SKU: 56453712213

Kraus, Joseph Martin: Sinfonia in C sharp minor (VB 140) (AE251)

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Kraus, Joseph Martin: Sinfonia in C sharp minor (VB 140) (AE251)Description Kraus, Joseph Martin (1756 1792) Product Code: AE251 Description: Sinfonia in C sharp minor (VB 140) Edited by: Bertil van Boer Year of Publication: 1999 Instrumentation: 2fl 2cor 2vn va vc b Binding: Score: Spiral Parts: Unbound Duration: 19 min(s) Key: C sharp minor ISBN: 1 877230 51 0 Audio sample Details Like the Symphony in C major (VB 139), this work is a representative of the more intimate Sinfonia da camera genre. The autograph

Description

Kraus, Joseph Martin (1756-1792)

Product Code: AE251
Description: Sinfonia in C sharp minor (VB 140)
Edited by: Bertil van Boer
Year of Publication: 1999
Instrumentation: 2fl 2cor 2vn va vc b
Binding: Score: Spiral / Parts: Unbound
Duration: 19 min(s)
Key: C sharp minor
ISBN: 1-877230-51-0

Audio sample

Details

Like the Symphony in C major (VB 139), this work is a representative of the more intimate Sinfonia da camera genre. The autograph parts make it clear that the setting was originally intended to be small, perhaps only one player per part. It is not know for which occasion Kraus composed this work, but watermark dating of the original makes it likely that it was written during the Summer or early Fall of 1782. This symphony is unusual, not only because it is one of those rare pieces written in the key of C minor, but also because it is in four movements, including a minuet; Kraus's normal preference was for a three movement format. The entire work can be considered one of the best examples of a true Sturm und Drang symphony. The slow introduction contains a dramatic allusion to Gluck's overture to the opera Iphigenie en Aulide, a significant homage to one of Kraus's idols. Trademarks of the musical Sturm und Drang abound in the first movement; the swiftly appearing motives, the relentless minor key sonorities, the incessant use of rapidly changing dynamics, syncopations and tremolos, and the often sparse orchestration that lends the movement a powerful tension. The second movement, in contrast, is a lyrical episode whose lines move enharmonically, with a brief reminiscence of the introduction. The minuet is an example of the al rovescio, where the second part is simply the first played backwards in palindrome fashion.

As noted above, the edition is based upon the complete set of autograph parts, now in the Royal Swedish Academy of Music Library under signature Z/Sv. Originally, Kraus wrote out a separate figured bass part, even though he also included separate parts for both the violoncello and contrabass. Most likely, this was his "conductor's" score, performed at the keyboard. As is usual with Kraus's autographs, the parts are meticulously written, noting all dynamics, phrasings, etc. Given this precision, the editor has accepted that the composer deliberately chose to vary certain parallel passages, and that the nuances were carefully conceived. For example, in bar 74 of the first movement, Kraus chooses to divide the slurred staccatos, an action necessary to make the bowing come out right in the first violins, even though it does not correspond to the previous articulation of the motive. Likewise in bar 180, the horns sustain the harmony with a halfnote, while the rest of the instruments have only a quarter, thus maintaining the continuity of the piece. Cross slurring in the slow movement has likewise been maintained, although it too seems rather strange to modern eyes; Kraus's intent, however, seems to have been the continuity of the line above regularity. In the Minuet, the final note is a lone b-flat in the bass, an irregularity that Kraus repeated in all three "bass" parts, and thus it has been retained. One ought perhaps to suggest that this movement contains some inside musical joke of the sort that the composer was fond of writing on occasion. Some of the cautionary accidentals have been removed as redundant. Bertil van Boer

Performance

22 May 2014 21 May 2014 Conductor: Mirga Grazinyte-Tyla Wiener KammerOrchester Konzerthaus - Wien - Austria
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28 October 2013 Conductor: Pierre Hoppe Kammerorchester der Weingartner Musiktage Sparda Bank Evente Center - Stuttgart - Germany
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27 October 2013 Conductor: Pierre Hoppe Kammerorchester der Weingartner Musiktage Ev. Kirche - Weingarten - Germany
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14 November 2008 Conductor: Zbigniew Pilch Wroclaw Philharmonic Orchestra Philharmonic Concert Hall - Wroclaw - Poland
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25 January 2008 Stuttgarter Kammerorchester Staatliche Hochschule für Musik und Darstellende Kunst, Konzertsaal - Stuttgart - Germany
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11-21 December 2006 Camerata Salzburg 1 performance in Wien- Vienna - Austria/ and 5 perfomrances in Wuerzburg, Mannheim, Wiesbaden, Aachen & Essen - Germany
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6 October 2006 Wojciech Raiski Polnische Kammerphilharmonie Herbstliche Musiktage (Autum Music Days) - Bad Urach (Festhalle) - Germany
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SKU: 56453712213

