SKU: 74160133236

Echinacea paradoxa - Ozark Coneflower

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Description

Echinacea paradoxa - Ozark ConeflowerSizes available: #1 (Trade gallon), coming in 2026 Basics: zones 3 9, 2 3' x 1 1. 5', full sun to high, light shade, reflexed yellow rays encircle a pronounced dark brown cone, blooms in summer, likes a dry to medium moisture, well drained site, maybe on the lime y side. Common names: Ozark Coneflower Family: Asteraceae Origin Distribution: The species has a very narrow native range from south central Missouri to north central Arkansas. Habitat: Found

Sizes available: #1 (Trade gallon), coming in 2026

Basics: zones 3-9, 2-3' x 1-1.5', full sun to high, light shade, reflexed yellow rays encircle a pronounced dark brown cone, blooms in summer, likes a dry to medium moisture, well-drained site, maybe on the lime-y side. 

Common names: Ozark Coneflower

Family: Asteraceae

Origin/Distribution: The species has a very narrow native range from south-central Missouri to north-central Arkansas. 

Habitat: Found in open glades and prairies. 

More: This is a rare coneflower that grows well outside its native range. Echinaceas cross-pollinate readily and E. paradoxa (paradox because, as the only yellow coneflower, it is a paradox), is often used in breeding programs to create the numerous hybrid coneflowers that have a certain quirky, if usually short-lived, charm. It will take a little while to establish its taproot and during that time flowering will be on the sparser side, but once established it will be visited by numerous pollinators and is a favored seed for goldfinches. This coneflower looks lovely popping up among catmints, grasses, and Monarda punctata and the dark cones will persist into the winter garden. Deer tolerant. Both the seed head and flower are good for the vase.

Source: plugs from Prairie Nursery, grown on at Honey Petal Plants

Image credits: Image courtesy of Kristine Paulus via Creative Commons through the North Carolina Extension Gardener Plant Toolbox.

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SKU: 74160133236

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T
The Art and Making of
New York, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
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Reviewed in the United States on April 10, 2018
R
Reverend Skull
Massapequa, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
Lake Worth, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
Waukegan, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Cuba, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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