SKU: 90479047184

Didgeridoonas Oilskin - Dog Walkers Carry-All

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Description

Didgeridoonas Oilskin - Dog Walkers Carry-AllAustralian Oilskin Dog Walkers Carry All The Dog Walkers Carry All is made from waterproof Australian oilskin and its lined with waterproof nylon, so its easy to keep clean and will protect whats inside. With its spacious main compartment, zippered pocket and two front pockets, theres plenty of room for tennis balls, poop bags, delicious treats, or even your own things like wallets and phones. It can indeed carry all. Even better, its got an

Australian Oilskin Dog Walker’s Carry-All

The Dog Walker’s Carry All is made from waterproof Australian oilskin and it’s lined with waterproof nylon, so it’s easy to keep clean and will protect what’s inside.

With its spacious main compartment, zippered pocket and two front pockets, there’s plenty of room for tennis balls, poop bags, delicious treats, or even your own things like wallets and phones.
It can indeed ‘carry all.’

Even better, it’s got an adjustable shoulder strap, so you can use your hands for other things, and a D-ring that you can attach other accessories or toys to, such as Doggie’s Water Hole.

DIMENSIONS : 5 x 16 × 24(H) cm

CARE INSTRUCTIONS
  • Do not machine wash
  • Do not use soap
  • Hand wash only
  • Remove soil with soft brush
  • Sponge with cold water
  • Avoid contact with other materials to prevent transfer of oil
  • Reproof oilskin when necessary with DIDGERIDOONAS reproofer

    • 100% Cotton Outer(Wax Cotton)
    Designed in Australia and made from 100% Australia
    Proudly Assembled in Fiji

    Colours may vary slightly from the image.
    Accessories of example of use are not included.

    DIDGA KNOW - NOW YOU DIDGERIDOO!!

    Australian Oilskin
    Australian Oilskin is made from 100% cotton that is coated with a specialised oil and wax finish to give the Oilskin its distinctive waterproof, breathable and wind resistant properties.

     

    Care & Maintenance

    CARE AND MAINTENANCE
    Our traditional Oilskin products and garments are made from sturdy 100% cotton that is coated with our uniquely formulated oil and wax finish to give the Oilskin its distinctive weatherproof and breathable character. As a specialised material, the Oilskin fabric needs special attention to maintain its weatherproofing qualities.
    The following care instructions will help prolong the life of your Oilskin product.

    CLEANING
    • Follow the washing/care instructions attached to the inside of the product.
    • Do not wash with detergent or hot water as this removes the oil and wax which are crucial to the Oilskin’s waterproofing qualities
    • When the item gets dirty, brush off dirt or sponge down with cold water
    • When item is extremely dirty, hand wash in cold water
    If the garment requires a complete clean, we recommend using our Wool/Oilskin Wash or pure soap.

    REMOVING MOULD
    • Firstly brush off as much mould on the garment as you can find.
    • Sponge diluted vinegar onto the affected areas.
    • Hand wash in luke warm water using our Didgeridoonas Oilskin/Wool Wash or a pure soap. Do not soak your Didgeridoona.
    • Rinse off as much of the soap as you can and hang it out to dry. Keep out of direct sunlight.
    • Hose down any excess soap and air your coat. Air out
    • Once you’ve cleaned your Didgeridoona the soap may have stripped most of the oil out of the coat so it will need reproofing.
    Please note, always store your oilskin product in a dry well ventilated area. Do not place in a cupboard or plastic bag for long periods of time, otherwise it will become mouldy.

    REPROOFING
    With wear over time, the oil and wax on the Oilskin fabric will naturally dry out. At Didgeridoonas we offer two types of reproofing products for Oilskin care: Oilskin Reproofer and Didgeridoonas Reproofer Wax.

    STORAGE AND GENERAL CARE
    • Always store your Oilskin garment in a dry, well-ventilated area
    • Do not leave in wet, enclosed environments as this promotes the growth of mould.
    • The oil and wax proofing on your product can rub off on other surfaces. Be aware of this when using your product in close proximity with other surfaces.
    • Do not stitch through or repair the outside of the fabric unless absolutely necessary
    • If repairs need to be made, please make sure the area is reproofed after repairing to prevent leaking.

     

    About Didgeridoonas

    Didgeridoonas® an Australian owned company
    That began in 1995, with just two sewing machines, the two of us, and a casual seamstress. After initially directing our business towards the retailing and manufacture of clothing, we were inspired by woolgrower friends in Western Queensland to design products that utilized the numerous strengths of Australian wool.

    Our products are designed to last a lifetime. By using the very best materials such as pure Australian wool, a durable oilskin fabric, strong leather handles and the toughest stitching we could find, we’ve created an extensive range of products which we are truly proud of. Indeed we have received various awards for them, including the Reed Australian Gift Award in 2001, 2003, 2004, 2005, 2007 and recently the Best Father’s Day Range with our Golf products.

