lean medium and simply add more fat medium each successive day of painting. Or, if you would like complete control over your painting medium, add your own ratio of oil and/or damar varnish accordingly.

Q: IF A PAINT LAYER IS THICKER THAN THE LAYER OF PAINT BELOW IT, BUT IT DOES NOT CONTAIN VERY MUCH OIL, DOES THAT STILL FOLLOW THE FAT OVER LEAN PRINCIPLE? A: Don't be mistaken, a fat layer of paint has nothing to do with the thickness of the paint. Fat over lean refers to the amount of oil in the most recent layer of paint relative to the dried layer below it.

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SKU: 45546496064

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4.3 ★★★★★
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J. A. White
Lake Worth, US
★★★★★ 3
Comprehensive, but not convincing to this non-believer
Format: Paperback
Having previously read Fawn Brodie's , I read this one to get the believer's view. Bushman is at his best describing the evolution of Smith's thinking and revelations. Although the book is long, it is well written and authoritative. It gives a deeper understanding of Smith's religious philosophy than does Brodie's book. To his credit, Bushman confronts many of the crucial controversies surrounding Smith. From my non-believer's perspective, however, the defenses of Smith are not remotely convincing. Some examples: 1. DNA analysis shows without question that the American Indians came from east Asia. This fact is in direct contradiction of the traditional LDS view that Native Americans are lost Israelites. Bushman argues that Smith may have been writing about a small tribe somewhere in New York, or about people outside North America altogether. Within a few pages, Bushman has forgotten about this controversy altogether, and happily describes the Book of Mormon as a history of the American Indians. 2. Smith made the huge mistake of reproducing parts of the hieroglyphics he claims to have interpreted as the "Book of Abraham." These documents have been translated by scholars and have nothing to do with Abraham. Bushman (pp. 291-2) puts forth the argument that Smith's translation may not have been a true translation, but instead may have been a divine revelation simply inspired by the presence of the scrolls. Bushman suggests the same for the Book of Mormon. This is a truly shocking stance for an LDS believer to take: if Smith's "translations" weren't translations, why should anyone believe that his revelations were divinely inspired? Ironically, Bushman's view here sounds much like Brodie's: Not anticipating that scholars would use the Rosetta stone to translate hieroglyphics, Smith imagined that bogus translations would not be found out. 3. Smith repeatedly lied about whether he and the Saints were practicing polygamy. Bushman's defense of Smith in this context reminds me of Bill Clinton's statements regarding Monica Lewinsky: Smith held a secret definition of the term "polygamy," and thus felt free to mislead (or lie) with impunity. The facts, as reported by both Brodie and Bushman, support the conclusion that Smith coerced women into his bed by arguing that their eternal salvation was at stake. The stain of Smith's lustful "revelation" regarding polygamy continues to haunt the LDS, which claims to recoil from earthly polygamy but argues that men (not women) get to have harems in heaven. Despite these complaints, I recommend this book to non-believers who are patient enough to get through it. I feel that I have much greater insight into the LDS mindset than I did before.
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Reviewed in the United States on April 21, 2008
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Ian
San Leandro, US
★★★★★ 5
The definitive paperback edition
Format: Paperback
I purchased the Oxford World's Classics edition of "Le Morte d'Arthur: The Winchester Manuscript" for a school reading assignment, and I can say with confidence that this is the version you want. The original Old English is present (it was virtually a new language), complete with very useful footnotes to assist with antiquated words and phrases. The story was intriguing, colorful, and poignant (it's a downer, but a well-written one), filled with memorable characters such as Sir Gareth and Sir Launcelot. If you have a taste for classic literature and are looking for a challenge, definitely give "Le Morte d'Arthur" a read, especially with this version.
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Reviewed in the United States on March 1, 2023
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Josephine DiNovo
Houston, US
★★★★★ 5
This copy is an excellent modernization of Malory's text with helpful footnotes and endnotes
Format: Paperback
I got this book for class, so I've only read large segements of it. This copy is an excellent modernization of Malory's text with helpful footnotes and endnotes. The footnotes were always available to explain unfamiliar words without interrupting the flow of the story.
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Reviewed in the United States on May 18, 2016
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Nico Agostinelli
Phoenix, US
★★★★★ 5
Fast Shipping
Format: Paperback
I received this book one week ahead of the expected shipping date. It was new and in good quality as described. Highly recommend this seller.
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Reviewed in the United States on August 9, 2024
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Verified Purchase
Randy Bone
Phoenix, US
★★★★★ 4
Delightful text, but the omissions are frustrating
Format: Paperback
The modern spellings of the original Middle English text make this book quite easy and fun to read. However if you're trying to follow the actual complete storyline or compare it side-by-side with one of the original full text versions the frequent omissions quickly become quite evident and frustrating as you realize just how abridged this version actually is. That being said, the foot-of-page glossary and explanatory notes are quite helpful and informative. If only they wouldn't have left so much of the text out this would be a five-star review.
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Reviewed in the United States on December 25, 2019

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