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Carmen Alicea
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★★★★★ 4
Baby bumps and bodyguards
Format: Kindle
Dark, emotional, and unexpectedly tender, Not Ready is an omegaverse romance that delivers found family feels, fierce protectiveness, and a very pregnant heroine who refuses to break. Vale’s on the run from a stalker, but lands in the arms of three private security alphas, cue the swoony tension, fake marriage twist, and slow-burn heat. It’s a little gritty, a little soft, and a whole lot addictive. If you love protective alphas, high stakes, and heroines with quiet strength, this one’s a must-read.
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Reviewed in the United States on December 18, 2025
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Shianne Whipple
Alexandria, US
★★★★★ 5
Strong Omegaverse Comfort and a Attention Grabbing Plot
Format: Kindle
Jillian West never misses when it comes to Omegaverse, and Not Ready is no exception. This story was the perfect blend of cozy comfort and emotional depth while still delivering a strong plot. Vale is such a powerful heroine, she is strong, capable, and determined but I love that she still allows her pack to love and take care of her. It’s that balance of independence and vulnerability that makes her so relatable. The relationship dynamics were amazing: Bishop is steadfast and completely head over heels, Mercy is skeptical but protective in his own way, and Holt is the hesitant one whose slow fall is so satisfying to watch unfold. The romance hits that sweet spot between insta-love and cautious build, keeping me hooked the entire way through. And that ending. Oh my god, the cliffhanger! I need the next book in this duet immediately.
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Reviewed in the United States on August 28, 2025
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NLB
Cuba, US
★★★★★ 5
Interesting
Format: Kindle
So I will say I enjoyed the story, for sure had its moments where it dragged but it was a great story. I really liked that omegas picked their alphas/make the pack. Normally the Alphas make it and the omega fits in with them which is great but I enjoyed this new version where all the power basically went to the omega. It was a nice change of pace. I can admit some of the weird bedroom stuff with her being pregnant was odd, it’s really not hard to do stuff when pregnant (I know I’ve had two and it’s normal and even encouraged at the end especially if you want the baby out). But I like the story as a whole and will read the second, I do hope the next one isn’t dragged bc it stopped being action or tense after she met her alphas and I don’t think it was brought up or properly done when they tried to do it. More sweet after she left.
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Reviewed in the United States on November 11, 2024
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Altairjones
Dallas, US
★★★★★ 3
I’m a little disappointed.
Format: Kindle
I usually like Jillian West’s books but this one was missing a lot for me. The pregnancy didn’t come across as real. She’s on her feet for 12 hour days but is perfectly healthy at 8 months pregnant? Yet the week she moves in all of a sudden she’s not? She is planning on actually running during one of the plot buildups. But at 8 months pregnant that’s incredibly hard to do. The lack of breathing ability and lung space, the change in body center, mass, and gravity. All of it prohibits running, unless you’re an athlete this didn’t come off as at all realistic. I didn’t feel any connection with the alphas. There wasn’t any emotional connection. It could be because of the tense it was written in. But I didn’t get any deep feelings out of this. It came across as checking off boxes. Even the spicy scenes weren’t really believable for me. I wanted to see them fall for her, and it just kind of all fizzled. Even Bishop. One thing I did really like was the ending. I did not see it coming and I’m interested in reading book two because of it. But on the whole this book was mostly disappointing for me.
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Reviewed in the United States on March 16, 2024
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Melissa Williams
Lowell, US
★★★★★ 4
4.25 stars
Format: Kindle
Vale is an 8 month pregnant omega working as a waitress at a strip club and a cam girl. She starts to get very creepy vibes from a regular at the club, and her baby daddy ghosted her. She has had an online relationship with a man named Bishop through her cam girl status. One night, bishop was paying to watch her sleep and ansthe creepy regular Andrew break in and watch her sleep he tells vale to come to him at his business now. She flees and finds herself at a large security company with some.hot of alphas who are there to help her. This imegaverse is a little different than I have read, but I am thoroughly enjoying it. Vale is not a traditional omega she was raised by a single beta mom, and the alphas are not normal alphas they have never really loved pack life. But they are ruthless mercenaries. They need her, and she needs them. I love the aspect of the stalker and now the plot twists at the end, so so good. Sometimes, it seemed a little slow and stale mated, but since this a duet, I think It was just her starting to have Vale get to know her alpha suitors. Cliffhanger for sure with this one.
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Reviewed in the United States on September 9, 2024

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