    Didgeridoonas® products are sold through selected stockists across Australia and we proudly export to a growing number of countries around the globe. Many Australian and International companies also use our products to promote their businesses.

    For further information on the our product range, please contact one of our stockists or Didgeridoonas® direct and we will be happy to send you the new Product Brochure detailing the latest range. Find out about Australian cooler bags, stubby coolers, personalized stubby holders Today.

    Built Tough
    Strewth! At Didgeridoonas we believe in quality. That’s why we’ve gone to the extent we have with searching for the best quality, long lasting materials to make all of our products.

    When you purchase a Didgeridoonas product you are guaranteed durability. In fact, we guarantee our products for life against manufacturing faults. Should you experience any problems with one of our products, we will, at our discretion, repair or replace the defective part.

    Naturally, our warranty does not cover general ‘wear and tear’ or misuse, but if treated well, a genuine Didgeridoonas product will go on to last a lifetime. They may not look like an oil painting after years and years of use, but they’ll certainly still perform.

    Products feature:

    Sturdy Zips and fastenings
    Robust straps, and strong buckles
    The toughest stitching we could find
    100% Australian Wool insulation
    Distinct and durable oilskin outers

     

    Warranty

    DIDGERIDOONAS Warranty Terms and Conditions

    Our lifetime manufacturing warranty is designed to cover the quality of our stitching and workmanship in the manufacturing process of the product or garment you have purchased.

    This warranty excludes damage that naturally and inevitably occurs as a result of normal wear or aging (general wear and tear), accidental damage (not limited to punctures, rips, tears, fire or chemical burns, marks or stains ) or miss use of the product.

    All materials used in the manufacturing process are protected by a 5 year materials warranty (or as stated at the time of purchase).

    In the event of a valid warranty claim, the customer must provide proof of purchase of the product or garment.

    It is at the company’s sole discretion as to whether the product or garment is repaired or replaced, no refund will be provided.

    It is the customers responsibility to make available the product to the manufacturer (either by post or in-person) for remedy of the claim.

    In the event that a product has been discontinued and is no longer available, and the company chooses to not repair the product or garment, the company may provide the customer with a similar product equal to the retail value of the original purchase.

    This warranty is provided by DIDGERIDOONAS, https://didgeridoonas.com.au/

     

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
    1. Standard Shipping : 3-10 business days
    • If time is of the essence, please consider selecting expedited delivery for faster service.
    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
    • Please click here for more details>>> Return & Exchange Policy
    SKU: 90479047184

