SKU: 90212676440

Various - Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick 58–71

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Various - Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick 58–71In the 1950s and 60s, the blues was the dominant form of Black vernacular music throughout Texas and the surrounding areas. In segregated neighborhoods, community members gathered in saloons, dancehalls, and each other's homes to hear their neighbors sing their stories of sorrow, heartbreak, jubilation, and triumph. Robert "Mack" McCormick, an academically untrained but fanatical devotee of the blues, stepped into this world and became one of it's

In the 1950s and 60s, the blues was the dominant form of Black vernacular music throughout Texas and the surrounding areas. In segregated neighborhoods, community members gathered in saloons, dancehalls, and each other's homes to hear their neighbors sing their stories of sorrow, heartbreak, jubilation, and triumph. Robert "Mack" McCormick, an academically untrained but fanatical devotee of the blues, stepped into this world and became one of it's most devout advocates and documentarians. By photographing Black and Latino Texans and their neighborhoods, as well as recording and interviewing musicians-many of whom never stepped foot into a proper recording studio-McCormick endeared and eventually embedded himself into these communities. By the time he died in 2015, McCormick had amassed a collection of 590 reels of sound recordings and 165 boxes of manuscripts, original interviews and research notes, thousands of photographs and negatives, playbills, and posters. Because McCormick never published or released most of these materials, his collection became a thing of legend and intense speculation among scholars, blues aficionados, and musicians alike. Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958-1971 is the first compilation of music drawn from this fabled collection, which indelibly documents a pivotal moment in African American history. It features never-before-heard performances not only from musicians who became icons in their own right-including Lightnin' Hopkins and Mance Lipscomb-but also, crucially, performers whose names may be unfamiliar to even the most devoted blues fans and scholars. Newly mastered recordings and accompanying photographs bring to life many of these forgotten figures: offering insight into their lives and illuminating in new, enlightening ways their joys and anguish, deep social connections, distinctive voices, and cultural networks. The collection spans gospels, ragtime, country blues dirges, the unclassifiable music of George "Bongo Joe" Coleman, and more, showing that no community, no matter how tight knit, is monolithic. Accompanying the music is a 128-page book, which contains breathtaking photographs by McCormick and his associates, as well as contextual essays by producers Jeff Place and John Troutman on McCormick's life, and by musicians Mark Puryear and Dom Flemons on some of the marginalized communities throughout "Greater Texas" to which McCormick devoted his life's work. This release is a partnership with the Smithsonian's National Museum of American History.

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SKU: 90212676440

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not enough screws were included to make the wall. I was able to locate more screws to finish building-so I didn’t have to return the product- but it was a pain and I got lucky finding the pieces I needed but it could’ve been a fail and a returned product
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All the pieces were accounted for, and some even had extra pieces, maybe just in case they need changing. It was a bit like putting together a piece of IKEA furniture, though I went slower than usual so as not to make any mistakes. It wasn’t too hard to put together myself, and helps give my studio apt a feeling of space and privacy for my bed. I only wish it had a lovely Japanese design on it, but it does amazingly seem to match the wall color.
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