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Description
Kraus, Joseph Martin: Symphonie funebre in C minor (VB 148) (AE341)Description Kraus, Joseph Martin (1756 1792) Product Code: AE341 Description: Symphonie funebre in C minor (VB 148) Edited by: Bertil van Boer Year of Publication: 2002 Instrumentation: 2ob 2cl 2fag 4cor 2trbe timp 2vn va vc b Binding: Score: Staple Parts: Unbound Duration: 18 min(s) Key: C minor ISMN: M 67451 002 8 Audio sample Details This edition is based upon the principal official score (and parts) of the entire funeral music for Gustav III, now
Description |
Kraus, Joseph Martin (1756-1792)
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Audio sample |
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Details |
This edition is based upon the principal official score (and parts) of the entire funeral music for Gustav III, now in Stockholm at the Statens Musiksamlingar (Operansbibliotek Kyrkomusik 38). The autograph has been lost, possibly because it was used as a model for the publication of the funeral music in piano reduction by Olof hlstrm in May of the same year and subsequently discarded. The main score was written for the services themselves in the hand of the official state music copyist, Friedrich Gottlob Ficker, and were probably used by Kraus as his conductor's score. As with most of Kraus's music, there is an almost obsessive detail devoted to matters of performance, including absolute and precise markings, articulations, and ornaments. These have been followed without question, even if, on occasion, they are dissimilar from parallel passages. Only in bar 29 in the Violin I part has a missing slur been added. As noted above, the performance of the work within its original context was to divide it in half; more modern performances may wish to take a brief pause between the second and third movements to simulate this division. The beginning of the third and fourth movements have had a pianissimo added as a dynamic marking, as the principal source is clear that this level of sound should be carried over from the final mark in the second movement. In bars 29-30 of the fourth movement, the term "ad libitum" for the solo horn part is used to indicate a deliberate statement of the cadential notes, not a cadenza. In bar 34, the tutti violoncelli have been given a part colla parte with the contrabass, following the official parts; the source merely has the solo part, with no indication how the other cellos in the section continue. In addition, in the fourth movement, the viola parts have been divided throughout in order to achieve clarity of line for those sections where the divisi results in substantially different lines. Bertil van Boer |
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Performance |
24 November 2013
Conductor: Siegfried Schmidgall
Klassische Philharmonie Gaienhofen
Kirche St. Meinrad - Radolfzell - Germany
______________________________ 17 November 2013 Conductor: Siegfried Schmidgall Klassische Philharmonie Gaienhofen Liebfrauenkirche - Singen - Germany ______________________________ 17 April 2013 Conductor: Christian Zacharias Deutsches Symphonie-Orchester Berlin Philharmonie - Berlin - Germany ______________________________ 19 November 2012 18 November 2012 Conductor: Andreas Hotz Osnabrücker Symphonieorchester OsnabrückHalle - Osnabrück - Germany ______________________________ 24 November 2011 Conductor: Juri Lebedev Thüringen Philharmonie Gotha Theater - Itzehoe - Germany ______________________________ 23 November 2011 Conductor: Juri Lebedev Thüringen Philharmonie Gotha Margarethenkirche - Gotha - Germany ______________________________ 21 November 2009 20 November 2009 19 November 2009 Conductor: Christian Zacharias Göteborgs Symfoniker Stora Salen - Göteborg - Sweden ______________________________ 17 July 2008 Conductor: Bernard Labadie Jeune Orchestre Atlantique Abbaye aux Dames de Staines - France ______________________________ 16 July 2008 Conductor: Bernard Labadie Jeune Orchestre Atlantique Tribunal - Poitiers - France ______________________________ 16 Feburary 2006 12 Feburary 2006 Indiana University School of Music - USA |
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