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    4.6 ★★★★★
    Based on 11 reviews
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    M
    Verified Purchase
    Molly
    San Leandro, US
    ★★★★★ 5
    ” shows what it is like to be young and irresponsible
    Format: Paperback
    This book offers relatable poems about youth all the way up to adulthood. No matter the readers’ age, they can find something relatable in this book. One of the first poems, “River Gods,” shows what it is like to be young and irresponsible. This poem describes an instance where two young guys are walking on top of a railroad trestle, which is above the Tennessee River. “Since no one wants to cheat a foolish death alone, / I convinced my friend to leave his satchel on the bank / and we stepped out a hundred feet over the night” (“River Gods,” 13-15). This stanza shows that the two guys knew that what they were doing was dangerous and potentially deadly. This poem in comparison with other poems in this book really demonstrates recklessness in youth. While in that poem readers see the recklessness associated with youth, “Piano Key,” a later poem in the book, provides an insight into a more serious adulthood. In this poem, the narrator is dealing with the memories associated with his grandmother’s piano. I plunk my way left to right, up from the deep-forest Bass notes toward the bright high registers, Just past middle C, a dead spot I remember as a child, A crucial note that will not sing. (“Piano Key,” 13-16) The narrator does not provide much insight into his emotions, besides the fact the narrator is remembering something from when he was a child, but there is a sense of longing created because his grandmother is likely dead, which is why he is reminiscing about the piano. Going from “River Gods” to “Piano Key” provides different narrators. The first narrator does not care about his future; he only cares about what he is doing right at that moment. The narrator in “Piano Key” is thinking about the future and the past. If these narrators are the same, readers can definitely see how the narrator has changed and grown up. In “Digging the Pond,” there is a notable shift where the narrator, a young teenager, notices that him and his dad are different. He can name every species of tree, wild root, the compounds of the soil in every field, and knows that I stood off to the side too often to learn what he was born knowing. (“Digging the Pond,” 21-24) In this part of the poem, the narrator is realizing that he does not know something that his dad knows really well. When a child notices that they are different than their parent, it is usually a significant moment in that child’s life. The narrator in this poem seems to be realizing that he is growing up and changing; he knows he is no longer doing everything his parents are doing or enjoying it. Tennessee Landscape with Blighted Pine is a great book for poems about growing up and changing. This book grows with readers as the readers grow. I highly recommend this book.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on November 30, 2017
    L
    Verified Purchase
    L. Moyse
    San Leandro, US
    ★★★★★ 5
    A fine performance
    Format: Paperback
    You see an old pocket knife on the cover, maybe a Case; it may have even belonged to Jesse Graves, but he has certainly used it in sculpting his poetry. "Tennessee Landscape" is pure plain speech, and all the more evocative for it. Graves uses language not to shock, not incite and not to transgress; he uses it to bring home simple and time worn truths that never go away. In the poem that is the book's title, Graves recounts his family history and ends telling us "The dead move through us at their will, their voices chime/just beyond our hearing...alone in the field, and never alone." He pays homage to a farming tool"(Elegy for a Hay Rake), not with a tone of jaundiced cynicism, speaking to it instead in a voice filled with thanks and appreciation, as if the hay rake, too,knew how worthwhile its job had been. The second part of the volume expands Graves' geography from East Tennessee to New Orleans, North Carolina, points beyond, and the cast of subjects becomes a little broader as well, but the language remains firm and precise. "The Night Cafe: North Rendon, New Orleans": diction so perfect I feel I was there that night too. "My Sister at Sea": likely my favorite here. It feels personal, a short glimpse into a private heart; the glimpse is snatched away in a hurry but not before Graves tells us "...wishing I could bring/ you to this shore...Make your illness a small boat we could burn/Sailing out in ashes on the current." Whether it is a landscape, a hay rake, a bar or a loved one, Jesse Graves is a poet of things that last, one who writes quiet confessions with confidence in a spare quiet and sure voice. Very highly recommend this book.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 24, 2013
    T
    Thomas A. Holmes
    Los Angeles, US
    ★★★★★ 5
    Fine Contemporary Poetry--Just Happens to Be Appalachian
    Format: Paperback
    The poems in Jesse Graves' TENNESSEE LANDSCAPE WITH BLIGHTED PINE express an indebtedness to a way of life that we contemporary Appalachians have watched transform at an accelerated pace over the past few decades, as we see the beloved old ways of our culture adapt to the demands of a society marked with the pervasiveness of media, the incursion of corporate demands, and the poignant recognition that as much as family prepares us to face the world outside our community, the impact of that world can blur the impressions our homes have made on us. Graves' work approaches these themes from various directions, as a son looking to the legacy of his family, as a youth and young man balancing education--both formal and that gleaned from personal experience--and as a family man weighing what he shares and offers in embodying those values. In this consistently fine volume, it is difficult to select favorites, but there are "River Gods," where an inebriated student and his companion cross the high railway trestle over the Tennessee River in Knoxville, Tennessee, "Deep Corner," where the speaker contemplates how his life has turned out differently than his brother's, "Mother's Milk," where the speaker weighs how much his mother has contributed to his life (including, sweetly, "an ear for slightly off-pitch singing"), and "Digging the Pond," where the speaker and his father silently acknowledge that the son will not preserve all his father's values: . . . I stood off to the side too often to learn what he was born knowing. The doing and the undoing. I can find in his face what he reads about the future in the tea-colored water, his eyes and mine trying to avoid it. Graves' love for these gifts, those accepted and those only acknowledged, resonates throughout TENNESSEE LANDSCAPE WITH BLIGHTED PINE. Graves' appreciation for lyric poetry, his talent for finding the expressiveness of everyday language, and his offering scenes with great depth of meaning and feeling make this collection memorable, worthy of high recommendation.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on December 30, 2011
    J
    jwriter
    Draper, US
    ★★★★★ 5
    Extraordinary Journey
    Format: Paperback
    Jesse Graves conducts the reader on an intimate journey from childhood to manhood. Rooted deep in the rich red clay of East Tennessee, the narrative provides fresh insights about the ties of land and family. "Johnson's Ground" describes an annual homecoming at the family cemetery: "they never let us go, even the ones/Laid under before our births continue to make their claims." The poems express both nostalgia for the past as well as forward-looking hopes for a fresh life in the future. Daughter, Chloe often becomes a bridge from present to past as in "Water Washing Away": "A fair price for the vision of a girl/ who has warped the ancient spell of time,/ who has turned back my eyes." Tennessee Landscape with Blighted Pine is an enchanting read for poet and non-poet alike.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 10, 2013
    A
    Verified Purchase
    Austin Duck
    Battle Creek, US
    ★★★★★ 1
    Go Read Art Smith or Charles Wright
    Format: Paperback
    This book is clearly the case of someone steeped in a lyric tradition, but, rather than engaging in the self-reflexive structure of the tradition, is interested in describing ad nauseum, his southern experience. While there are moments in the book that tend toward the sublime, it rests largely as self-indulgent in a way antithetical to the form it chooses.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on November 5, 2013

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